Putting the Pentax Auto 110 film camera to the test vs the Pentax Q digital camera

The Pentax Auto 110 shown here with some of its exquisite manual focus lenses that can easily be adapted for the much more modern Pentax Q line of cameras.

Lomography color film and Turquoise test roles

It’s almost unfair to put up a 47-year-old (released in 1978) film camera the Pentax Auto 110 up against a more modern (2011) digital camera that’s as good as the diminutive Pentax Q line of mirrorless cameras.

But add a little modern technology in the form of scanners and excellent photo software, and the almost 50-year-old film camera and lenses loaded with Lomography color film stand up well when the original 110 lenses are also used on the Pentax Q cameras. Even the ability to use these tiny lenses on modern digital mirrorless cameras including M4/3 cameras is hard to believe.

I’m sure the original designers of the Auto 110 camera and lenses never dreamed their lenses would be used on a digital camera, but here we are.

Film size vs digital sensor

It’s easy to see that the 110 film of the Auto 110 camera compares in size to the Pentax Q sensor.

It’s important to note that the 110 film size is comparable to the size as the Q’s digital sensor. A frame from 110 film measures 13 mm × 17 mm (0.51 in × 0.67 in), while the digital sensor in the Pentax Q measures (6.17mm x 4.55 mm) 1/2.3 in.

For a look at what the Auto 110 and Pentax Q can do using the Pentax 110 manual lenses with Lomography’s B&W film, check out my earlier post here.

For a comparative look at the Pentax 110 vs the recently unveiled Pentax 17, check out my post here.

“If you are a Pentax 110 owner, you owe it to yourself to purchase a Pentax Q and an inexpensive adapter to use these exquisite lenses in a digital format. And, if you are a Pentax Q owner, you must get your hands on some of these 110 lenses to make magic with these 40-plus-year-old tiny lenses.”

All this being said, the convenience and the autofocus prowess of a Pentax Q teamed with one of the four exquisite autofocus lenses from the Q lineup, is both easier to use and more accurate than using the film camera with its manual focus lenses, especially when your eye sight isn’t quite up to snuff.

I found that images shot on the more modern autofocus Q lenses were considerably sharper than those shot with the 110 lenses. However, many of today’s photographers who are looking to add a more vintage style to their photographs may prefer the look of the older lenses and increased grain that comes with the 110 film.

Lomography’s Tiger color print film passes the test

Let’s first take a look at Lomography’s Tiger colour print film photographed with the Pentax 110 lenses. It’s important to note that I scanned this film manually by hand on two different scanners, both of which are not made for scanning the downsized 110 film.

Unlike the Orca B&W film that was scanned professionally by The Darkroom, I chose to go it alone with the colour film Tiger. The C-41, 200 ISO film results were mixed showing high grain typical of 110 film stock reducing sharpness as well as generally low contrast that made the images seem even softer.

Technical details of the film is limited because Lomography does not publish them. Tiger film is available only in the 110 format from the Lomography website. Whether Tiger is simply a repurposed film from another manufacturer is difficult to say at this point, but we can consider it as a standalone film for this review.

The grain is high as a baseline in this film and only amplified by the tiny format that 110 delivers upon magnification. All of the issues that this magnification creates such as grain, image softness and tonality are also amplified. As a result, the images do not show a lot of gradation in colours and tones.

The dynamic range of this film is decent by 110 standards with shadows and highlights can both be retained in even lighting conditions but not so much in high contrast situation say in full sunlight with deep shadows. Chances are you’ll either blow out the highlights or lose the shadows.

The size of these negatives amplifies the already limited tonality and tonal range in this film. The acutance of the film is low, but the contrast is high helping to give the film a more sharpened look.

Later in this article when the Pentax 110 lenses are used on the digital Pentax Q, it becomes obvious that the high quality Pentax lenses can easily outperform this film. It’s important to emphasize, however, that the very flaws of this film is what makes it interesting to those who are striving for the vintage look in their images.

It’s probably best to use this film in subdued light in open shade or during the blue and golden hours of the day. The images below provide examples of images shot in this more favourable lighting conditions.

Nevertheless, the scans still provide us with a good idea of how the film performs under different circumstances. The following are a number of images taken with the Pentax Auto 110, the 18mm, 24mm and 50mm lenses.

Lomography rates this color negative 110 film at ISO 200 and describes it as gorgeously grainy, especially when enlarged and add that it is “great for vibrant snapshots in the urban jungle.”

This image was taken on the Pentax Auto 110 with Lomography’s Tiger colour print film.

An overview of the city photographed with the Pentax Auto 110 using Lomography’s Tiger color film.

A local historical building photographed with the Auto 110 on Lomography Tiger. Detail is good but not as good as the digital image below.

The vintage look of this image works well with the historic building.

Color and detail is good in this garden image shot on Lomography Tiger film and the Pentax 110.

This garden image of milkweed illustrates the detail Lomography’s Tiger film stock is capable of producing.

Pentax Q test images for comparison

As you can see the images turned out satisfactory after modest editing in Lightroom. Most of the images are a little soft and grainy but, again, if a vintage look is what you are after, then Lomography’s Tiger film and the Pentax 110 system delivers with flying colours.

The lack of grain in the Pentax Q digital images makes for sharper images with increased contrast and colour.

Below, are a few of the same images using the Pentax Q and 110 lenses as well as a few using the Pentax Q with Q autofocus lenses. You can be the judge of what works best depending on your taste and the effect you are going after.

Image shot with Pentax Q and a 110 manual focus lens.

Image photographed with Pentax Q and the Pentax Q’s 06 autofocus telephoto lens. The lens is equivalent to a 70-200mm F2.8 lens in 35mm terms.

Pentax Q with 24mm manuL focus 110 lens.

This image was shot with the Pentax Q and 01 prime autofocus lens.

Image shot with Pentax Q and 110 manual focus lens.

Overview of the city taken with a manual focus 110 lens.

This garden pond image was taken with the 24mm manual focus 110 lens on the Pentax Q. The below image was taken with the digital autofocus 02 lens from the Pentax Q lineup.

This image was taken with the Pentax 02 lens from the Q lineup of lenses.

Lomography Tiger vs digital: pros and cons

If sharp images are your goal, the Pentax Q and the autofocus lenses are the clear winners. The Pentax Q digital comes out on top if you are looking for cleaner, less grainy images with more pop in colour. Although, with careful post-process editing, I’m sure it’s possible to get high quality results with the 110 film.

If a grainy, more vintage look is what you are trying to achieve, that vintage look is still certainly attainable on the digital Q system with some creative post processing. Of course, the vintage look is literally built into the results of the Auto 110 film camera loaded with Tiger’s colour Lomography film.

One final point that I think is important is the cost of shooting 110 film vs digital. Let’s not fool ourselves, this vintage look comes at a high cost. Not only is the film difficult to get (available only from Lomography) developing and scanning the film also gets expensive. It’s probably fair to say that any 110 film is the least cost effective method of shooting giving the lowest yield option for colour film shooters. In addition, the amount of plastic used in the cartridges is not very environmentally friendly.

Lomochrome Turquoise is out of this world

Lomography’s Lomochrome Turquoise might be out of this world, but I’m not sure if that’s a good thing.

Test results show the film is grainy and benefits from post processing in Lightroom to bring out its unique qualities.

That being said, the finished results are worth exploring further. I can’t help but think the film would perform better on a more forgiving film stock like 35mm and 120 film where the extensive grain is less noticeable.

To achieve these other worldly results, Lomochrome Turquoise is another color channel swapping film similar to Lomochrom Purple. With Turquoise, Lomography simply swaps the red and blue dies. The red layer releases a yellow die instead of its normal cyan, and the blue layer releases a cyan instead of its normal yellow die. The green layer is unaffected and creates the magenta die. This effect can more or less be achieved digitally in Photoshop by swapping the red and blue channels in post processing.

Lomography states this about its specialized C41 film introduced in 2021 and rated at a flexible 100-400 ISO. I shot mine at ISO 200.

Lomography says to “pick up this color negative film to explore a wonderland of tantalizing turquoise tones.”

The following are a few examples of Lomography Turquoise on the Pentax Auto 110 vs similar images on digital with the Pentax Q.

This image shows the colour shift in the sky that is a trait of Lomochrome Tourquoise.

This image shot with Lomography Turquoise illustrates the extreme colour shift of the film turning reds into blues. In other images, clear blue skies come out with a heavy orange tint.

The colour shift is evident in this picture of the barber shop. All the blue elements in the picture are actually red in real life.

The orange sky is typical with this film when there are bright blue skies.

Pentax Q digital examples for comparison

The following images are comparison shots taken with the Pentax Q series of cameras and lenses.

Pentax Q with 08 wide angle zoom lens.

Pentax Q with 01 prime lens. This image shows the original colours of the store in comparison to the colours displayed in the above image shot on Lomography Turquoise.

In conclusion: Lomochrome Turquoise on 110 film vs Pentax Q

There is no question the digital Pentax Q gives more pleasing realistic images with much better grain or digital noise. It’s also possible to attain the same effect as Turquoise in digital by swapping out the red and blue channels in photoshop. I suspect, however, that this would defeat the purpose of shooting these experimental films for those who still enjoy shooting with film stock and analog cameras.

It was a fun experiment shooting with both Tiger and Turquoise. Would I shoot them again? Probably not. The cost of developing and printing these films is just a little too high for the results I have been able to attain even using the high quality Pentax Auto 110 system.

I am very happy that I purchased the Auto 110 system to experiment with occasionally with analog film, but I am particularly pleased that the full line of 110 lenses can be used effectively on the Pentax Q digital cameras to give them renewed life well into the future.

If you are a Pentax 110 owner, you owe it to yourself to purchase a Pentax Q and an inexpensive adapter to use these exquisite lenses in a digital format. And, if you are a Pentax Q owner, you must get your hands on some of these 110 lenses to make magic with these 40-plus-year-old tiny lenses.

Five ways to make gardening easier

A garden vignette can be as simple as using a watering can as a focal point to draw your eye to a lovely planting.

Gardening should be a joy not a chore

Depending on how busy you are, how much time you want to spend in the garden or how large your garden is, finding time to keep it looking its best can be a real challenge.

Here’s an idea, and it just happens to be my number one tip on how you can make gardening easier – Stop trying to create the perfect garden aesthetic.

Instead, create garden vignettes that make you happy and are easier to maintain. It might be a destination sitting area in the back of the garden, a lovely piece of art, or a small, colourful garden around a lovely bird house.

In our garden, vignettes include natural tree branches and stumps that give wildlife perfect places to perch, a sitting area where we can enjoy an open fire, a Japanese-inspired mini-garden leading into the backyard from the front of the home.

A piece of art such as this ceramic piece of art from Fish in the Garden can create a focal point and vignette in your garden.

In the great scheme of things, the perfect garden is not important. Visitors will remember the exquisite garden vignette you have created more than the overall look of the garden.

It’s not important to friends and family and it’s certainly not important to the wildlife that either drop in for a visit or choose to live their lives in your garden.

In fact, for the wildlife, a little messy is okay. A lot messy is even better.

Wildlife will reward you

Case in point: we have a couple of wild turkeys who seem to have chosen our backyard for their winter roosting area. Besides the bird seed that is either sprinkled on the ground for them or drops from the regular bird feeders, I continually catch them working the seed heads from our native Northern Sea Oat grasses left standing throughout the winter.

This, of course leads me to my second tip on making gardening easier. Stop tidying up the garden in fall. In fact, you can even refrain from most garden tidying if you are willing to let nature take its course. There are no gardeners cleaning up in the forests, grasslands or other wild places around us. Nature knows what to do if we give it a chance and accept a little mess in spring and fall.

By leaving the garden to go a little wild, you will get more visits from local wildlife.

It goes without saying that leaving the leaves should be a primary goal. Leave them where they fall, or rake them onto your garden beds. Cleaning up fall leaves is not only a never-ending job, it’s a waste of time and one of the contributing factors behind the decline of so many of our native butterflies, moths, fireflies and other important insects. It’s also depriving our soil of important ingredients like organic matter and trace minerals.

Even without the seed from the feeders, these turkeys – as well as many of the traditional songbirds – would be flocking to the backyard to eat the natural seed remaining on this native grass. Recently I watched them working the seeds on the brown fern stalks that remain all winter. These natural food sources are vital for the survival of these magnificent birds throughout the winter.

But the seed heads feed a host of animals in the garden from songbirds, to larger animals from our friendly red squirrels to mice that are food for our neighbourhood fox families and screech owls that also need a source of food during our long winters.

The Goldfinches are regular visitors to our dried Black Eyed Susan flower heads.

Adding the native cardinal flower will reward you with hummingbirds and other backyard wildlife from butterflies to hummingbird moths.

Explore the world of native perennials

This leads into my fourth tip: Begin transitioning from primarily using annuals in the garden to depending on the beauty and ease of perennials as the main backdrop for your garden. Whenever possible, use native varieties that are more hardy and adapted to the conditions in the garden.

Keep most of the annuals for containers and hanging baskets and focus on hardy native perennials that not only come back each year with the least fuss, but also spread willingly throughout the garden creating free plants that will eventually act like a living mulch.

Speaking of mulch, it is one of the key ingredients to creating an easy-to-maintain garden.

Here various stone was used to create a non-organic mulch that allows black mondo grass to shine as it grows up through it.

Mulch can be your best garden helper

My final tip is to ensure your garden beds are covered with a thick layer of mulch – either organic or non-organic like pea gravel or river rock.

If you are just starting out on your garden adventure, plan on ordering truck loads of natural mulch to cover your garden beds. Your soil will thank you over time and you will significantly reduce the number of weeds in your garden.

Shredded cedar mulch is my chosen method, but I have also readily dumped natural (free) mulch from tree-cutting companies in parts of my garden as well.

And, while you can purchase mulch on a regular basis to keep a thick blanket covering your soil, a better goal is to use a living, natural mulch of ground covers to get the job done. Purchasing mulch can get expensive, and it requires a lot of time to spread every couple of years.

Creeping phlox forms the perfect ground cover in the front of the garden where it is quite sunny. In shadier areas, use wild geranium, wild ginger or a variety of ferns to form a ground cover.

By planting native ground covers, you can achieve the same results naturally. There are many to choose, from aggressive ground covers like Virginia Creeper a native vine that can quickly cover the ground in a woodland garden, to a less aggressive native plant such as wild geranium.

Another favourite of mine is to use a tapestry of ground covers that form a beautiful tapestry of colour and texture as the various ground covers weave in and out and around one another.

Covering the floor of your garden with native ground covers will take time. Meanwhile, keep the commercial mulch topped up and before you know it you’ll need less and less shredded cedar mulch and you’ll have more time to enjoy your garden and the wildlife that it attracts.

Finally, if all of these tips still means your garden is too much work, consider doing what I did and find someone who sees and shares your garden vision and hire them to help you enjoy your garden to its fullest rather than see it as a constant chore.

Watching the garden grow

This 20-year-old image shows our garden as it was about 20-years ago. The below picture is updated to show how the garden has changed over the years.

Garden journal / photos combine to document your garden journey

Anyone who follows this gardening blog knows how important photography is to me and the content of this website.

Documenting the garden and its inhabitants – both the fauna and flora – is not only a favourite pastime, it’s an important resource for me from year to year to plan for next season and well into the future.

Remembering where the coneflowers or wild ginger were planted and when they bloomed previous years, or how the native wildflowers found a footing in the crevice on the large boulder, are just a few of the many benefits of documenting the garden through images and in written form.

The garden today with its black-eyed susans and native grasses and ferns dominating the back garden.

This is another view of the front garden as it is today showing a corner of the Japanese-inspired garden. The bench in the top image is replaced by yellow Adirondack chairs in front of a fern dominated garden.

Consider a garden journal

A garden journal like this elegant 5-year garden Journal (see image below) from YouTuber extraordinaire Linda Vater is an excellent way to document the garden from year to year. It also can make the perfect gift for the gardener in your life.

There is nothing like flipping through a well-worn garden journal filled with insights, drawings, tattered photographs and meticulous notes about the garden to inspire you either to get out in the garden come spring or dream and plan throughout the winter season.

Adding your own photographic images to the journal is an excellent way to enhance the journaling experience and work as a visual reminder not only from year to year, but decade to decade.

This elegant 5-year garden journal not only helps you record your garden journey, it’s a fine way to stay organized.

Even if you are not overly interested in extensive garden journaling, simplifying the process using only a photographic record to document your garden is both fun and rewarding.

Simply documenting the garden annually through photography and using inexpensive self-published books to create your own visual garden journal is a worthwhile endeavour. Or, you can create one larger book that includes a more long-term record of your changing gardens.

To read more about how easy creating your own photographic book is, check out my earlier post here.

The importance of documenting the garden over the years came into sharp focus over the past few weeks as I began scanning the thousands of slides and negatives I’ve accumulated over the past 45 years since first discovering the joy of photography.

Of course, documenting the garden’s growth took on a greater importance since I started this website, but even before the website I was using traditional analogue photography (prints and slides) to capture moments in the garden – from planting our first serviceberry tree to the changing face of our front and back gardens.

The images even show the history of the almost complete elimination of the massive lawns that carpeted almost every square inch of the property when we first moved in more than 25 years ago. Replaced, obviously, with a woodland-style garden.

Front garden transformation

The image at the top of the page illustrates how the front garden has changed in the past 20 years, going from a sunny garden with lots of flowers to a more shade garden using textures a subtle colour.

It shows a very different garden than our current front garden. For example, when I came across this image in my files, I barely remembered the drift of purple coneflowers and large grasses.

This image from about 20 years ago includes several areas of grass –long since gone – and an immature serviceberry tree on the left that is now quite large and shades out a large part of the existing garden.

The coneflowers died out many years ago, probably from the excessive shade that took over after the serviceberry pictured here staked off, grew into a mature understory tree. The grasses were removed after getting out of control and ferns have taken over the back area that once boasted a number of hosta and trilliums. There are still remnants of trilliums that emerge before the ferns take over that area of the garden.

Today our front garden is a combination of mature trees, ferns, grasses, a ground cover of pachysandra, creeping phlox and black-eyed susans. We’ve also added large boulders down the side of the driveway to hold back the garden.

This decision to use natural boulders as a retaining wall not only helped clean up a problem area in the garden, it gave us another micro-climate where we can use the heat generated from the boulders to grow rock-garden loving plants like thyme and allow the creeping phlox to drift over the rocks and cascade down between the crevices.

It also gave reptiles, such as our friendly garden snakes, toads and salamanders the perfect place to warm up in the early morning as the sun heats the rocks long before the surrounding area.

This image, taken at a local botanical garden, was the inspiration to plant Golden Alexandra or Basket of Gold in our own garden to cascade over the large boulders along the driveway much like the image below of the creeping phlox.

Last year, I added “Basket of Gold” (Aurinia saxatilis) to the area (see image above) and am looking forward to documenting its spreading growth over the seasons. (Beware: this plant is considered invasive in warmer climates). The idea came after visiting our local botanical gardens (see post here) where it lit up the rock garden in spring and early summmer. Once again, photographing the plant in the botanical garden gave me a visual reminder of how it was used, its growth pattern and its stunning beauty.

The garden in spring when the creeping phlox carpets the front in a sea of purple.

The top image and the more current photographs reminds me of how much the garden has changed in the past twenty years. Without the visual representation, these early memories of the garden would fade much like the flowers, grasses and trees that formed the early foundation of what is today.

This website’s focus is, of course, on woodland gardening with an emphasis on native plants and attracting wildlife. Documenting the garden and its inhabitants through photography is also an important part of the website. I try to provide helpful tips on everything from getting close to backyard birds, what cameras are best for garden photography and how to capture beautiful images of flowers and garden visitors.

Part of my focus on garden photography is using inexpensive, smaller digital cameras that are more than capable of creating stunning garden images, rather than spending huge amounts of money on the latest and greatest equipment. Many of these simple cameras are probably sitting in one of your drawers. If not, purchasing them on line for pennies on the dollar is not difficult. If you enjoy the experience, you can upgrade over time.

If you are interested in exploring garden photography further, please take a moment to check out my photography related posts on the website. Just go to my homepage, scroll to the bottom and you’ll be able to access those posts in the “photography related” links.

Going back into my photographic archives and scanning them into digital images has opened up a new appreciation for the importance of not only archiving our journeys in the garden, but our life’s journey with family and friends.

These are journeys that beg to be captured and archived, maybe on our smart phones, but even better on a dedicated camera designed to capture only our memories.

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Focus on tree bark for winter interest

Trees add winter interest to our gardens in so many ways. Even their ability to catch snow and hold it on their branches adds immense beauty to our winter gardens. Here a tufted titmouse uses a small branch as a landing spot during a snow squall.

Five trees, shrubs for winter interest

As fall turns to winter, we look for more subtle ways to create interest in the garden. One of the best ways, besides adding evergreens and native grasses, is to focus on planting trees and shrubs with interesting bark.

The white paperbark birches are standouts in our garden. And, to ensure the trees take centre stage, I purposely planted three clumps of white birch just outside our large dining room windows to capture their stunning beauty during all four seasons, but especially in winter.

By planting them close to the house, viewers from inside the home are able to pull out the finer detail of the bark – everything from the exfoliating (peeling) papery white bark, to the black striations that give birch trees much of their winter beauty.

It’s difficult to match the beauty of birch bark in winter, or for that matter, any time in the year.

While the stark white bark of the paper birch is an outstanding addition to any garden, our native river birches add their own winter interest with their extreme exfoliating cinnamon-coloured bark creating incredible texture in the trees’ trunks.

(The entire birch family is worth exploring if you are searching for trees with superior winter interest.)

Our native River Birch trees offer outstanding exfoliating cinnamon-coloured bark to our gardens.

The exfoliating bark not only catches our attention throughout the seasons, it is also a magnet for insects to hide throughout the winter. Don’t be surprised to see birds regularly checking out the exfoliating bark for a quick snack. The bark can also be a perfect spot for seed-eating birds to tuck away food for later in winter.

Don’t overlook the Paperbark Maple

The Paperbark Maple is often overlook as a tree providing winter interest.

Another outstanding addition in our garden that takes advantage of the inherent beauty of exfoliating bark against a backdrop of snow is the Paperbark Maple. Although not a native tree, the paperbark maple is an elegant understory tree that does well in a woodland garden.

Like the birches, paperbark maples earn most of their praise for their exfoliating, cinnamon-coloured bark that can be a showstopper throughout the seasons, but especially in winter when it’s copper-coloured trunk stands out against the white snow.

Of course, these are the more obvious trees with outstanding winter bark foliage. There are more, less obvious, woodland trees and shrubs that offer their own interest in more subtle ways, from mottled colours and extreme texture in the bark, to more gnarly looking trunks that come into their own against a snowy background.

Let’s take a look at a few more trees and shrubs with outstanding winter interest.

All Japanese Maples provide outstanding year-round interest, but the coral bark Japanese Maple is truly a standout during the winter months.

1. Red- yellow twigged dogwood: When it comes to shrubs for winter interest, red- and yellow- twig dogwoods (Cornus spp. and cvs.) are easily on the top of the list. They are strong performers in zones 3-9 and have long been planted en-masse for spectacular winter statements in the garden. Newer hybrids such as Arctic Fire from Proven Winners offer even more vibrant colour than native varieties, but try to stick to our native varieties or combine them with newer introductions from Proven Winners such as Arctic Sun Cornus sanguine in zones 4-8. (Grows 3-4 feet tall and wide) Yellow twig also boasts hybrids that perform well such as ‘Bud’s Yellow’ (6-8 feet tall). Consider planting these shrubs in front of darker evergreens such as cedars to bring out the best colour in their bark. Annual pruning of about one third of growth will help the shrub maintain their colourful branches.

2. Japanese Maple particularly the Coral Bark Maples: Combine outstanding summer and fall interest with stunning coral-red bark that takes centre stage in winter. It’s pretty tough to beat a Coral Bark Maple for outstanding winter interest in the understory of the garden. There are several hybrids available including the “Sango-Kaku” with its delicate leaves that open pinkish-yellow before changing to a light green in summer followed by a bright yellow in fall. These trees can be grown as a shrub or small tree. Like most Japanese Maples, it is a slow grower with an upright form.

3. Black Cherry Prunus serotina . (also known as wild cherry trees is another favourite: Our native Cherry trees boast a lovely mahogany-coloured bark when they are young, becoming dark and flaky as they mature. In spring, bunches of small white flowers appear after the first leaves have fully developed. These flowers become dark red cherries from August to early September (8 to 10 millimetres across). These trees are valuable forest trees for wildlife. They provide a good food source for up to 33 species of birds and many mammal species also eat its fruit. It is also of special value to many of our native bees as well as bumble bees and honey bees. These trees are a larval host plant for Eastern Tiger Swallowtail, Cherry Gall Azure, Viceroy, Columbia Silkmoth, Promethea Moth, Small-eyed Sphinx Moth, Wild Cherry Sphinx Moth, Banded Tussock Moth, Band-edged Prominent and the Spotted Apatelodes.

Adding trees to your garden, as well as grasses, goes a long way to transforming a dull landscape into a winter wonderland. Here a combination of mature and understory trees combine with grasses to bring the winter landscape to life.

These are just a few of the trees we can add to our gardens, not only to create winter interest, but to attract a wealth of wildlife from native bees and birds, to mammals such as chipmunks, squirrels and foxes.

Winter is the perfect time to begin planning additions to our gardens. Take the time to do some research to find the perfect trees for your backyard. Remember to always look for native trees if possible and ensure that they will grow in your zone.

Living with Wild Turkeys in the garden

Attracting cardinals, blue jays, nuthatches and other garden birds to your yard is one thing, but wild turkeys (Meleagris gallopavo silvestris) – that’s on a whole other level.

They are large. Massive, in fact, and their oversized feet capped with claws can make short work of a properly manicured garden bed. If you’ve got a layer of black landscape fabric under the mulch, plan to have most of the that ripped up and left in a dishevelled mess under the feeders.

An Eastern wild turkey routs through leaves in the backyard looking for insects.

But that’s a mild inconvenience. I’m more than happy to endure some inconvenience to see these magnificent birds strutting their stuff through the garden and bedding down in our fern garden.

I don’t want them sticking around forever, but for a few days in spring or fall, it’s just fine with me.

If you have never seen wild turkeys, you may not be looking in the right places. These massive birds are often seen walking in fields or on the edges of deciduous and mixed woodlands. They are well adapted to this environment, foraging for food during the day and roosting in trees during the night.

For more on wild turkeys, you may want to check out “The Wild Turkey, Biology and Management.”

A male wild turkey under our bird feeder filling up on white millet bird seed. 

What do wild turkeys eat?

Turkeys are omnivores, meaning they will eat seeds, nuts, berries, snails and a host of insects. Acorns are by far their favourite food. Oak trees, once again, come to the forefront of must-have trees to have in your yard.

For more on why oaks are so important in our landscapes go here.

Eastern wild turkeys will also readily eat small mammals such as mice and voles helping them to become a gardener’s friend.

They typically forage in the morning and evening, but can also, at times, be seen during the day. They especially like to go into corn and wheat fields after the harvest and feast on the remaining grains.

Identifying male and female wild turkeys

The distinctive gobble, beards and beautiful tail feathers of the male makes them easy to identify.

In North America primarily in the United States there are five native subspecies – the Rio Grande, the Merriam’s, the Osceola, the Eastern, and the Gould’s. But we are here to talk about the native eastern wild turkey.

Turkeys are wide spread across the United States up into Canada as far north as Quebec and down south into Mexico.

An immature wild turkey strolls through the garden. The trailing beard gives away the sex of the bird, although a small percentage of females also grow beards.

Why did wild turkeys become almost extinct?

Over hunting the clearing of its woodland habitat and the loss of its staple food to chestnut blight made this, the largest of North American game birds, one of the rarest. But the Wild Turkey has made and impressive comeback and is now found in every state except Alaska.

According to the Ontario government website: The eastern wild turkey (Meleagris gallopavo silvestris) was reintroduced into the province in 1984 and is now a thriving population playing an important part of the biodiversity of Southern Ontario.

Today, it is estimated that more than 100,000 turkeys call Ontario home. All of these wild turkeys are descendants of the original 274 turkeys that were released around 1984.

“Unregulated hunting and clearing of native forests for agriculture caused the extirpation (regional extinction) of wild turkeys from Ontario in 1909,” the Ontario government website states. “Efforts to restore wild turkeys began in 1984 and were successful. Ontario experienced a rapid expansion of the number and range of the birds in the province. Because of forestry, agriculture and milder climatic conditions, the occupied range of wild turkeys in Ontario is now larger than the historical range.”

Reintroduction programs throughout the United States introduced wild turkeys in the early 1990s have also proved very successful and helped wild turkeys become a “species of least concern.”

Why have wild turkeys come to my yard?

And, it is this group of reintroduced wild turkeys that have decided to spend several days in our yard primarily gorging on our bird feed, but also systematically routing through our fallen leaves looking for insects. The fact that our fallen leaves are left on the ground – unlike most of our neighbours – is one of the reasons the wild turkeys have chosen our yard to feel at home.

For more on why it’s important to leave fallen leaves in the garden go here.

Raking up leaves and disposing of them not only kills so many insects and other wildlife that depend on them to overwinter, it discourages birds and other animals from coming to our yards in search of food.

One of the three wild turkeys spending a few days in our yard cleaning up the spilled bird feed and routing through leaves looking for insects.

Wild Turkeys in the garden

There is no mistaking a wild turkey in the yard. If a crow or even a raptor is the largest bird you’ve had in your yard, you better be prepared for what appears to be a prehistoric invasion of the avian kind.

This year I’ve counted as many as nine roaming through the yard scratching for insects and seeds buried just below the duff of the woodland floor. That was in the early summer when the babies were old enough to more or less have their adult feathers but still quite small to be mistaken for a very large group of crows.

There is no mistaking the trio of male wild turkeys we’ve been entertaining this week in the yard. These are three wild turkeys looking for food for the long winter ahead.

And what better place to find it than beneath our bird feeding station.

When I say large, I mean about three feet tall.

These wild turkeys are actually 1 of 5 sub-species and is the most common one found in Canada and the Eastern half of the United States. They also have the widest range of each of the five sub-species.

The eastern wild turkeys actually live in diverse habitats but can usually be found in a near hardwood forest and in agricultural fields.

They are the largest of the five sub-species. Adult males, also known as a gobbler, average just over three feet in height (91 centimeters) and can weigh up to 25 pounds (11.34 kg). Juvenile males, also known as jakes, will typically be 2.5 feet to 3-feet in height and average 16 pounds (7.25 kg). While female turkeys known as hens, are slightly smaller than jakes and weigh around 9 pounds (4.082 kg).

To keep warm during our cold winters, Adult wild turkeys typically grow 5-6,000 dark yet extremely colourful feathers. The feathers are actually beautiful and appear to change colour when light hits them at different angles.

Wild turkeys also have some of the best eyesight of any animal or bird. Their eyes are positioned on each side of their heads giving them an almost 360 degree field of vision. They also have excellent colour and depth perception, and don’t have to shift their focus to see other objects at different distances, meaning everything in their view is always in focus.

Wild turkeys generally roost or sleep high up in trees where they are safer from marauding coyotes and other predators. But when it comes to laying their eggs, hens prefer the ground. Eastern wild turkeys lay their eggs from late March to May, typically laying and average of eight to twelve eggs.

This process can take one to two weeks to complete as hen turkeys tend to only lay one egg a day.

The hens do not collect sticks or other material to build a nest, instead choosing to lay their eggs directly on the ground, often in a grassy areas protected by overgrown bushes. The incubation period lasts 26 to 28 days.

The baby wild turkeys are called poults and are able to fly and run shortly after hatching. Both Wild Turkey parents care of the poults teaching them how to find food and avoid predators. In addition the male will help to incubate the eggs.

The poults usually stay with their parents for several months learning how to find food and escape predators.

Wild turkeys live in groups called flocks. These flocks can have just a few birds up to several hundred birds.

The courting period of wild turkeys is certainly the most entertaining time of the year. This phase happens just before and during the nesting period when the gobblers strut their stuff much like a peacock showing their 18 tail feathers in an impressive show meant to catch the attention of a nearby hen. Although strutting is used to attract hens, it is also used to show dominance over other male turkeys. As a result, strutting can often be seen outside the typical courting season.

During the mating season, the top of the gobblers’ heads turn a pure white during this strut further showing off the spectacular colours in their face and neck ranging from bright blue, reds and whites caused by blood vessels in their heads and necks. The male turkeys can control these colours which helps to communicate to other turkeys what kind of mood they are in.

The more colourful the tail, the more attractive it is to female turkeys.

In addition, the fleshy, wormlike piece of skin on their foreheads just in front of their eyes just above the beak is referred to as the snoot. It also has the ability to change colours along with its shape ranging from short and stubby to long and colourful.

Male turkeys produce a loud and rather unique vocalization called gobbling. A gobble can be heard up to a mile away and is used for a variety of situations. Most of the time, however, turkeys are quite elusive birds that spend most of their time clucking and purring to one another. These much lower calls can be harder to hear unless you are very close to the bird. The variety of clucks can mean many things, from friendly and courting purrs, aggressive fighting purrs and even warning clucks to alert other turkeys that danger is near.

Turkeys are capable fliers and can run up to 25 miles per hour but usually only do this when they are trying to escape a predator.

Wild turkeys are an important part of our ecosystem. In the garden and in the wild, wild turkeys help control populations of insects and rodents,

It is the state bird of six states including Arkansas, Delaware, Georgia, Kentucky, Missouri and Pennsylvania.

Climate change has played a role in Eastern wild turkeys’ success in Canada including Southern Ontario and into colder regions into Quebec. They are also found as far west as the Dakotas in the United States.

Differences between wild and domesticated turkeys

Domestic turkeys tend to gobble all year long rather than just in spring. It’s head and neck are covered with more parenthelated skin and its snoot, which hangs over its bill, is much longer. It is said to have a smaller brain and are unable to survive outside of captivity.

Domestic gobblers can also weigh up to 50 pounds.

Selective breeding has also created the domesticated white turkey.

The wild turkey is far more alert, its neck and legs are longer and its body is more streamlined. Adult males have a beard which grows four to five inches a year and can get up to a foot long on three-year-old gobblers. But because they only grow so long, they are not an accurate measure of age. Although the beards look like long hair, they are actually a tuft of modified feathers.

About one in twenty hens also have beards.

The gobblers and hens spend most of the year apart, using a variety of vocalizations to locate one another for mating season.

Every flock has a dominant gobbler. The spurs on his lower legs indicate his age more accurately than his beard, The spurs grow about half and inch per year and go from round the first year to blunt after two years to sharp three years to very hip at older than three years.

Nearly all turkeys live within a five mile radius but a foraging flock may wander widely.

Why plant a Chinkapin Oak tree

Fast-growing, mid-size oak that produces an abundance of small acorns

Oak trees are an outstanding addition to any garden looking to attract a variety of wildlife from deer and wild turkeys to chipmunks, squirrels, birds and a host of moths and caterpillars to feed the birds in spring and summer.

The Chinkapin Oak is a Carolinian species found in Southern Ontario and throughout native to eastern and central North America. It ranges from Vermont to Minnesota, south to the Florida panhandle, and west to New Mexico in the United States. In Mexico it ranges from Coahuila south to Hidalgo.[2]

The dilemma is not, should I plant an oak, but what oak out of the more than 400 varieties should I plant.

The final decision is as much about the conditions in our yards, as it is about the look we’re after.

In our yard, the combination of sandy-based soil, a nice sunny spot and the need for a fast-growing oak that puts out plenty of acorns early in life to feed wildlife, led me to the Chinkapin Oak (Quercus muehlenbergii) also spelled Chinquapin oak.

Doug Tallamy’s The Nature of Oaks: The Rich Ecology of Our Most Essential Native Trees is an excellent resource if you’re looking for more information on these important trees.

You can also check out my posts here: The Mighty Oak, Columnar Oaks.

The Nature of Oaks is considered the bible for anyone looking for information on Oak trees.

Chinquapin Oak is a Carolinian species, common throughout the Eastern United States but found only in southern parts of Ontario that feature species from the Carolinian zone. The most common small tree and shrub species found in association with chinquapin oak include flowering dogwood Cornus florida, sassafras, sourwood, hawthorns, and sumacs.

They like an alkaline soil especially on a limestone bedrock. It’s a member of the white oak family and can live for up to 400 years.

The fact that it is rare in my geographical area and adds to the many Carolinian zone species in our yard is a pure bonus.

It didn’t hurt that the city where I live made the informed decision to give away native trees as a way to encourage homeowners to plant more native trees. Granted, my Chinkapin oak is very small and needs several years of nurturing to get to a stage where it becomes a part of the canopy and an important structural element in our garden. Once established, however, Chinquapin oaks can put on two or more feet of growth per year and grow to between 40 and 70 feet tall (30 metres) tall with a straight trunk up to 60 centimetres wide, with a similar-sized canopy.

The leaves of the Chinkapin oak are large and can grow up to 8 inches (10-18 centimetres) in length. The leaves have a scalloped look and are shiny green on the top with a dull underside. The leaves are more narrow than many traditional oaks. They are coarsely toothed with pointed tips. In the fall they turn a pleasant dark, purply-grey colour.

But the real reason I decided to plant a Chinkapin oak is the abundance of acorns borne singly or in pairs that these trees produce and the fact that production starts early in life. The acorns are smaller than typical acorns and turn almost black as they mature. They mature in one year, and ripen in September or October. Their shell is also softer than most acorns and are therefore more accessible to a greater number of birds and wildlife. The cap covers a third to half of the acorn.

In a few short years, our local wildlife is going to love it. Blue Jays, woodpeckers, our packs of wandering wild turkeys, deer, red squirrels, chipmunks, raccoons and of course birds that thrive on the caterpillars and other Lepidoptera that use the tree as a host.

These trees prefer soils in the 6.5 -7.0 up to 7.5 range. Chinkapin Oak is often confused with the swamp white oak and chestnut oak.

Those who know their oak trees, understand that Oak species, as a group, serve as host plants for caterpillars of more than 500 different butterflies and moths – more than any other genus of tree. The caterpillars (larvae) feed on the oak foliage, but do not harm the trees.

Wildlife that use the Chinkapin oak

Chinquapin oak acorns provide food for many species, including:

• The high-quality acorns are a reliable food source for the red-headed and red-bellied

  woodpeckers, northern bobwhite, ruffed grouse and wild turkey

• white-tailed deer

• chipmunks

• squirrels

• hummingbirds visit the flowers in spring

• The trees are a larval host for the Grey hairstreak butterfly and the Red-Spotted Purple butterfly

• The leaves of young chinkapin oak are commonly browsed by deer and rabbits while

  beaver feed will happily feed on the tree’s bark and twigs.

If you live in an area with deer, rabbits and other rodents, you may need to protect the sapling until it is large enough to fend off the critters.

Protect your Chinkapin Oak while they are young

In our yard, I have had to protect the sapling from rabbits, deer and other rodents by placing fencing around it for a few years until it grows large enough to fend off the critters on its own.

The bark of the Chinkapin Oak is a pale brownish grey colour with thin, narrow and often flaky scales.

Flowers emerge in late spring. Trees have both male and female flowers – male flowers form as catkins, while female flowers are small and grow as individuals or in clusters.

Where do they grow naturally?

Chinquapin oak are found in well-drained soil over limestone, calcareous soils and forested sand dunes. You can expect to see them growing best on rocky sites such as shallow soul over limestone.

Fun facts about the Chinquapin Oak

• Chinquapin oak acorns can be eaten raw and taste sweet.

• Chinquapin oak can be mistaken for dwarf chinquapin oak as they can both grow under harsh conditions.

• Chinquapin oak trees can produce almost 10 million acorns over their lifetime.

Alliums are perfect choice to add architectural interest

Fall is the time to plant your allium bulbs

It all started with an experiment that didn’t quite work out. So, in the spirit of gardening, I added even more alliums this year to ensure next year is a success.

That’s the thing about alliums. Once you get a taste of them, there’s no going back.

My plan was to grow giant alliums in the fern garden where they could rise up above the massive Ostrich ferns and create outstanding architectural interest and a pop of coour among the ferns in late spring.

Alliums add architectural interest to every garden, whether formal or a more natural garden.

A very wet spring meant our ferns grew especially tall and, unlike most years, the ferns stood their ground and refused to fall. The result, our Purple Sensation alliums merely peeked out from between the ferns rather than rising above them.

But even the sight of the alliums peeking out among the ferns was enough to make me want to plant more this year. So this year we added taller alliums in both purple and white. I’m hoping for a great show next season.

We also added alliums in two other parts of the garden to ensure we get a great display.

If you are like me and have hesitated to plant alliums in your garden, make this the year you take the leap into this fascinating group of plants that are often referred to as ornamental onions.

These non-native bulbs, that tend to bloom a little later than daffodils and tulips, are part of a group of plants that include onions, garlic, leeks and shallots.

They are available in a range of sizes, colours and blooming times. In fact, if you plan properly, you can have them blooming from late spring through summer adding architectural interest to any garden.

They work both in formal gardens as well as more natural gardens including woodland gardens. Try to find a sunny spot for them for best results.

These alliums elegantly grow through a black wrought iron fence.

Like daffodils and tulips, fall is the ideal time to get allium bulbs in the ground for next spring. You can now find them in most stores, including many of the Big Box stores. Just realize that your choice in many of these Big Box stores is limited to the more common variety of allium bulbs. If you are looking for more interesting or unusual allium bulbs, you may have to check out better nurseries or mail-order firms like Brecks that offer a beautiful and comprehensive variety of alliums.

You can even purchase your allium bulbs from Amazon as well.

Get your orders in early to ensure you get the best quality and varieties.

What makes these bulbs especially great is that rodents tend to leave them alone. Deer, squirrels, chipmunks, voles even groundhogs express no interest in alliums. That’s probably because of their roots in the onion family.

The bulbs multiply in the ground creating denser clumps each year and the allium seeds can reseed in the garden adding more of these lovely plants to your landscape.

These easy-to-grow plants prefer full sun but do well in half-sun conditions in well-drained sandy soil. Extremely wet, poor draining soil is likely to create conditions for bulb rot in the garden.

Alliums stand out against a white wall.

Alliums can be a little more expensive than other bulbs, but once planted they last forever and after about three years the bulbs can be split to create even more plants.

Plant the allium bulbs about 7 inches under the ground – deeper than most bulbs – and about 8 inches apart.

If you are planting a lot of the bulbs, consider using a drill bit or auger especially made to create ideal holes for planting larger bulbs. This set of four augers from Amazon will meet the needs of even the most ardent bulb enthusiast.

Also, remember, pointy end of the bulb goes up.

One important point to consider is that the foliage of alliums often yellows before they bloom, so you might want to place another type of plant in front of the allium bulbs to cover up the yellowing foliage.

Allium growing in our fern garden adding a pop of colour in late spring.

Alliums also make great cut flowers and their dry seed heads are perfect for arrangements. Consider painting them gold or silver for an especially nice touch in your arrangement.

There are so many alliums to consider for your garden, depending on size, colour and how adventurous you may want to be.

Brecks offers an incredible choice as well as mixed assortments that work well together. If you are serious about getting started with alliums check them out to give you a good grounding on what is available.

I picked up most of my bulbs from Costco this year, but you had to grab them early because they sold out quite quickly. My latest purchase from Costco were bags of Allium Nigrum Pink Jewel (10 to a bag), and the much larger Allium Gladiators (4 to a bag). I also picked up some white varieties of Alliums that we planted in the front garden.

Here are a sampling of alliums to consider for your gardens.

Best alliums for your zone-5 garden

Globe Master – has a huge bloom with purple flower heads as much as 5 inches across. Their blooms last a long time. Plant them in the middle or back off the border to hide the leaves. These alliums do not produce seed so it does not get weedy.

Mount Everest – White flower is 3-4 inches across but they are on a very long stem and grows to about 3.5-4 feet tall.

Purple Sensation – blooms at about 3 feet tall. Flowers are a little smaller than Globe Master but the colour is more intense. It is happy to re-seed itself around your garden.

Ivory Queen – Wide leaves and flowers at about six inches high with a lovely white creamy flower. Flower heads are two inches across and white. These smaller alliums are a great addition to the rock garden

Allium Christophii – Flowers at about 2.5 feet high with large flowers that can reach about 8 inches across. Will disperse seeds around the garden.

Allium fistulosum – flowers at about 2 ft high with white green flowers. Its stems are large thick and hollow. Will produce seeds but they always grow close to the mother plants.

Graceful Beauty – small allium that grows only 8 inches tall with nice white flowers. Leaves are grass like.

Allium atropurpureum – A very dark coloured allium that grows about 3-feet tall with smaller umbra reddish purple about 3 inches wide that flowers at 2.5 feet high. Acts almost like an ephemeral as its foliage disappears by mid July.

Allium Molly – grows to about 8 inches tall and flower is yellow with wide leaves. Hard to tell that it’s even an allium. It will seed around your garden a little bit but nothing too serious..

Allium Siculum – flowers at 2 feet tall. Flowers are unusual with an unusual colour. Striking plant for the garden with large strapping leaves.

Other alliums to consider

Allium sphaerocephalon – smaller allium 2 feet tall with a much smaller inflorescence.

Allium red mohican – Interesting colour of purple, white, cream with hints of yellow

Allium Firmament – purple flower head that grows to about 2 ft tall. Flowers are 4-5 inches wide

Allium Ping Pong – Grows to about 2-feet tall with a 3-inch flower

June-July bloomers

Allium nigrum silver spring – lovely allium growing to between 2-3 ft tall with 4-inch wide umbrels that have a blueberry/raspberry colour to them. Infloresence is one of the most beautiful yet still subtle of the alliums.

Allium chloranthum (Yellow Fantasy) – Grows 14-16 inches high with a flower that is only about 2 inches wide but has a lovely yellow colour

Check out Brecks for mixes

Allium summer drummer – very tall 4-5 feet tall reddish purple with 6-8-inch wide umbels. Late bloomer in July and August.

Planting for flower photography

The vision in my mind was brilliant, despite not working out quite so perfectly in the end. However, I still consider the experiment successful and expect to continue photographing the combination of purple alliums growing up through a sea of green Ostrich ferns.

As mentioned earlier in this post, our wet spring caused our ferns to grow taller than ever and fail to fall like they usually do. The result was alliums peeking out through tall upright ferns rather than the lovely purple flowers rising above and floating over the ferns.

When the alliums finally began to appear in late spring, I took the opportunity to document the scene.

Most of the images below were shot with the original Lensbaby composer lens to impart a more creative touch to the images. The lens allows the photographer to create out-of-focus areas in the image while maintaining sharp focus areas where the photographer chooses.

Below are just a few of the images from the Lensbaby composer.

Tips to create more living space by reducing lawn

A new area in the garden created around a fire pit, takes advantage of removing unused turf grass to create a more useful garden area.

Adding a fire pit, water bowls and a great place to relax

Reducing or even eliminating your lawn is one of the most freeing endeavours you can do for yourself. Not only does it free you from having to spend hours cutting, weeding and fertilizing turf, it opens up a wealth of opportunities to create more useable areas in a garden.

It doesn’t matter if your yard is an acre or a postage stamp, reducing or eliminating the lawn creates opportunity to add quiet sitting areas and secret gardens spots that become places you want to go to rather than another patch of grass that demands attention on a weekly basis.

The fire pit is the perfect place to relax during the cooler months. Built away from the house and trees, it creates a more useable space than the turf grass it replaced. More changes are to come including the inexpensive plastic adirondak chairs that are being replaced with green higher quality chairs.

Interested in creating more living spaces in your garden? Check out my other post here about creating a backyard that fulfills all your needs.

For the past 25 years I have been reducing our lawn to the point that it now covers only a tiny fraction of our property and requires only about 5-10 minutes of cutting on a weekly basis. That beats the up to two hours of cutting that was needed when we first moved into the home. In those days I often turned grass cutting into a two-day project.

Even back then, I new that spending that much time cutting grass was neither sustainable, nor something I wanted to do in my retirement years. Slowly, over the first few years the lawn in the front yard was removed and replaced with a large meadow/woodland garden with a separate Japanese-inspired garden.

In time, the backyard grass began to disappear as new gardens took shape. A massive fern garden planted with dogwoods, redbuds and serviceberries took care of a huge swath of useless turf grass and created a cool oasis for animals and birds to escape from the summer’s heat.

A larger view of the garden shows the fire pit area in the centre looking back at the house and gardens.

More recently, I decided I needed a separate area in the garden to finally make use of a long unused Weber fire pit to enjoy an open fire where I could relax and cook over an open flame during the approaching cooler months.

Time to get rid of more grass.

Whether it’s one of the newer and very impressive Solo smokeless units, or an older one you already own, a fire pit can be an outstanding addition to the garden.

First step: Decide on a design plan.

Since the remaining grass was contained in a circle with gardens all around, we decided to create a secondary circle that intersected the previous circle resulting in a circle that protruded into the original one and kept the circular theme.

The biggest mistake people make is to create a garden space that is too small resulting in an area that doesn’t sit comfortably in the landscape and restricts them from either giving plants the room they need or making the area appear too cramped. In this garden area, four people could easily sit around the fire pit with as many as six if necessary.

• Once we had the design concept, it was as simple as digging in a plastic edging in the circular form.

• Rather than removing the grass, we simply set the battery-powered mower to its lowest setting and scalped the grass to within an inch of its life. That made laying black landscaping cloth over the grassy area much simpler.

• With the black landscaping fabric down, ensuring the grass would be killed off over a period of time, all that was left was to put down a Thick layer of shredded cedar mulch. A word of warning, spreading a thin layer of cedar mulch will only lead to problems down the road when the black landscaping is exposed allowing grass and weeds to grow up.

• A solid two- to three-inch layer of mulch is a good start. The thick layer will not only hold the landscape fabric in place, it will also further reduce any chance of light getting through to prevent grass and weeds from growing up. It should be topped up over the years. (At some point, the black landscape fabric can be removed leaving a thick layer of mulch to keep weeds at bay.)

• It took about 36 bags of mulch to cover the large area. Thankfully, the mulch was on at firesale prices and although I thought 26 bags was more than enough we had to add more. Unfortunately, the store ran out of natural cedar mulch so an edge of black cedar mulch was added. Although I would not have originally used the black mulch to edge the project, I have grown to like it over time.

• A fire pit, a few water bowls, some comfortable seating and fresh firewood and we have turned a useless patch of weedy grass into a useful and interesting part of the garden that uses the garden as a backdrop for enjoying the garden with friends as the cooling days of autumn approach.

Another idea that would work in this space

• If a real fire pit is not allowed in your area (you could use a propane fire pit), or its something that does not interest you, the area would be perfect for a quiet sitting area that provides a new view of your garden. Add a nice birdbath, a small tree a side table for a glass of wine and a couple of comfortable chairs. A bird feeder – maybe a hummingbird feeder – with a couple of large containers filled with some of their favourite plants would be a great place to relax with your children, grandchildren or friends.

• The area could also be the focus of a bubbling rock feature with a sitting area. Don’t have electricity? Today’s higher quality solar pumps are capable of moving enough water to create a lovely sound and enough water to attract birds and wildlife.

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Author Profile: Vic MacBournie is a former journalist and author/owner of the award-winning website and newsletter Ferns & Feathers. He writes about his woodland wildlife garden that he has created over the past 25 years and enjoys sharing his garden photography with readers.

Tackling Buckthorn in the garden

Why Buckthorn is a dangerous invasive in our woodland gardens

If you’re not paying attention, Common Buckthorn can creep up on you and devour areas of your garden.

It’s not going to happen overnight, but if you have a neglected area of your garden you have let go wild, watch out.

In a few short years Buckthorn can take hold and begin the takeover.

Thankfully, getting rid of it is easier than you may think.

What I thought would be a multi-year restoration project turned out to be a relatively simple one involving a few days of work yanking out the (two-to-three-foot-high) woody plants.

These images show mature Buckthorns in late summer with the blue-black berries that birds eat and help to spread this non-native, invasive shrub or small tree.

How Buckthorn takes root

It all began shortly after we moved into our home more than 25 years ago.

Our neighbour asked me over to identify a large shrub or small tree that he had been cultivating in an area of his back garden. I immediately recognized it as a Buckthorn but thought little of it at the time.

Thankfully, that Buckthorn tree is long gone.

I suspect, however, its offspring have spread far and wide and hundreds made their way to an area of our garden that I had let go wild.

A large berm across the back of our garden under two large crabapples proved to be the perfect place for birds to drop the berry seeds and begin growing a small forest of invasive Buckthorn. A few grew to an impressive size – large enough to spread their own seeds – and the invasion had begun.

As long as I was mowing the grass on the berm on a weekly basis, it was not a problem. Once I stopped, however, the buckthorn was allowed to grow wild.

Several years ago, I attacked them with a gas-powered brush cutter that made the area look under control but, in reality, only masked the problem.

A degenerating hip made gardening more and more difficult and meant the Buckthorn took root. That all changed this spring when a hip replacement made it possible to finally tackle the forest of Buckthorn.

What I thought would be a multi-year restoration project turned out to be a relatively simple one involving a few days of work yanking out the (two- to three-foot-high) woody plants.

I need to add that our very sandy soil made the task a whole lot easier. The smaller shrubs (2-3 feet high) (1 meter) came out root and all with just a good hard tug. Larger trees in the 4- to 6-foot range (1.5 meters) needed to be rocked back and forth for a minute or two before the soil was loose enough to pull the small trees out with roots. A few larger trees had to be cut off with a chain saw at waist height. My plan is to block out all sun with plastic bags to slowly kill these last two larger trees.

Years of maintenance ahead

I first tackled a 15- to 20-foot section between the two crabapples. To my surprise, the small shrubs complete with roots came out of our sandy soil with relative ease.

A visit from a gardening crew – including two strong young fellas – resulted in a one-day elimination of our Buckthorn problem. Even larger, 6- to 10-foot trees (3 meters) were easily removed with a little rocking back and forth to loosen the roots.

That’s not to say that the Buckthorn is gone. Years of maintenance will be required to keep them at bay, but the hard work turned out to be much easier than I expected and we are well on our way to eliminating the problem.

Buckthorn’s range in the United States and Canada

Common buckthorn (also known as European buckthorn) is native to Eurasia. Introduced to North America in the 1880s as an ornamental shrub and used for fencerows in agricultural areas.

Since then, this spiny shrub or small tree has spread aggressively into wild areas including gardens where birds have dropped the seed.

Common buckthorn is found throughout the northeastern United States into the north central regions of the United States. In Canada, it is found throughout Ontario and as far west as Saskatchewan and east to Nova Scotia where it thrives in a range of soil and light conditions.

It can be found growing in woodlands and open fields where its dense stands shade out native plants. Large stands of Common Buckthorn have invaded roadsides, hydro corridors as well as damp riverbanks, forests and open agricultural areas.

Why eliminate common buckthorn

• Buckthorn creates dense stands that shade out our important native plants and shrubs. It can also alter the soil’s nitrogen levels further inhabiting native plants.

• It spreads quickly by producing an abundance of seeds that quickly germinate.

• It can affect agricultural crops in a number of ways by hosting a rust that affects oats and an aphid.

Identifying common buckthorn

• Buckthorn is among the first to leaf out in spring and the last to drop its leaves late in the fall.

• The flowers of Buckthorn have two to six small yellowish-to-green petals.

• It has smooth, dark green leaves that are finely toothed, about 2-inches long (2.5 to six centimetres long), and arranged in opposing pairs along the stem.

• Buckthorn carries short, sharp thorns toward the ends of its branches.

• It often grows two to three metres tall, but can grow up to six metres, (19 feet) with a trunk up to 25 centimetres (19 inches) in diameter.

• One of the most telling identifiers are the clusters of berry-like black fruit that appear in late summer and fall and are attractive to any bird species.

Common buckthorn resembles another invasive species, glossy buckthorn (Frangula alnus), and a much smaller native shrub, alder-leafed buckthorn (Rhamnus alnifolia).

Hand feeding chipmunks in five easy steps

You’ll have them eating out of your hand in no time

Getting friendly chipmunks to feed out of your hand is not difficult providing you have patience and follow these five simple steps.

So how do we hand feed chipmunks?

The goal is to encourage the chipmunks to first become comfortable with your presence and then to slowly begin providing it with its favourite food in a way that it knows you are the provider. Don’t just leave it around, try to do it in the presence of the chipmunk. As it recognizes that you are friendly, move the food in closer to you. In a short period of time you should be able to encourage the chipmunk to come right beside you to collect its food. Then, it’s just a matter of getting it to take the food from your fingers. As time goes on, you should be able to encourage the little guys to crawl up on your open palm and collect its favourite food.

It can be helpful if you single out one or two particularly bold chipmunks who does not show much fear around you.

A couple of summers ago, I had a chipmunk, appropriately named Stubby because he sported half a tail, who I had feeding out of my hand in just one morning. In fact, Stubby became so friendly that before long he was taking peanuts from my mouth (well actually my lips). I’ll tell you it’s quite the interesting feeling to have the critters’ little hands on your bare leg, arm or chin while it is getting its food from you.

Needless to say, we became good friends over the summer. She lived the good life all summer with a nice stash of shelled peanuts, and my dog Holly and I enjoyed her friendship most days during my morning coffee.

Two behaviours to take note of: The first is foot stomping. It was not uncommon for Stubby, especially the first time we met each morning, for her to foot stomp while tail-thrashing. This is indicative of facing down an enemy. But I wasn’t the enemy and I think she knew it. I’m betting it was more a warning not to mess with her. I simply ignored it and had a little a chuckle even when she did her little dance on my bare leg.

The second is to not be surprised if the little guys acidently give you a little nip. Be prepared and try not to over react if you feel its teeth on your finger. Treat it like you would when you are training a dog to take treats from your hand. A stern “eh eh” will give it a signal not to do that. Stubby would sometimes mistake the tip of my finger or thumb for a peanut when I put the food in the palm of my hand. She would put her front teeth on my finger but quickly realize that it was not a peanut. She never actually bit me, but if you are uncomfortable with that, hold the peanut in such a way that the chipmunk takes it from your fingers with its front paws rather than the palm of your hand.

Stubby taking peanuts from my hand. They are actually very gentle little critters.

Nine Cool Facts about Chipmunks

• Chipmunks are the smallest members of the squirrel family.

• A single chipmunk can gather up to 165 acorns in a single day.

• They live primarily in burrows in an underground tunnel system that can be 10 to 30 feet (3 to 9.1 m) long.

• Although chipmunks do hibernate, they don’t store fat so they become active during warm periods over the winter. They also stuff extra food in their cheek pouches to take it to an underground food cache where they use it as a food source during hibernation.

• Chipmunks can stretch their cheek pouches three times larger than their heads.

• They are not particularly social animals and only interact during the spring mating season.

• There are 25 species of chipmunk, The Siberian chipmunk that is found in Asia and parts of Europe is the only one that lives outside of North America

• The Eastern chipmunk is the largest of the species and can grow to 11 inches (28 centimeters) and weigh in at up to 4.4 ounces or 125 grams.

•Chipmunk tails can grow from 3 to 5 inches

A close approach is not difficult once you gain their confidence.

Detailed approach to hand-feeding Chipmunks

Okay, let’s get a little more detailed about the five steps to encourage Chipmunks to feed out of your hand.

1) The first step is to simply find a comfortable chair near where you have seen chipmunks on a regular basis. If your woodland wildlife garden is mature, there is a good chance you can pick a site almost anywhere in the garden. Near a bird feeder is usually a good place to start. It’s likely the chipmunks are already making regular visits to the bird feeding location and are comfortable with you being around on a regular basis

Preferably this “comfortable chair” is located in an area where you sit regularly anyway. If you like to have your morning coffee on the patio, that’s the place to focus on to begin your hand feeding project.

2) Now every time you go to your favourite chair with your morning coffee, make sure you come armed with your food of choice. I like to store the peanuts in a convenient but safe spot, either in a steel can, glass jar or locked away in a nearby shed or deck box. Chipmunks seem to like shelled peanuts, but unshelled peanuts are just as good. Sunflowers will work well here too. The shelled peanuts are so large that chipmunks can usually only fit a couple in their cheek pockets before running off to their storage cache.

Before long, they’re back again looking for more. Chipmunks can fit a lot of unshelled peanuts and sunflower seeds into their cheek pockets so be prepared with a good stash nearby.

3) The other good reason to load up on shelled peanuts is the ease in which you can toss them in the direction of the chipmunk. I like to flick them by placing the peanut between my thumb and index finger and then, when I see the chipmunk, even if it is far away, I can flick the peanut over toward it. By doing it this way there is no large, sudden arm movements to scare the chipmunk away. Although a peanut flying through the air might scare the chipmunk the first couple times, before long it is scampering to retrieve them.

4) Now that the chipmunks know who their friend is, you can begin placing the peanuts in small piles near you. As the chipmunk becomes more and more accustomed to your presence, move the food in closer until they are right beside you. As they approach, hold as still as possible to give them the confidence to continue. I like to talk to them quietly to get them accustomed to my voice. Getting to this stage does not usually take too long providing your chipmunks are not too skittish.

Friendly red squirrel who shared an afternoon with me and ended up jumping on my shoulder.

5) Getting them to feed out of your hand is a little trickier. If you are sitting in a chair, you have to figure out a way to get them up on the chair. Chipmunks can usually make their way up most chairs, but I encouraged my little chipmunk to crawl up my leg by strategically placing peanuts along my leg until it finally reached the armchair. From there, feeding it out of my hand was simple. Remember though, any sudden movements will send it scampering away and too many quick movements might make the chipmunk too skittish to return.

Remember, move slow, speak softly and have plenty of peanuts ready.

Diagram shows the complexity of a typical Eastern Chipmunk burrow. Notice the different cache or hoard areas in the burrow. These are areas where your peanuts get stored.

I follow the same procedure for red squirrels but don’t encourage them to run up my leg. I just give them peanuts from a short distance. I did, however, have one decide to jump on my head during a photo shoot a couple of years ago.

I was placing peanuts on a boulder and photographing a friendly red squirrel who was happy to pose for me for the price of a couple of peanuts. At one point “Big Red” got behind me. I could hear him in the garden behind me and in a tree just above where I was sitting. I decided to ignore him rather than turn around and possibly scare the friendly little guy.

Before I knew it, he climbed up the back of the chair and jumped on my shoulder. Hmmmmm that was weird. I managed not to over react and stay calm. He looked around from his high vantage point on my shoulder for a few seconds before jumping down and continuing the photo shoot.

Fun times.

It’s a great feeling to have a little chipmunk’s claws on your bare skin as they gently take the peanut out of your hand.

Are chipmunks dangerous?

Chipmunks are not dangerous, but that does not mean a particular chipmunk can’t be a problem. Like other rodents, they can be carriers of disease and any animal that is fed by us humans can lose their fear of people and become dangerous.

I do not recommend feeding carnivores such as coyotes, foxes and certainly not wildcats or other larger carnivores.

Chipmunks are also mischievous little critters that can result in them getting into trouble if they manage to get into your attic or if you try to treat them too much like a pet. Like most rodents, their teeth are constantly growing so a rubberized wire is fair game in their books. If they get into a shed, especially one with bird food, they may never leave.

And, like any wild animal, if they are cornered or fear their babies are threatened, they may get aggressive.

That being said, I have no fear of chipmunks and have handled them on more than a few occasions. Three rescues: one involving a neighbourhood cat, another involving our dog’s swimming pool, and the third requiring the removal of a yogurt bottle from a chipmunk’s head all involved handling a stressed chipmunk without gloves. Never have they been aggressive toward me in any way. For more on the rescues go to my article here.

Do hydrangeas have a place in the wildlife garden?

Our hydrangea in full bloom following years of weak to no blooming. I believe limbing up a tree to give the plant more sun played a role in the increased bloom.

Look for native hydrangeas and Mountain hydrangeas for best results

Hydrangeas have never been a major player in our gardens.

Sure they look pretty, but that is not a good enough reason to find a home in the garden. More important, however, is the fact that hydrangea have never really been known as great plants to attract wildlife, unless you include deer and rabbits that will nibble on them if given the opportunity.

That said, more and more I’m being attracted to certain varieties of hydrangeas and what they can offer to our landscape and wildlife.

Tiny Tough Stuff is a Mountain hydrangea and, although not native to North America, one that is considered beneficial for pollinators in the garden.

Best hydrangea for wildlife

There is no denying their beauty in the garden, but what value do hydrangea bring to wildlife?

Our native Oak Leaf hydrangea is a plant that will attract pollinators and other beneficial insects as will some of the Mountain lacecap hydrangeas that I have to admit a growing fondness for in the garden.

Hydrangea Tiny Tough Stuff from above showing the florets in the centre.

In fact, I’ve added a couple this year and am thoroughly impressed with their willingness to bloom profusely with the most gorgeous of flowers.

Both are Proven Winners’ hydrangeas. One – Little Quick Fire panicle hydrangea – I am growing in the landscape, and the other – Tiny Tough Stuff – is a dwarf Mountain variety that will spend the summer in a large container where I can admire the flowers up close.

(For more on these two hydrangeas, check out the Proven Winners site here.)

These newer hydrangea will join a more mature Climbing Hydrangea (Hydrangea anomala) that has found a home on a trellis after an old shed it was growing on had to be taken down, and a very mature hydrangea that hadn’t bloomed in ten years until this year when it has transformed our patio with a mass of magnificent pink and blue blooms (See image at top of page).

If you live in a cold climate and have difficulty sometimes getting your Hydrangeas to bloom, you might want to check out Hydrangeas in the North Getting Blooms in the Colder Climates.

According to Hydrangea.com, most hydrangeas provide little pollinator value - “but some varieties, especially those with lacecap flowers, are a haven for pollinators in summer.”

The website recommends Oakleaf Hydrangea (hydrangea quercifola) native to Southwestern United States woodland areas. The panicles of these large hydrangeas are have easily accessible fertile florets filled with pollen and nectar that attract bees, butterflies and other pollinators.

Our climbing hydrangea holds a prominent spot as you enter our backyard.

In fall, the plants’ seeds are eaten by songbirds including cardinals and a variety of sparrows.

Mountain hydrangeas, (Hydrangea serrate) although native to South Korea and Japan, can also be attractive to pollinators, who are attracted too the soft blue to pale pink blooms from summer through fall.

Smooth hydrangea (Hydrangea arborescent) is native to the Eastern United States and feature large blooms that can come in mop or lace cap types. Lace cap smooth hydrangea varieties are particularly attractive to bees and butterflies and the flower seeds are eaten by birds and other wildlife.

Best hydrangeas for wildlife?

Little Quick fire hydrangea in late June showing off its blooms. The Quick Fire hydrangeas are among the first hydrangea to bloom in the summer.

Mt. Cuba Center is non-profit botanical garden located in Hockessin, Delaware, near Wilmington, where it features an impressive woodland gardens that produce some of the most spectacular displays of wildflowers in the mid-Atlantic region. The centre studied a number of hydrangea and their benefits to wildlife. (complete study here)

In the comprehensive study, they found that the hydrangea arborescent ‘Haas’ Halo’ performed the best overall. It grows in a huge range from US zones 3a to 9b, and can grow to about 6 ft in height and about 5 ft. wide.

“It’s overflowing with desirable ornamental qualities — including great vigor, massive flower heads, and good sun tolerance. This selection of wild hydrangea is also very popular with pollinating insects. ‘Haas’ Halo’ is a shrub that can be seamlessly incorporated into almost any garden design and we recently planted it in Mt. Cuba Center’s newest garden, the Woodland Glade,” the report noted.

In general, the report noted that lace cap hydrangea blooms attract more pollinators like native bees, butterflies and hummingbirds, while mophead hydrangeas tend to attract more beetles, bugs and flies.

Pentax 17 has taken analog photography to new heights

The new Pentax 17 is taking film photography to new heights.

Does the Pentax 17 signal a return to film photography?

The recent introduction of the Pentax 17 half-frame film camera has taken analog photography to new heights, reminding long-time photographers about the joys of past times and introducing a newer generation to the art of film photography.

For those still sitting on the fence about analog photography, there’s probably a film camera in a drawer somewhere just waiting for you to pull it out and relive the joys of cocking that film winder, hearing the clunk of a shutter and waiting with anticipation for your film to be returned.

An overhead view of the new Pentax 17.

For those who might only occasionally wander into the garden or take snapshots of the kids or grandkids, shooting film is not only still viable, it may be the easiest way to get actual pictures in your hand. Travellers and occasional snapshooters can take advantage of existing equipment to relive the joys of film photography or, if they are really serious, take a close look at the Pentax 17.

There has already been plenty written about Pentax’s new offering aimed primarily at the younger Instagram crowd who want to experience film and look cool doing it. An old camera around their necks – unless it’s a Leica – just might not cut it in the same way as having the handsome Pentax 17 in their hand. Add a vertical format and double the frames of a vintage 35mm camera and the New Pentax is looking pretty sweet.

Even for us “vintage” photographers, the nostalgia factor might be enough to give serious consideration to the well-built, and quite frankly sexy Pentax 17.

But there are options to get into this new analog trend, dare I say phenomenon.

I chose the other Pentax trend setter from years past – the Pentax Auto 110 – to hop on the trend.

Pentax’s other ground breaking film camera was released more than 40 years ago with an array of lenses, a winder and add on flash.

Pentax’s other innovative film camera the Auto 110

I recently took up the challenge with the Pentax Auto 110 system and a roll of B&W “Orca” film from Lomography. (For more on Lomography, check out their website at Lomography.com.)

In its time, the Pentax Auto 110 system was as innovative as the Pentax 17 is today. The miniaturized camera system complete with six interchangeable lenses, its own electronic winder and a flash, made this the talk of the town.

The Pentax Auto 110.

But, unlike so many digital cameras whose sensors and other critical electronics begin to fail, the Pentax Auto 110 still shoots the same 110 film it always has, but with modern scanners and software the results can be stunningly better than they were more than 20 years ago when the camera system was launched and grainy film was the norm.

(Of course in the true nature of film photography, real grain is a highly desirable addition to your images.)

Pentax Auto 110 vs Pentax 17

So how does the Pentax Auto 110 system compare to the newest film camera on the market, the Pentax 17.

I have yet to get my hands on a Pentax 17, but we can still make comparisons to provide some answers into the new world of analog photography. (An interesting aside is that the thumb winder on the Pentax 17 is actually based on the exquisite winder on the original Auto 110.)

A word of note: the Pentax 17 half-frame camera gives you 72 images on a 36 roll of 35mm film.

Negative size compared

Let’s start with the negative size. The 110 negative is 13mm x 17mm and the new half-frame Pentax 17 is 17mm x 24mm.

Advantage the new Pentax 17.

But wait, the significant advancements in scanning and photography software makes this advantage a little less important when it comes to the finished product whether that is a digital file or a print.

When it comes to lenses, the Pentax 17 boasts a modern 37mm equivalent lens that is said to create sharp, contrasty images with great colour. It does, however, depend on zone focus rather than manually focussing the lens.

The Auto 110 system, on the other hand, boasts a total of six lenses with the 18mm, 24mm, 50mm and exquisite 70mm being the showcase lenses for the system. Focusing these lenses is easy with the pentaprism and split screen focus technology. And all the lenses are excellent, highly rated f2.8 fast lenses that can even be used on more modern digital cameras with the proper adaptors. (For more on using Auto 110 lenses on the Pentax Q and Micro 4/3 lenses.)

Advantage Auto 110 system.

Garden statue at our local public garden.

Then there is the separate flash and winder for the 110 system which probably gives it a slight advantage over the new Pentax 17.

But, the Pentax 17’s outstanding looks, greater ability to control the final image with its exquisite over-under exposure dial on the top of the camera, its ability to set ISO on a separate dial and its modern functions enabling the user to set a wider f-stop to better control bokeh, are difficult to compete against.

These factors, along with other modern conveniences probably gives the new Pentax 17 the overall edge by what some would say is a healthy margin.

Exactly what you would expect from a comparison of 40-year-old technology vs modern technology.

But that does not mean the Auto 110 system is not still a viable option if you are looking to dive into the world of analog photography. And, of course, there are a myriad of used full-frame 35mm cameras in drawers, at on-line auctions, and on camera store shelves that are still viable options.

What can you get out of a Pentax Auto 110 together with modern scanners and advanced photography post-processing software? Let’s take a look at the first roll of film through the camera.

I am currently putting a role of color film through the Pentax 110 which will be followed by a Lomography specialized film. Stay tuned here for more reports on film results with the Pentax 110.

This image of backlit bullrushes shows the possibilities of pulling out detail even with the small negative size of the 110 film.

The Pentax Auto 110 and a roll of Orca B&W film

All of these Auto 110 images and those above in the post have been developed and scanned by The Darkroom and then processed with Lightroom Classic.

Let’s start with a few of my favourites from the roll of 24 images.

The above image of one of our historical buildings in town takes advantage of the vintage grainy look of the 110 film and the B&W captures that feel even further.

A public garden with its impressive weeping willow surrounded by spring bulbs takes centre stage in this Auto 110 B&W image.

A garden scene turns its focus on the curves and textures in this B&W image photographed with the original 18 or 24mm Pentax 110 lens.

A farm field and trees works in this B&W image taken on the Auto 110 with Orca film.

Trees in a cornfield stand out against the sky showing a significant amount of grain.

Our town hall seen through the Frame of a garden structure.

Another historical building is captured in B&W within the frame of a garden structure.

A fence line takes on the vintage look with the 110 film.

Film photography is not going away any time soon

Whether you think film photography is nothing more than a trend, or a movement that is not going away any time soon, most photographers will admit a certain love affair with the vintage look film can give to their images.

Sure, with a little work in Photoshop or Lightroom a quasi film-look is possible to obtain with digital images. But, it’s not the same as capturing the film look on film possibly with a vintage camera, or maybe even the new Pentax 17.

Shooting with the original Auto 110 with its excellent lenses is great fun. Developing 110 film is not so much fun because it can be expensive. The Pentax 17 solves the expense problem by using 35mm film.

If you already own an Auto 110 system, by all means get out and shoot with it. That fun experience might just lead you to the newest Pentax 17.

And that’s a good thing.

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Author Profile: Vic MacBournie is a former journalist and author/owner of the award-winning website and newsletter Ferns & Feathers. He writes about his woodland wildlife garden that he has created over the past 25 years and enjoys sharing his garden photography with readers.

The Internet of Nature: How technology could shape our urban forests of the future

New book, Nature of Our Cities, celebrates optimism in the midst of a changing planet

Dr. Nadina Galle may have got her “eureka moment” at the age of 12, but it took the release of her first book, The Nature of Our Cities, in June, 2024 to bring the “moment” into focus.

Dr. Galle’s first book promises to change the way we look at our urban spaces.

Terrified, at age 12, after watching a Canadian documentary called The End of Suburbia, she worried that the lifestyle she enjoyed growing up in a Canadian suburb in Waterloo, Ont., would eventually lead to the “collapse of the society (she) was born into.”

She remembers a happy childhood playing with her friends in their big, grass-filled backyards. It was a lifestyle, however, that even at an early age, she realized had its flaws.

“At the age of 12, I decided it would become my life’s mission to build better places for people to live,” Dr. Galle explains in her highly entertaining and informative TEDx talk.

“Gardeners, more than anyone, understand the intimate relationship between people and nature. This book offers them new, exciting tools—from AI-powered sensors that water newly planted seedlings to intelligent water gardens that mitigate floods—that can help anyone get involved in transforming where they live into resilient, vibrant ecosystems”

— Dr. Nadina Galle

“Born in the Netherlands and raised in Canada, I developed my love for the outdoors and my commitment to conserving nature from a young age. Reading works by Jane Jacobs and James Howard Kunstler as a teenager, I questioned the imbalance between nature and the encroaching urban sprawl I saw around me in suburban Canada,” explains the former Fulbright scholar and MIT researcher.

Dr. Nadina Galle is at the forefront of using smart technology to protect the urban forest.

Today, Dr. Galle is working at the forefront of smart nature-based solutions, exploring how technology can transform the way we care for our natural urban environment. Her website The Internet of Nature is a treasure trove of information about how technology can benefit the urban forest including links to her cutting-edge podcasts.

“At the age of 12. I decided it would become my life’s mission to build better places for people to live.”

— Dr. Nadina Galle

On her quest to build better places for people to live, she studied ecology, evolutionary biology, earth sciences, and eventually went on to earn a PhD in Ecological Engineering. In her fascinating TEDx Talk, she defines Ecological Engineering as the “design of sustainable ecosystems that integrate human society with its natural environment for the benefit of both.”

Remember that inquisitive, yet terrified little 12-year-old girl’s promise to herself?

Well, her lifelong pursuit of learning eventually led her to her PhD in Ecological Engineering at MIT and University College Dublin and what has emerged is what she calls “Internet of Nature.”

If that is not enough, Dr. Galle has just released her first book: The Nature of our Cities, Harnessing the Power of The Natural World to Survive a Changing Planet.

The 304-page book explores how innovators from around the world are combining urban nature with emerging technologies, to protect the planet’s cities from the effects of climate change and safeguarding the health of their inhabitants.

Dr. Galle explains in the book’s promotional material: We live in an age when humanity spends 90% of its time indoors, yet the nature around us—especially in America’s cities—has never been more vital. This distancing from nature has sparked crises in mental health, longevity, and hope for the next generation, while also heightening the risks we face from historic floods, heatwaves, and wildfires. Indeed, embracing nature holds untapped potential to strengthen and fortify our cities, suburbs, and towns, providing solutions spanning flood preparation, wildfire management, and promoting longevity. As ecological engineer Dr. Galle argues, nature is our most critical infrastructure for tackling the climate crisis. It just needs a little help.

What does all this mean to us urban and rural woodland gardeners?

Dr. Galle says Ferns & Feathers readers will appreciate her book on a number of levels.

“Gardeners, more than anyone, understand the intimate relationship between people and nature. This book offers them new, exciting tools—from AI-powered sensors that water newly planted seedlings to intelligent water gardens that mitigate floods—that can help anyone get involved in transforming where they live into resilient, vibrant ecosystems,” Dr. Galle told me.

• To order a copy of Dr. Galle’s book from Amazon, go here.

How gardeners can help protect the urban forest?

What does all this mean to the average woodland/wildlife gardener, or simply the urban homeowner living with a typical yard?

It means that although we gardeners may think of our gardens as ours alone to enjoy and experience, they are actually part of a much larger environment that makes up the urban forest – a forest that in most urban areas around the globe is under severe threat from natural (climate change) and human intervention.

Irish garden designer and author Mary Reynolds promotes this approach to natural gardening in her book The Garden Awakening where she advocates for homeowners to consider their properties like “natural arks” that form smaller islands of nature that can join together to provide much larger islands of native plants, trees and natural environments. (You can explore her approach further in my article about her work here).

This approach to urban gardening also means that traditional thinking probably has to change to ensure that our urban forests provide us with the natural environment so many of us depend on for our future well being. If the Covid-19 pandemic has taught us anything, it has made us more aware of the importance of green spaces and the natural environment to our own well being.

Protecting the urban forest has never been more important

The very fact trees sequester carbon is reason enough to plant as many new trees as possible. However, it’s been proven that older, existing trees (and their soils!) are even more effective at sequestering carbon, so ensuring their protection and continued health in our urban areas is vitally important.

Every year the urban forest is under greater threat, Dr. Galle explains in her TEDx Talk. This is hammered home by the fact that every week approximately 3 million people move (or are forced to move) to cities around the globe.

“Everyone is talking about how many people are moving to cities, but no one is talking about what kind of life they will live once they move there,” she explains.

How we protect the urban forest in the future is what Dr. Galle wants to change, and she wants technology to be leading the way. (More on that later in the article. First it’s important to understand our role as gardeners and homeowners in the whole process.)

“Roughly 50-70 per cent of the urban forest in any given city is on private/homeowner land, which means only 30-50 per cent is actually in the maintenance area of the city,” Dr. Galle explains via email to Ferns & Feathers from her home in the Netherlands.

“This is crucial because it shows the massive role homeowners can have in the development and longevity of the urban forest.”

An important point author Peter Wohlleben makes in his NYT best selling book The Hidden Life of Trees, (link to an earlier article on the book) and one that Dr. Galle echoes in her writings and talks, is that a tree planted in the heart of an urban landscape has a typical lifespan of a mere 7-30 years. The same tree planted in a natural forest can easily live to 100 years and considerably more given the right conditions.

Dr. Galle has even identified Wohlleben and the UBC forest ecologist, Dr. Suzanne Simard, whom he covers extensively in his book, The Hidden Life of Trees, as a major influence in her work, particularly research on how trees communicate through underground fungi that can connect to the roots of other trees (and plants) to create what’s called a mycorrhizal network. A mycorrhizal network can influence the survival, growth, health, and behavior of the trees linked within its extensive network or community. Trees use their network to not only communicate, but to share resources, often stemming from the resources of the “Mother Tree”, the most connected tree in the network.

This underground network, Dr. Galle emphasizes, needs to not only be protected through proper watering, fertilization and care, but encouraged to branch out in urban environments whenever possible. Success will depend on a multitude of factors including the cooperation of individual homeowners to protect the trees on their properties.

How valuable is a single tree on your property?

In fact, in his follow-up book The Heartbeat of Trees, Wohlleben gives an example of how a study conducted by Chicago University researchers found that a single tree planted on the lawn of an urban property can increase the benefits to the homeowner by the equivalent of an annual pay increase of $10,000. The study, conducted with thousands of Toronto, Canada residents, also showed that two trees planted in the front could provide the health and well-being benefits equal to an annual income increase of $20,000.

If this doesn’t convince homeowners of the importance of maintaining their own trees in their front yards, it’s hard to imagine what will.

“Most homeowners don’t realize the trees on their land (may be) protected by a private tree ordinance, meaning you can only cut down trees (even when you own the land!) with a permit,” Dr. Galle explains. “Otherwise, you can be fined, or even jailed (though I doubt that’s ever happened).”

“Many cities, like Santa Monica, for example,currently don’t have private tree ordinances, but after remote sensing analysis revealed they’d lost 20-30 per cent canopy cover on private residences in just a few short years, they’re rapidly trying to instate a private tree ordinance. Otherwise, there will be no urban forest left!" says Dr. Galle. (Readers can learn more about Santa Monica’s urban forester and his struggles to maintain its urban forest in a S2E10 of the Internet of Nature Podcast here.)

How can homeowners preserve and protect their trees?

Dr. Galle recommends four ways homeowners can preserve their trees and do their part to ensure the longevity of the urban forest.

• Understand your trees: use a tree identification app to understand what grows around you and learn as much as you can about them and their history.

• Don’t cut down your trees unless absolutely necessary. If you must cut a tree down, replant smartly, meaning planting native trees that will thrive in that location.

• Water your trees when it’s hot and dry, and use a sensor to help you understand when and how much water you have provided the tree so you don’t over water, which can also be dangerous to the tree.

• Find and invest in a good local arborist for regular tree health inspections. Regular inspections of your trees will help to keep you, your property, and the tree safe.

How technology can help protect the urban forest

Protecting individual trees is certainly a step in the right direction, but Dr. Galle is more focused on protecting the entire urban forest.

It’s obviously a momentous task that, up until recently, was often the primary responsibility of city planners, work crews and arborists working tirelessly to provide what they thought the trees, plants and wildlife needed to prosper.

What Dr. Galle and her co-researchers found after talking to these critical workers at the frontlines of urban forest protection is that they really did not know what was needed to protect the urban forest in its entirety. Their expertise certainly guided them in the right direction, but specific day-to-day, week-to-week, season-to-season evidence was sorely missing.

The result: Protecting the urban forest was, at least to some extent, a guessing game and climate change is making guessing that much more difficult.

So, Dr. Galle began to ask: “What if technology could step in where Earth’s biological communications networks have been altered and disrupted?”

And so, the Internet of Nature (IoN) was born.

What is the Internet of Nature?

Working with scientists, researchers and companies around the world – including Canada, the U.S., Australia, China, and across Europe – Dr. Galle is developing a multifaceted approach to monitoring the health of our urban forests through technology: more specifically the internet.

“After seeing both the ‘Smart City’ and ‘Green City’ agendas gain popularity, irrespective of one another, I began to explore ways to integrate these precision methods to build greener and smarter cities, she explains in an interview with the Amsterdam International Water Web,.

Dr. Galle explains that “The Internet of Nature (IoN) makes use of emerging technologies, like sensors, satellite imagery, computer algorithms, and many more, to represent urban ecosystems and turn green spaces into data that helps us better understand how to manage them.”

She goes on to explain that: “It doesn’t only collect data to help monitor these important spaces, but also reconnect city dwellers to nature — and better understand how people feel about it.”

“In my research and work, I have experimented with sensors, satellite and drone images, online reviews, big data, plant ID apps, and many more, to find the best ways to measure and monitor urban nature. From that, the Internet of Nature arose, helping us monitor nature, but also reconnect people to the greenery at their doorstep.”

As part of her lifelong ambition to provide healthier and better places for people to live, Dr. Galle explains that IoN technologies have experimented with sentiment analysis to mine citizen opinion of green space by training a computer to ‘decipher’ online reviews, interaction and engagement rates. “This way we learn more about how people experience green spaces.”

Sentiment analysis algorithms would, for example, enable cities to help establish how people feel about certain urban green spaces including parks compared to more natural areas based on reviews left on sites like TripAdvisor, or on-line questionnaires.

Information gathered from underground sensors is sent to an ipad where moisture and other factors can be monitored to help protect the trees in the area. Photo courtesy of Soilmania.

How sensors play a role in protecting trees?

By using electronic IoT sensors designed and built in the Netherlands by SoilMania, scientists and arborists are able to monitor tree’s needs, stresses and environment at any time through a computer and even apps on a phone. This information can then be extrapolated to all the trees in a given area and solutions provided to protect them.

SoilMania, founded only four years ago, is already being used on crops, fields and greenhouses; on golf courses and sports fields; as well as in public and green areas including entire cities to monitor the needs of the urban forest.

It may be nothing more than providing information telling arborists when a tree needs deep watering. The in-ground sensor will also tell workers exactly how much water and or fertilizer the trees need and provide information about how much water has reached the trees’ roots.

Sensors are even able to monitor, for example, the salt in the soil around a tree’s roots that can build up as cities continue to spread salt on roads during winter months. If salt levels build to dangerous levels, the company even provides a solution to bind with the salt or other toxic elements to neutralize them before it can damage the tree. The method has already prevented hundreds of untimely tree deaths related to salt damage.

During her time at MIT’s Senseable City Lab, she was interested in seeing if there was microbial activity in the soil around inner-city “street trees” using sensors to detect the activity and therefore the health of the tree.

This research also led to the possibility of using remote sensing technology through satellite imagery. “I’m particularly interested in hyperspectral imagery” that can pick up on vegetation and the health of vegetation in minute detail from satellites that are able to orbit the earth twice in a single day. Although such imagery is already being used in agriculture and forestry, significantly improved resolution now enables scientists and arborists to actually “measure the health of individual trees.

Information is gathered by the tree sensors and sent via cloud computing to computers to monitor soil around a tree or group of trees roots. Provided courtesy of Soilmania

In conclusion

Dr. Galle’s childhood dream of creating a better place for people to live continues to be a work in progress. Her commitment and dedication to achieving this goal has led her down a path of knowledge and academic excellence that is sure to end in success – exactly what that success entails is still yet to be written.

However, there are many barriers standing in the way – not the least the acceptance needed of how technology can solve the problems large cities face when it comes to protecting urban forests.

Added to that is the continued damage inflicted on our urban forests by nature, climate change, and most importantly, homeowners who either don’t know, or worse, don’t respect the important part trees play in our lives.

The challenges are too many for any one person to tackle, but, with the power of the internet, maybe, just maybe Dr. Galle and her team can find those solutions.

Let’s hope so. Our lives may depend on it.

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Author Profile: Vic MacBournie is a former journalist and author/owner of the award-winning website and newsletter Ferns & Feathers. He writes about his woodland wildlife garden that he has created over the past 25 years and enjoys sharing his garden photography with readers.

Garden mister is cool addition to your wildlife garden

A chipmunk climbs up near the mister on a particularly hot day during a heat wave.

A recent heat wave sweeping across major parts of North America has reminded me of the importance of adding water to the landscape, and a mister is certainly a cool addition to any wildlife garden.

I set mine up as soon as the heat started and let it run throughout the entire time that saw temperatures reach well into the 40s C or 110-114 F. The cool mist can be a lifesaver for small birds, mammals and even insects looking to escape the worst of the afternoon heat.

I picked up our mister many years ago from a local home store. They were advertising it as a way for humans to enjoy a cool mist while on their decks and patio, but I instantly thought of the hummingbirds who are attracted to bathing in fine mists as well as gentle sprinklers.

A hummingbird buzzes around near a feeder and our mister seen here protruding from the left of the image.

For more on providing water in the garden for wildlife, check out my other posts:

• Best bird baths for the wildlife garden.

• Why use a hanging bird bath.

• Tips for using water to attract birds and other wildlife.

Most misters are easy to set up by simply attaching your hose to the end of the hard plastic female coupler on the mister, which are often shaped in a way to allow it to stand up on its own. Ours includes two tiny brass mist nozzles that send a fine cool mist up into the air about to about two feet in height.

Even a slight breeze sends the mist softly flowing across the patio or deck. I admit that it works well whenever the breeze blows the mist in my direction.

This image shows the mister in action with the tiny brass nozzles.

I set ours up around our patio pond, which is also set up as a hummingbird haven with several hanging feeders and plants the hummingbirds are particularly attracted to including cuphea, salvias and nicotianas, just to name a few.

The plants get a nice soft watering in the heat and the water helps to keep our pond filled to the brim so that our resident chipmunks and squirrels have easy access to the refreshing water.

There are several different styles and makes of misters available at Amazon and other on-line or local garden and wildlife stores.

This inexpensive mister available at Amazon is typical of the style of garden misters that are available, but the added addition of the screen filter can be helpful effectively removing impurities in the water and prevent the misting cooling system from being blocked by scale and keep the mister working properly for extended periods. The tiny nozzles can get clogged easy enough so any filtration of potential debris getting into the misters is a bonus.

In fact, a wasp decided our mister was a good place to build a nest one year resulting in a major obstruction that shut down our mister until I realized what had happened and cleaned it out.

This 60-inch flexible mister stands on its own as is even advertised for use with bird baths and hummingbirds. It’s nice to see the company is thinking about helping wildlife. It is equipped with standard 3/4-inch garden hose connector, and even includes “sealing tapes and high strength sealing washers,” to stop leakage between the adapter of the standing mister and the faucet.

If you are looking for more, this multiple head mister will provide wildlife, children or even your pet dog with a cooling mist from every direction.

One of the benefits of the misters is the ability to set the misters up for a variety of uses that range from cooling your own sitting area, an area your children or pets are using or, of course for wildlife. The misters are easily transported to different areas in the garden, patio or deck and use such a small amount of water that you will not notice it on your water bills or be overwhelmed by large amounts of water pooling on your deck or patio area.

Pentax Auto 110 vs The Pentax Q: A study in B&W

Film vs digital in the garden

I’ve always admired the Pentax Auto 110 camera system. Back in 1978, Pentax released the tiny 110 camera along with three lenses – 18mm, 24mm and 50mm. It was followed in 1981 by the Auto 110 Super and three more lenses including a zoom and an all-metal 70mm telephoto. They are fast f2.8 lenses.

Fast forward to 2011, when Pentax drew from its rich history of tiny, high-quality cameras and lenses and released the incredible Pentax Q digital camera. Little did the Pentax engineers and designers know back in 1978 that their tiny 110 camera lenses would make a comeback 30-40 years later on a miniaturized digital camera.

A simple, inexpensive adaptor is all that is needed to fit the tiny 110 lenses onto the Pentax Q. And theses tiny, manual focus lenses work beautifully on the 110-comparable-sensor size of the Pentax Q line of cameras.

The miniature Pentax Auto 110 film camera, left, compared to the tiny Pentax Q. Notice how the film size is similar to the digital sensor making a comparison totally appropriate.

I purchased an almost complete 110 system with four lenses, a camera and flash, with no intention of ever using the camera to shoot film. But, after some thought, decided to at least run a few roles of film through the camera to compare the miniature Auto 110 with the tiny Pentax Q.

The decision led me down the road to Lomography, which is the company behind the resurgence of shooting film with vintage cameras. I purchased three rolls of film from Lomography – a B&W stock, a roll of colour print film, and a roll of Lomography’s specialty film that I’ll unveil in the final of this three-part series. The Lomography Orca 110 Film can also be purchased through Amazon.

The Pentax Q fitted with the adaptor and a 110 lens together with the remaining Pentax 110 lenses and the Pentax Q 50mm for size comparison.

Garden showdown with 110 lenses

Using 40-plus-year-old lenses on a digital camera is great fun, but how do they compare in a shootout between the digital Pentax Q and the original Pentax 110 film camera?

In a three-part feature, I’m comparing the two cameras using the original 110 lenses – the Auto 110 using film and the Q series taking digital images.

And, what better way to start than with a comparison between black and white images – digital vs 110 film.

Be sure to read to the end for a special comparison involving a third tiny Pentax camera.

A word of note: Although both cameras used the original 110 lenses, different crop factors created by using the lenses on both cameras resulted in different images. As a result, I used primarily the 18mm on the Pentax Q digital camera and the 24mm on the Auto 110 film camera. No metadata is available with the film camera images and, because the camera decides the f-stop and the shutter without revealing that information to the photographer, there is no way of knowing the data.

Mounted to the Auto 110, the 18mm wide-angle lens has the equivalent angle of view to a 35 mm lens on a 135 mm format, the 24 mm (50 mm equivalent), the 50 mm (100 mm equivalent) and the 70 mm (150 mm equivalent).

If you are wondering how these lenses translate in the world of traditional 35mm on the Pentax Q series, consider the 5.35 times crop factor of the original Pentax Q and you are left with the following: 18mm = 96mm, 24mm = 128mm, 50mm = 267mm and finally the 70mm = 374mm. The same lenses on the Q7 or Q-S1 – with a larger sensor and a crop factor of 4.65 – results in the following: 18mm = 83mm, 24mm = 111mm, 50mm = 232mm, and finally 70mm = 325mm. These numbers are rounded off, but you get the idea.

Lomography’s Orca, 200 iso, B&W print film can be expensive to process.

I used Lomography’s 200 ISO Orca film stock in the Pentax Auto 110, and set the ISO to 200 on the Pentax Q. On the Q, a fixed F-stop was used with the introduction of a home-made rubber washer inserted into the adaptor. (See earlier post here for more information.)

First impressions: Not the best results?

My first impression of the film images was not favourable. I felt the amount of grain overpowered the image and made them almost unusable. That, of course, was simply an over reaction on my part after having used digital cameras for so long. The scanned film’s grainy images soon grew on me and, with a little tweaking in Lightroom, I began to appreciate the scanned images more and more.

The small size of 110 film has never been a favourate film for photographers looking for a fine-grain image. And, of course, the more it is enlarged the larger the grain becomes.

(To see all of my Orca B&W images, check out my photo gallery HERE.)

In this post, we’ll explore both the “straight out of camera (SOOC)” images, as well as some that have been developed further in Lightroom and Photoshop.

Let’s take a look at a few images, shall we?

A garden bridge (SOOC) leads to a magnolia tree just beginning to open in a local public rock garden. This scanned film image shows high grain compared to a similar digital image below photographed with the Pentax Q and 18mm 110 lens.

The same garden bridge photographed with the Pentax Q and 18mm 110 lens.

The same film image with a little de noise added in Lightroom results in a slightly more pleasant image.

Local historic building photographed with Pentax Auto 110 on Lomography’s Orca film stock. The heavy grain seems appropriate with the subject matter.

A digital image of the same historic building photographed with the Pentax Q. Notice that the image’s grain or noise structure is much softer in this image compared to the one above.

The shooting experience: Pentax 110 vs Pentax Q

The shooting experience between the film and digital camera was really quite different and definitely favoured the much older and simpler Auto 110 film camera.

The combination of the very bright built-in viewfinder on the film camera, together with the split-image focussing screen, made the experience of shooting with the vintage film camera a real joy, not to mention the ease of getting sharp images. (Of the roll of 24 B&W images, about 22 were useable.)

On the other hand, trying to manually focus using the LCD screen on the back of the digital Pentax Q was difficult at times, especially in bright daylight. Although the camera features magnification to assist in focussing, the ability to get perfectly sharp images was often challenging. This is where the Q’s fine assortment of autofocus lenses would have come in handy.

That’s not to say that shooting the 110 lenses on the digital Q was not enjoyable, it was. But, compared to the original film camera that the lenses were made for, it presented some challenges.

A garden scene with the Pentax Auto 110 film camera.

A similar scene shot with the Pentax Q.

The film image above after some tweaking in Lightroom.

Here are more images taken with the film and digital cameras that illustrate the difference in grain and noise between the two formats.

I’m not going to go into too much detail at this point, preferring to leave more details for part-two and -three of the series comparing the cameras and lenses.

This image shows one of our town’s historic buildings. It is a straight scan out of the camera with no tweaking done in post processing.

A similar image taken with the digital Pentax Q and 18mm lens.

Cherry tree scans straight out of camera.

A similar image photographed with the Pentax Q and 18mm, 110 lens.

Adding the Pentax I-10 to the group

Earlier in this post, I mentioned that I was going to add a third camera to this comparison. The Pentax I-10 is another miniaturized, vintage digital camera produced by Pentax just before the introduction of the Pentax Q, and one that fits into this comparison nicely.

A tiny threesome used in this comparison. From left: the Pentax Q digital camera, the I-10 digital and the Auto 110 film camera.

It has a similar-sized sensor but has a built-in autofocus lens that gives it an advantage over the other two cameras, especially if age makes getting proper focus more and more difficult.

Below, are a few comparison images adding the Pentax I-10 to the group.

Image taken with the Pentax I-10 digital camera with its built-in autofocus lens. You can see the fine detail that has been brought out in this image photographed at at 160 of a sec at f5.3 and ISO 80.

The Pentax I-10 creates a beautiful, smooth image with little to no grain (noise) in this image of a bridge in the garden.

Garden bridge photographed with B&W film SOOC with the Pentax Auto 110.

The same image as above after a little de noise added to the photograph in Lightroom. I also removed some distracting elements in the scene.

The Darkroom tackles processing and scanning the 110 film

The Darkroom was the lab I chose to turn my B&W 110 film into digital scans and negatives. I can say the process and the results were excellent, but the final price tag was not.

I’m not sure of the final cost, but between purchasing the film from Lomography, paying for the mailing costs from the Toronto area to California and then adding the cost of developing, scanning and mailing the negatives back to me, it was not inexpensive. In fact, the cost I’m estimating to be over $60 Canadian, made the whole endeavour something that only the most dedicated film photographers would want to turn into a weekly or even monthly habit.

A few times a year might be something to consider, but digital cameras have certainly turned me into a penny pincher when it comes to paying for images.

I know, however, that there is a growing number of photographers who don’t like or want to be bothered with the whole digital process preferring to have prints in hand rather than digital images to deal with on their computers. And, if you already own the 110 or a 35mm film camera, than the costs may not be too exorbitant.

I’m sure if you live in the U.S. and scan your own 110 film, the final price can be brought down considerably, but the high cost is certainly something that would make me think twice about shooting another roll of B&W, 110 film.

I’m told my next roll – colour print film – is much cheaper. Stay tuned.

Garden Inspiration: Exploring the gardens of Niagara On The Lake

Alliums are a popular choice for the gardeners of Niagara On The Lake. Hear a lucky situation with the alliums protruding from the fence into the public sidewalk. A Lensbaby lens helped provide a dreamy look to the image.

Lensbaby optics add a romantic flavour to garden images

There are cities and towns all over Canada, the United States and especially Europe worth exploring just for their gardens. Even within large cities, there are neighbourhoods that offer the same inspiration in just a few square blocks.

One of these places, located not too far from where I live, is the small tourist town of Niagara-on-the-Lake. Not to be confused with nearby tourist Mecca Niagara Falls that has its own lovely public parks, but offers nothing near the private gardens of Niagara-on-the Lake.

Walking the residential areas just off the main commercial street has probably been one of my main inspirational points of my garden life. For years, my wife and I have visited this little gem where the Niagara River meets Lake Ontario, My wife tours the little quaint shops on main street while I take my camera and explore the garden scene.

Both are actually quite sensational – quaint with a serious spoonful of sophistication that is often missing in many neighbourhoods where money and the size of the house takes precedence over the gardens.

Here, it’s almost as if the gardens take centre stage around equally beautifully historic homes.

This soft, romantic image was taken with a Lensbaby Composer creating the dreamy effect and capturing the mood of the scene. Touring public or private gardens provides the ideal opportunity to practise creative photographic techniques.

Mackinac Island in Michigan is another community that comes to mind where gardeners can go to be truly inspired. I’m sure readers know more places of inspiration. Please leave a comment telling readers what your inspirational garden cities, towns or neighbourhoods are in the comment section at the bottom of the page.

It’s here, in Niagara-on-the-Lake, where I got the idea that driveways don’t have to be asphalt or concrete. A simple crushed red stone is not only acceptable but preferred for even the most sophisticated of homes.

It was here where I fell in love with Japanese Forest Grass after seeing it used in large clumps to welcome visitors in the front yard of an elegant home.

It was here, in neighbourhoods dominated by large trees, that I realized woodland gardens can take on a sophisticated look with trees and plants growing up through the ground cover.

And, it was here where I realized that garden art can take the form of a gorgeous bubbling rock, a simple garden swing or a natural moss-covered boulder greeting visitors.

A beautiful bench provides a little nostalgia to the garden especially when it is taken with a Lensbaby lens, giving it a soft, romantic look.

Although a visit to Victoria B.C. introduced me to the glory of Japanese Maples, it was their exquisite use in the landscape as understory trees in Niagara-on-the-Lake that inspired me to use many of them in our woodland garden.

It’s hard to believe that most of these gardens – many of them tied to elegant bed-and-breakfast facilities – were not designed and maintained by professionals. But, unlike many professionally landscaped homes in areas where I live, these have a sophisticated aesthetic that gives the impression that the gardens were lovingly installed over the years by the owners themselves.

On this afternoon, I chose to photograph the gardens primarily using a Lensbaby optic to give the images a soft, romantic appearance that seems to match the feeling the gardens present to the public.

The homes themselves, even newly built homes, have that same sophisticated look.

Red flowers complement the beautiful red door photographed with a Lensbaby lens to create the dreamy look.

On this visit, I was particularly drawn to the extensive use of alliums in many of the gardens. (See top photo) The balls of purple and white add architectural interest to the gardens and seem to fit naturally into the landscapes, often dripping out between stylish fences into the more public areas.

They certainly are stealing the show during the month of May when many gardens in my area are just beginning to wake up.

The moderating affect of Lake Ontario gives Niagara-on-the-Lake a slightly earlier start to gardening season and probably allows gardeners to push the boundaries of what they can successfully grow in the area.

Obviously known for their grapes and fine Ontario wines, Niagara-on-the-Lake’s real gem and maybe best kept secret isn’t the wine, fine dining, the Shaw Festival and elegant Inns, it just may be the gardens and gardeners that make this little tourist town so special.

If you are in the area this summer, make sure to drop by for a glass of wine and a self-guided walking tour of the glorious gardens.

Romantic porches, mature trees and white picket fences combine for a romantic image. The creative effects of the Lensbaby Composer and 50mm double glass lens adds a romantic look to the image.

Get creative with your garden photography

Photographing beautiful gardens and capturing inspirational garden vignettes is an excellent way to collect ideas for our own gardens.

It’s also an opportunity to get creative and try to capture the feeling that inspired you to stop and take the picture. Maybe it was the romanticism of the wisteria vine over the arbour, or the white picket fence covered in delicate white flowers.

Maybe the garden swing hanging from the tree branch brought back nostalgic moments of when you were a child.

does that clematis growing over the arbour, or the chair on the large front porch remin you of mornings at your grandparents?

On my most recent visit to Niagara-on-the-Lake, I used a Lensbaby Composer and 50mm double glass optic to capture many of the garden scenes. The soft, selective focus qualities of the Lensbaby lenses provide the perfect effects to capture the romantic garden scenes I came across on my short walk.

For more on Lensbaby optics and effects, check out my post on Lensbaby flower photography here.

All of the images were shot with the original Lensbaby Composer and 50mm double glass optic using the F4 disc on an Olympus micro 4/3 camera. I only mention the specific F-stop because the it has a major influence on the selective softness of the images.

Below are a few more images of the gardens taken with the Lensbaby. If you are looking for creative inspiration for your flower and garden photography, why not take a look at the American-based Lensbaby line of lenses and accessories?

White flowers cover this picket fence creating a truly romantic scene made even more special by the creative properties of a Lensbaby Composer and 50mm double glass lens.

A massive art installation inspired by nature works perfectly in this front yard.

The pastel colours make the perfect backdrop for garden containers and the perfect place to sit out overlooking the garden.

Soft pink roses surround a lamp post leading into the garden.

Allium is a popular choice among the gardeners in Niagara-on-the-Lake.

Flower photography: Exploring Lensbaby’s creative effects

First impressions of the original Lensbaby Composer and close-up lenses

A Flowering Dogwood bloom photographed with a Lensbaby Composer and close up lens.

If you enjoy creative, interpretive flower photography and have yet to explore the Lensbaby series of lenses, you owe it to yourself to get your hands on one or more of these specialized lenses.

These “babies” are made for flower photography.

Of course, the Lensbabies lens’s unique characteristics can bring new life to portraiture, landscapes, still lifes and street images, but they truly shine in the garden where the goal is to capture delicate, romanticized images where overall sharp focus is not the end game.

It didn’t take much for the Lensbaby Composer to win my heart when it comes to creative flower photography

The enjoyment from the first time I tried out the lens opened a new world of creative flower photography for me. In the past, I have used selective focus (check out an earlier post) to create soft, delicate images of flowers in the garden.

The Lensbaby Composer allows me to take this creative approach to a whole new level.

Rocky Mtn. Columbine photographed with Lensbaby Composer and close-up lens at f2.8.

These babies are made for creative flower photography

It takes some practise to get confident with the lens and learn how to use it effectively. The key is to experiment and don’t be afraid to fail at first. Keep experimenting and exploring the lenses to find their sweet spots at various apertures.

These are not typical photographic lenses. In fact, the Composer double glass 50mm lens is probably one of the most unique lenses you’ll ever use.

My copy was actually made for a Canon full-frame camera, but a simple inexpensive adapter makes it perfectly useable on any micro 4/3 mirrorless camera. (Lensbaby lenses are available is most photographic camera mounts)

The well-built, 50mm lens, first introduced back in 2008, becomes a sweet 100mm equivalent on a micro 4/3 camera and the two close-up filters (4X and 10X) turns the camera into a magnificently creative 100mm macro or close-up lens.

There are also supplementary wide angle and telephoto attachments that offer more possibilities when used with the macro filters.

A word of caution – everything is manual on this lens from focusing to adjusting the f-stop.

Speaking of f-stops. On the original composer, different magnetic metal discs (see image below) are actually dropped into the front of the double glass lens to give you your chosen f-stops.

While the system works brilliantly, it can be a little clunky changing f-stops in the field. More modern versions of the lenses include the ability to choose the f-stop on the front of some of the add-on lenses.

But wait. The good folks at Lensbaby filled me in on some details that make the original Composer even better.

Let me explain: The Lensbaby optic swap system (in this case the Composer and the Double Glass) is a multi-element system. In order to be able to use the lens and take a photo you need two elements: the optic swap body, which acts like the lens barrel (in the case the Composer) and the optic or Double Glass element. So, it is actually not the Composer that dictates how you change the aperture but the optic. I am told by Lensbaby that my double Glass element can be swapped out for other optics, both current and discounted including (for example) The Double Glass ll which has built in aperture blades.

That makes the system even better, but I don’t mind dropping in the f-stop discs. It’s a minor inconvenience that can even add to the fun of this unique system.

In fact, since the creation of the original Composer back in 2008, Lensbaby has released a number of outstanding lens designs that enable photographers to create different creative effects from the Composer Pro with its multiple drop-in lenses (Amazon.com link to Lensbaby lenses), to its impressive Velvet line of more traditional “soft focus” lenses. This American company, based in Portland, Oregon, has continued to push the creative boundaries in photographic lenses and has developed a cult-like following among dedicated flower, portrait and creatively minded photographers.

For a closer look at Lensbaby offerings, including lenses and special effects filters, check out their website here.

The secret to the Lensbaby Composer and more recent Composer Pro lenses success is their ability to rotate on a ball socket creating its selective-focus effects.

By moving the lens around the ball joint, the main focus or “sweet spot” of the image changes position in the scene. Depending on the size of the aperture, the sweet spot is large (f8 to f16) or small (f2.8-f4).

By keeping the lens pointed straight ahead, the middle of the image is sharp while the outer edges are progressively soft depending on the aperture disc used.

In other words, if the lens is held straight, the middle is sharp. If the lens is tilted, that focus point shifts in the frame according to the amount of lens tilt. It takes very little movement along the ball and socket to create different focus effects, so it’s best to take it slow at first to get a feel for what works best.

It all sounds complicated, but in reality it’s not complicated at all.

And, once you begin to get the hang of it, your creativity and fun factor can take off.

After just a few uses here are some of my results.

Bee on cherry blossoms photographed with the Lensbaby composer and double glass 50mm.

A native bee checks out a cherry blossom in early spring. In this image, I used the Lensbaby Composer and 4x close-up lens with a slight tilt toward the been to ensure it was sharp while the remaining parts of the image were left to go into a dreamy, out-of-focus effect. Notice how the bee is very sharp, showing the capability of the lens at higher apertures. This image was shot at f5.6 or f8, hand held on a Lumix GF1.

Here is an example of how the middle of the Lensbaby remains sharp if the lens is straight and a small aperture is used.

Another image of cherry blossoms taken the same day most likely with the same settings. By setting the lens straight ahead without any tilt, it is possible to get a very sharp image in the centre of the image, with sharpness falling off in the corners. higher F-stops increases sharpness and reduces the amount of blur in the corner of the lens. It’s important to note that even subjects on the same focal plane will be blurred the closer they are to the corners of the frame or simply away from the area of focus.

This Canada Anemone was shot with the Lensbaby Composer at f2.8.

In this image of a Canada Anemone in bloom in our garden, a very large aperture (F2.8) combined with the X10 close-up filter created a very dreamy image where very little is in sharp focus. That’s okay because the qualities of the lens creates the delicate, soft-focus image I was trying to achieve.

Bleeding Hearts shot on Lensbaby Composer.

Similar to the image above, these Bleeding Hearts in our garden were photographed to create a dreamy, delicate image. The 10x close-up filter and f2.8 setting, created the delicate image I was trying to achieve.

This image of bleeding hearts was taken with the same settings from a different perspective. By placing a flower in front and behind the main subject, I was able to experiment with using a little selective focus in combination with the Lensbaby’s already creative approach.

Bleeding hearts photographed with Lensbaby Composer 50mm double glass lens.

This final image of Bleeding Hearts shows a cluster of the flowers taken without any close-up filters. Notice how the main flower in the centre of the frame is sharp while flowers on each side progressively become less sharp as they move to the edges of the image. This softness is evident even though the blooms are more or less on the same focal plane.

The following are a few more of my favourite images taken this spring with the Lensbaby Composer 50mm double glass lens.

A flowering Dogwood blooms in our garden photographed with the Lensbaby Composer and close-up filter.

A Canada Anemone focusing on the yellow stamens while the remaining parts of the image create a dreamy look to the image.

Yellow Columbine shot with lensbaby and 4X close-up filter.

Blue Columbine photographed with Lensbaby and 4X close-up filter.

An extreme close-up image of a Blue Columbine shot with the 10x close up filter at f2.8.

This image of an allium growing in the fern garden shows how the Lensbaby Composer with double glass element is capable of delivering extremely sharp images. This was photographed at F8 with the lens set straight ahead.

Not every flower image has to be a closeup. Here, dogwood flowers form the backdrop in a tranquil scene with ferns and a bird bath.

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Author Profile: Vic MacBournie is a former journalist and author/owner of the award-winning website and newsletter Ferns & Feathers. He writes about his woodland wildlife garden that he has created over the past 25 years and enjoys sharing his garden photography with readers.

Create a tapestry of ground covers

Hosta, pachysandra, ferns and sweet woodruff combine to form a tapestry of ground covers.

In any garden, but especially a woodland or shade garden, ground covers need to be a vital part of the design plan.

Without them, the forest floor either looks too bare or it begins to form its own ground cover based on whatever weeds are dominant in the area. A thick ground cover not only shades and protects the soil of the garden floor, it creates a beautiful green backdrop for other, more showy plants, to shine.

Make ground covers the star of the show

But what if the ground covers themselves were the real show in the garden?

By creating a tapestry of ground covers, all competing for their own space on the forest floor, it’s possible to turn them into the star of a particular part of the garden.

Mayapple, wild geranium and epimediums combine to form a very different tapestry of ground covers.

Think of the wall tapestries made up of mosses and ferns that have become so popular in the last few years, and translate that same look on to your garden’s floor.

The results can be stunning.

In fact, in one area of our garden where I have been adding ground covers (three great ground covers) for the past several years to cover up a messy sloped area between our home and the neighbours,’ the result is truly inspirational this spring.

By combining hosta, ferns, sweet woodruff, wild geranium, pachysandra along with a little Lilly of the Valley (I know it can be a problem) the area has been transformed from an eye sore to a lovely tapestry where the ground covers fight it out for dominance.

Wild geranium, epicedium and mayapple combine to create a tapestry of ground covers.

A little gentle persuasion on my part can hopefully keep everything in check and allow the tapestry to continue for several years before the more dominant ground covers can get a foothold in the space.

Growing up through the ground covers is a lovely Cornus Alternifolia (Pagoda Dogwood) that lends its elegant shape to the garden area.

Nearby, a ground cover of mayapple, wild geranium and epimedium are weaving their own tapestry under the canopy of our mature Linden tree.

Ground covers are most often either an overlooked component to a landscape, or used singularly in a mass planting. While a mass planting of a single ground cover such as pachysandra can create a unified landscape and is almost certainly better than the most used ground cover of all – turf grass – adding a second or third ground cover, preferably ones that are native, can add real texture and diversity to your landscape.

Why not consider setting up an area of your garden where ground covers take centre stage and add real texture to your garden floor in the way of a beautiful ground cover tapestry.

This fawn was spotted hiding in the deep ground cover of ferns, hosta etc.

Update on our ground cover tapestry

Shortly after writing this post, we woke up to a beautiful little fawn hiding in our thick ground cover. Mom either gave birth to the fawn nearby because we picked her up alone on a trail cam the night before, or she brought the fawn to the location just for the day because it was gone by the late afternoon.

I guess the old saying: “build it and they will come” can be changed to “grow it and they will appear.”

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Author Profile: Vic MacBournie is a former journalist and author/owner of the award-winning website and newsletter Ferns & Feathers. He writes about his woodland wildlife garden that he has created over the past 25 years and enjoys sharing his garden photography with readers.

Holly: A dog with a heart so big she needed a pacemaker

Digital paintings of my best garden buddy Holly who needed a pacemaker installed more than three years ago.

She was a very, very good girl

Let me introduce you to my best friend, Holly. The dog with a heart so big she needed a pacemaker. Actually, make that two pacemakers. The first pacemaker’s battery began to run out after serving her well for almost 4 years, so she had to have a second one installed.

We had to say goodbye to Holly Sunday, April 28th, 2024. It was one of the hardest things my wife and I ever had to do. Sixteen years as a loving part of our family, makes saying goodbye almost unbearable.

But let me tell you about Holly, her pacemakers and her love for life and our garden.

More recently, knowing that the end was near, I began to document her life more and thought B&W images worked best. This is her most recently, still with that puppy inquisitive look.

The original pacemaker operation involved inserting a wire into the dog’s main artery in her neck and running a wire into the malfunctioning heart chamber where it is attached to the wall of the heart. Then, the wire is attached to a pacemaker, turned on and tucked away just under the dog’s skin on her shoulder where it sends electrical impulses to the heart and keeps my little girl alive.

She was quite the character. From the day we got the little bundle of energy she’s been by my side. I remember spending the first night with her in the basement sleeping side by side on the couch. At that point she was not house trained so we made many trips outside that night.

For years we shared our spring and summer mornings together out in the garden. Me with my coffee in hand, and her, vigilantly watching over the garden to ensure no intruder should appear.

The chipmunks, red, grey and black squirrels are all okay. In fact, they are all her little buddies. But our neighbourhood fox, a rabbit or a deer, well they are not welcome and will get the official send off with a frantic series of warning barks.

Warning of what, we’re not quite sure.

We always kept her on a leashing the garden. A long one mind you, where she could run from one end of the yard to the other. The leash just gently stopped her from potentially chasing any wild animals.

Mornings together on the patio, me with my coffee and her watching out for Woodland visitors to the garden.

In more than 12 years as the garden watchdog, Holly has not killed or even injured a single garden friend or foe.

She’s literally one-of-a-kind. A miniature Golden is the best description of her. Weighing in at about 35 pounds with a black nose and the cutest ears anyone has ever seen, this little Humane Society rescue still thought she was a puppy right up until the end.

At least in the mornings. That’s when she was all spunk. By mid-day, after her walk, she was ready to begin her day-long nap which lasts into the evening with only a short burst of energy right around dinner time.

Age catches up with all of us and Holly was no different. Most people who met her still thought she was a puppy, or at least many years younger than her age.

Holly wasn’t always full of energy. Several years ago we thought we were going to lose her. After she stopped eating and lost a lot of her spunk we rushed her off to our local vet only to find out her heart was in rough shape. Tests showed it had dropped to only 31 beats a minute (dogs usually clip along at about 100-plus beats a minute) and had become quite enlarged.

Several tests and veterinarian visits landed us at a specialized animal hospital where we met Dr. Minors, an animal cardiologist and surgeon who explained that one of the chambers in Holly’s heart was misfiring and that she would be a perfect candidate for a pacemaker.

Here pacemaker seen here in an xray and the wire that runs through a major artery in her neck and attaches to the inside of her heart.

The operation had to be scheduled for weeks down the road. In the meantime, a number of tense weeks passed where Holly’s heart would cut out and cause her to faint for a few seconds before recovering. On the day of the operation, we said our goodbyes and handed her off to Dr. Minors and her team of cardiac specialists.

The operation involves inserting a wire into the dog’s main artery in her neck and running a wire into the malfunctioning heart chamber where it is attached to the wall of the heart. Then, the wire is attached to a pacemaker, turned on and tucked away just under the dog’s skin on her shoulder where it sends electrical impulses to the heart and keeps my little girl alive.

Two days later she was out of the hospital and within a week or two right back to her old self.

Now, she wears her pacemaker on her shoulder just beneath the skin for all to check out whenever I tell them about it.

Holly outside on her table after her second operation to replace her pacemaker after the first one’s battery began to run out..

And I never passed up the opportunity to fill people in about our little bionic puppy named Holly. Afterall, we both travelled a similar path – me a double by-pass survivor and her with her pacemaker.

My little buddy, who grew old along with us, seemed just as happy as I did to sit quietly and take in the early morning sounds of the garden waking up.

Me with my coffee, and her, ever vigilant, eagerly waiting to awaken that inner puppy with a warning bark or two before nap time.

Holly at a full run at one of the local dog parks. She certainly loved running free through the tall grasses.

Be prepared for the high cost of pet care

On a side note: My wife and I were lucky enough to be in a financial position to proceed with Holly’s treatment which, as you may have guessed, was quite expensive.

Having your own cardiac surgeon comes at a price, and pacemakers, even used ones, do not come cheap. We believe that having a pet comes with a lot of responsibility and that includes a financial commitment to care for the animal the best you can. Providing basic flea, tick and heartworm medication such as Advantage is really only the beginning of the regular costs of sharing your life with a pet, be it a dog or a cat. Let’s not even get into pet supplies and accessories. A younger couple in a different stage of life may not have been able to afford the health care Holly needed.

We did not have health care insurance for Holly, but I know of a co-worker who used her insurance several times when her rather young dog developed eye and joint problems that required surgeries. If you think you might be forced to make a difficult decision if your pet became ill or just needed major surgery, consider purchasing health insurance for your pet. Choosing between life and finances is not a position you want to be in.

Holly relaxing with one of her little friends on the patio.

Holly a fighter to the end

About two years ago we discovered a lump on Holly’s shoulder. Tests showed that it was likely cancer and we were told that she might have as little as six months to live. Well, our little trooper survived for almost two years after the diagnosis.

Her favourite time of the day was spending mornings out in the garden with me enjoying the birds and the wildlife.

I like to think she was the protector of the little chipmunks and squirrels that were her friends in the garden, and for as long as she was around, they had a friend and a protector in the little rescue dog with a heart so big she needed a pacemaker to keep it going.

She may be gone now but she will not be forgotten. Every time I have my coffee outdoors in the garden, I think of her and how much she loved our garden time together.

Always be kind to animals, whether they are your pets or garden visitors.

A walk in the garden: Finding inspiration in public gardens

Rock steps take visitors down into the former quarry at the Royal Botanical’s rock garden providing inspiration and ideas for gardeners.

Three tips to inspire creativity in your home garden

A light rain kept the the public away and left me alone in a spectacular sunken rock garden to explore its magnificent beauty and draw inspiration from the plants and garden design.

The result was not only inspirational, at times it was almost spiritual. The spiritual component was, at least in part, due to the intense feelings I was experiencing from having to say goodbye to my 16-year-old dog, Holly, just a day earlier. The solitude was the perfect escape from the overwhelming grief I was experiencing.

In three hours in the garden, I saw only one other guest. The rest of the time, the garden could have been my own.

Although native plants were few and far between, the garden design and natural planting designs growing along the edges and down into the heart of a sunken quarry, reminded me of the importance of using boulders as a backdrop for flowers, shrubs and grasses. The quarry lent itself to dramatic vignettes with flowers and ferns growing out between the massive rocks and stepping stones that led you deeper into the former quarry.

Exploring the garden also enabled me to see what plants were in bloom or coming into bloom at this particular time of year in my growing zone. It showed me plants growing in a natural environment, from the conditions it was growing to the amounts of sun and shade it was exposed to. It showed me how the garden experts here used companion planting to bring out the best in the plants. Years of testing proved helpful for the finished products.

Too often we are enticed to buy plants from nurseries because they are in bloom at the front of the store. At the nurseries we don’t get the opportunity to see the plants growing in their natural environment. In addition, most of the nursery plants are grown in greenhouses and so are often far ahead on their actual bloom time creating a false sense of when the plants will bloom in our own gardens.

I was particularly interested in the plants that trailed over the rock ledges.

(For more on exploring public gardens, check out my earlier posts on the best woodland gardens to visit in the United States, and some of the best public gardens in Canada.)

Use trailing plants over large rocks

Tip one: Use plants that spill over the top of boulders or trail down slopes. The inset image below shows large boulders in our front yard that hold back the main garden. In one area, we have creeping phlox spilling over boulders onto the front of the driveway. I love the look it gives but seeing what the public garden was doing showed me that there are many more possibilities that could be implemented in our garden.

Basket of Gold and creeping phlox combine for a sensational scene at the public garden.

Creeping phlox spills over boulders along our driveway.

The combination of the yellow, basket of gold, perennial alyssum (Aurinia saxatilis) with the creeping phlox is a combination I’ll be adding to our front boulder wall. Up in the top right of the above picture are the remains of Hakonechloa or Japanese Forest Grass also spilling down the rocky cliff.

Japanese Forest grass, especially “All Gold,” would be a beautiful addition spilling over our front boulders. I have several clumps in the front that could find a new home beside the boulders.

Aurinia saxatilis more commonly called “basket-of-gold” is the dominant flower in the image above. It is a low-growing, spreading perennial that produces a profuse spring bloom of bright yellow flowers. It’s easy to see from the images that the flowers are extremely attractive in rock gardens, sprawling over rocks or cascading down rock walls. Following the colourful bloom, it can be left as an attractive ground cover. It’s unfortunate the plant is a non-native (central Europe to Turkey) because I would use it everywhere in the garden as a spring ground cover. It is a mat-forming perennial with woody roots that grows to 6-12 inches tall and features spatulate basal leaves (to 5 inches long) and smaller linear-oblanceolate stem leaves. Leaves are gray-green. Bright yellow flowers in corymbose panicles bloom in spring. Additional common names include yellow alyssum, madwort, goldentuft and gold-dust.

Walking down into the quarry from high above was a constant reminder of the possibilities of working with steep inclines, especially if large boulders are added. The walls of the rock quarry created lovely dark backdrops to show off the flowers, shrubs and trees to their fullest. In our gardens, unless we are blessed with an old rock quarry, we cannot duplicate this effect, but we can plant evergreens to form a dark background.

A beautiful magnolia comes into bloom surrounded by evergreens in the public garden.

Create dark backgrounds to highlight flowering trees, shrubs and plants

Tip two: Consider planting a wall of cedar, spruce or native white pine along one side of the garden to create a lovely dark backdrop to plant light-coloured flowers, flowering shrubs and trees in front of to show them off in their best light. A clump of birch trees, for example, would be a standout in front of a tall wall of black cedars or Green Giant cedars. In one area of the garden, the blooms of a mature magnolia tree (see above image) sparkled beneath a wall of dark rocks and evergreens.

A bridge leads to a walkway and a lovely saucer magnolia coming into bloom amidst a background of evergreens.

So many of us plant flowering trees such as magnolias, serviceberries and dogwoods that look great in the garden. But imagine them with a wall of dark evergreens behind them. Proper pruning would make them standout year round, but imagine the show in spring when they are blooming lovely shades of white and pink upon a dark background of evergreens.

Throughout the sunken gardens, I was stopped in my tracks at vignettes that captured a particular part of the garden. Some of them were small vignettes highlighting a tree or shrub, others were large views that still captured the intimacy of a much smaller garden.

A beautiful weeping willow surrounded by daffodils stands out against an evergreen backdrop in the public garden.

Create garden vignettes and a sitting area to experience them

Tip three: Look for big or small garden vignettes where you can turn the focus on a particularly impressive specimen tree, shrub or drift of flowers. This helps you turn the focus on certain areas of the garden.

In the rock garden, a spectacular weeping willow takes the spotlight surrounded by drifts of daffodils. The fresh green leaves of the willow against the dark background created magic in the soft misty rain. At the same time, the garden designers made sure that visitors had several vantage points to view the tree in all its glory.

These red Adirondack chairs are placed perfectly on the upper level overlooking a beautiful sunken public garden. They are a good reminder of the importance of creating garden vignettes.

Public gardens concentrate on providing spectacular views for its visitors. But those views fall a little short if there are not comfortable places to take in this impressive views. Garden benches, large flat boulders that can act as seating areas, and comfortable garden chairs invite visitors to rest and take in the scene.

There was no better example of this than the two bright red Adirondack chairs on the upper level of the rock gardens looking out over the sunken garden. The chairs almost beg visitors to sit down and take in the scene that spreads out before them.

They are a reminder for this gardener to ensure there are many places to take a seat, relax and take in the beauty of the garden.

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Author Profile: Vic MacBournie is a former journalist and author/owner of the award-winning website and newsletter Ferns & Feathers. He writes about his woodland wildlife garden that he has created over the past 25 years and enjoys sharing his garden photography with readers.