A love-hate relationship with Hostas

How I grow Hostas in the land of the deer

When I first discovered hostas I thought I had died and gone to heaven. Since then, I realize hostas can be as much a stairway to heaven as a highway to hell.

I’m aging myself big time here, but let me explain my love-hate relationship with the hosta.

Much has been written about the joy of planting these incredibly hardy and versatile plants in the garden, and I’m the first to say that they make the ideal ground cover for the woodland garden adding texture, and, if variegated hostas are used, some interesting colour to the shadiest of areas in the garden.

A beautiful variagated hosta takes its place in the woodland garden where it benefits from the constant watering from th bird bath.

Most proponents of hostas, I’m sure, are gardeners who have a fenced yard and live in the middle of a subdivision no-where near even the slightest hint of a deer.

That’s not me and my garden.

For years, I welcomed deer to the yard and even enticed them with a lovely assortment of grains and corn in a backyard feeder. So, it goes without saying that the deer thought everything was fair game including, of course, my inherited hostas that made up a good part of the meagre greenery when we first moved into our home.

And these were not today’s new hybrid, deer-resistant hostas. These were the most delicate, almost lettuce-like, old-world hostas that the deer simply loved to munch on whenever given the chance. Young, old, big old bucks, small fawns it didn’t matter. When the hostas were up and just beginning to look their best complete with those fresh spring greens, the herds of deer would move in and overnight cut them down to a few spindly stems.

Hostas and ferns form the perfect combination in any garden.

All they left behind was their droppings to remind me who was in charge in these parts.

Needless to say, I got the message.

I decided that no matter how much I loved having the deer around, if I was ever going to have a garden, I needed to stop encouraging them to drop by for breakfast, lunch, dinner and the occasional midnight snack.

A combination of events happened to change the all-or-nothing banquet for the local deer herds.

First, I stopped feeding them their own 80-pound bags of corn and oats. Second, a new breed of residents began moving into the neighbourhood that believed the first thing they needed to live here – at any cost – was a good fence around their large properties. Despite the semi-rural area never having fences for more than 60 years, the new neighbours all seemed to agree that fences were vital to mark off their territory and keep out the big bad wildlife.

Looking for more information on ground covers? Please check out my other posts on ground covers I use in the woodland garden.

• Bunchberry ideal ground cover

• What is the easiest ground cover to grow?

• Creeping thyme as a ground cover

• Moss and moss-like ground covers

• Virginia Creeper as a vine or ground cover

Okay, for good or bad, that changed the movement of the deer through the neighbourhood. Although my garden remains open to deer, fewer and fewer deer are roaming the neighbourhood and manage to make it into our yard.

I have tried the spray-on, anti-deer repellents that work to some degree. It works unless, of course, you forget to reapply it after a good rain. I swear the deer knew it was safe to move in and enjoy an unlimited supply of fresh greens immediately after a good rain.

The combination of hostas, ferns, cedar trees and a Pagoda dogwood form the perfect border between our property and our neighbour’s backyard.

Deer-resistant hosta can help

Eventually, however, the reduction in deer, and some research into more deer-resistant hosta varieties taught me that there are, in fact, hostas that deer will not devour in a single night’s snack.

The result, I can now grow a few hosta successfully.

In fact, one of the favourite spots in our garden is an area bordering our property and our neighbour’s (see image above) where I have combined a selection of hostas, ferns, wild geranium, sweet woodruff and a couple more ground covers and just let them compete with one another and run as wild as they like. Our neighbours have added to the tapestry with more hostas and ground covers under the shade of our giant Linden tree and their King Crimson maple. They also like the look enough to keep the hostas sprayed regularly enough to send what few deer wander into the yard looking elsewhere for dinner.

In other areas of the garden, large, leather-leaf hostas with thick crinkly leaves stand up to most of the abuse deer can throw at them. By summer’s end, they can be tattered from the sampling deer take over the course of the summer as well as some minor slug damage, but by the end of summer they are still standing and offering at least most of their glorious texture and colour to the garden repertoire.

This scene shows a small blue hosta used as a specimen in the Japanese inspired garden complete with a school of complimentary blue fish swimming through the ferns and epimediums.

What hosta-varieties are safe from deer?

First off, I’m no hosta expert. There are people who dive so deep into hostas that they can recite all 70 species and know the latin names of the more than 3,000 registered varieties.

Once again that’s not me.

These small, bluish hostas have been growing in the dry river bed for more than 10 years and have needed no care or even need for splitting.

I know Emperess Wu is considered to be the biggest at more than 4 feet high with a spread of between 4-5 feet. Heck, its deeply veined leaves stretch out to more than 1.5 feet long and wide. Then you have the mini hostas coming in at a few inches wide with names like Little Squirt Hosta, Munchkin fire Hosta, and Mighty Mouse Hosta.

I’m pretty sure we have the Mighty Mouse variety growing in our dry river bed pathway (wee above). Beautiful little blue hostas that just keep coming up every year with no real need to divide these compact little hostas for the past ten or so years. I would not say they would be safe from deer, but where we have planted them, in a rocky area surrounded by pea gravel and river rocks, means they have never had a single deer try taking a bite out of them.

Around the patio, we have another variegated hosta that has performed admirably and helps light up the dark area. (see image below).

How to grow hosta in the woodland

I’ve never been a proponent of the single specimen approach to gardening, and hostas are treated no different.

In most cases, I like to grow hostas as a ground cover in competition with other plants such as ferns, sweet woodruff etc. This is particularly evident in the space between our property and the neighbour’s.

But there are situations, especially with the larger hostas, that I grow them more as specimens in the garden to show off their size and handsome looks. The large blues and the large variegated hostas work well more as specimens.

We also grow some of our miniature hostas as specimens alongside Japanese Painted ferns and a nice clump of black mondo grass.

Of course, the very nature of hostas lends itself to experimentation. Don’t be afraid to dig these guys up and split them every few years to multiply your numbers and spread them around the garden.

Watch out for slugs, they can be nasty to the aesthetic beauty of your prized hostas.

I will often leave the leaves of the hostas to overwinter and clean them up in the spring, but this can promote slug infestation. So, if you are worried about attracting slugs, be sure to clean up the dead leaves in the fall before they begin to get mushy.

These smaller hostas have been growing in our pea gravel pathway for several years.

You can’t kill hostas

One last thing before I end this post. If you are worried about killing hostas, don’t. These things are tougher than tough. I once left a number of hostas I had dug up during the summer out all winter. And it was a bad winter with prolonged spells of freezing temperatures and plenty of snow even for a Canadian winter.

Sure enough, when spring returned, the bare-root hostas lying upside down in a pile beside the shed, began growing their tender leaves getting ready for summer.

Like I said, these are tough, easy-to-grow show stoppers…. unless, of course, you have lots of deer to feed.

Best native ground covers for shade, and how to get the most out of them

Why choose native plants as a ground cover?

These ostrich ferns act as an ideal native ground cover in this area of our garden. The ferns grow large and can easily reach three feet in height so they are not a ground cover for every area of the garden. Unlike lower-growing ground covers where you can grow flowers up through it, these ferns require large shrubs or small trees to be grown up through them.

If there is anything woodland gardeners are constantly searching for, it’s top performing ground covers to create the all important ground layer on the woodland floor.

A good ground cover performs many tasks in the garden, not the least of which is acting as green living mulch that helps to shade the soil and keep it from drying out. Some provide food for wildlife, others have flowers for pollinators and still others provide cover for small animals and reptiles.

Whether you have a shady backyard or a patio that doesn’t receive much sunlight, ground covers are perfect for adding beauty and greenery to those shaded areas.

Exploring the Benefits of Ground Covers for Shade

So what are the benefits of using ground covers for shade in your garden?

These versatile plants not only add beauty and visual interest to our outdoor spaces, they also offer a range of practical advantages. One of the key benefits is their ability to suppress weeds, reducing the need for constant maintenance and weed control.

Additionally, shade ground covers help to conserve moisture in the soil, preventing excessive evaporation and reducing the frequency of watering. They also act as a natural mulch, insulating the soil and protecting it from extreme temperatures.

Another advantage of using ground covers for shade is their ability to prevent soil erosion, especially on slopes or areas with poor drainage.

By covering the ground with their dense foliage, they stabilize the soil and prevent it from washing away during heavy rains. Furthermore, these ground covers provide habitat and food for beneficial insects, birds, and other wildlife, contributing to a thriving ecosystem in your garden.

So, by incorporating shade ground covers into your landscape, you not only create a beautiful and low-maintenance garden but also support biodiversity and ecological balance.

Canada Anemone is another great native ground cover to consider if you have a more sunny area. The mass of white flowers in the spring is a welcome addition for pollinators and creates interest early in the gardening season.

Top Native Ground Covers For Shade

Trying to decide what ground covers will work best in your garden requires careful thought. The very qualities that make them great ground covers, are also qualities that many fear in their garden – primarily aggressive growth.

Unfortunately, aggressive growth is what makes ground covers both desirable and an annoyance when, either the wrong ones are planted in the garden, or the right ones are planted in the wrong areas and quickly get out of hand.

It’s even worse if these ground covers are considered invasive – pushing out native ground covers in natural areas.

Looking for more information on ground covers? Please check out my other posts on ground covers I use in the woodland garden.

• Bunchberry ideal ground cover

• What is the easiest ground cover to grow?

• Creeping thyme as a ground cover

• Moss and moss-like ground covers

• Virginia Creeper as a vine or ground cover

Vinca minor – also known as Periwinkle – has been a popular ground cover over the years, but is considered a non-native, invasive species that has taken over large areas of natural woodlands. This evergreen perennial boasts beautiful blue or white flowers and glossy green leaves. It spreads quickly, forming a dense carpet that effectively suppresses weeds and requires minimal maintenance.

Sounds perfect, but when it gets into natural areas it can strangle native ground covers that provide more benefits to local wildlife.

It’s best to pass on using periwinkle, now that we know its inherent problems.

Why Choose A Native Ground Cover

Choosing native plants not only enhances the beauty of your shade garden but also contributes to the overall health and sustainability of the ecosystem. Native plants have evolved over time to thrive in the local climate, making them well-suited to withstand the area’s unique weather conditions.

Infographic shows some of the best-performing native ground covers for shady areas.

By selecting native ground covers, you’re helping to preserve the natural biodiversity of the region and provide habitat for local wildlife. Additionally, these plants require less water, fertilizer, and pesticides compared to non-native species, making them more environmentally friendly and cost-effective.

So, by incorporating native plant ground covers into your shade garden, you’ll not only create a visually stunning oasis but also contribute to the preservation of the natural heritage.

Let’s explore further!

Now that we understand the benefits of choosing native plants for your shade garden, let’s take a look at some native plant ground covers for the northeastern areas of the United States and Southwestern areas of Canada.

Many of these ground covers grow over a wide ranging area, but it’s always a good idea to ensure that the ground covers you are planting are, in fact, native to your area.

Instead of periwinkle, consider one of the following native ground covers.

Foamflower (Tiarella cordifolia) is a delicate perennial with heart-shaped leaves and clusters of tiny white flowers. It spreads quickly, forming a lush carpet-like cover that can withstand the challenges of shade. They like medium to wet loamy soil and grow to about two-feet tall or (0.5 m)

Wild Ginger (Asarum canadense) is known for its glossy, kidney-shaped leaves and unique maroon flowers. It is hardy in zones 3-7. This low-growing plant (about 6 inches) thrives in moist, shady areas and can add a touch of elegance to the woodland garden, with its dark red-purple flower that appears under the plant for a short period in early spring. It’s an attractive, low-growing ground cover that keeps its foliage all through summer.

Another suggestion is Allegheny Pachysandra, a popular choice for its dense evergreen foliage and ability to tolerate dry shade. Its vibrant green leaves create a stunning backdrop for other plants, making it an excellent ground cover option. For more on this plant check out my post here.

Wild strawberry is a great choice

If you are looking for a particularly interesting native ground cover that is also a real benefit to wildlife, consider planting wild strawberry.

Wild strawberry (Fragaria virginiana) is a fast growing, low maintenance, drought tolerant spreader that fills in bare spots nicely.

It’s an excellent ground cover that spreads by runners. You can simply pinch off runners from the parent plant to create new plants. Tasty little strawberries are ready for early summer. You can even harvest the plant’s leaves to make a refreshing summer tea. Wild strawberry prefers part shade to full sun and alkaline soil. Planting it in full sun will yield sweeter berries.

Virginia Strawberry or Wild Strawberry is a ground-hugging plant rising from a fibrous, perennial root system. Hairy leaf petioles, up to 6 in. long, each bear a single trifoliate leaf. The hairy flower stalk gives rise to a loose cluster of small, five-petaled flowers followed by tasty, wild strawberries.

Found in patches in fields and dry openings, this plant produces the finest, sweetest, wild strawberry.

The edible portion of the strawberry is actually the central portion of the flower (receptacle) which enlarges greatly with maturity and is covered with the embedded, dried, seed-like fruit. Cultivated Strawberries are hybrids developed from this native species and the South American one. The similar Wood Strawberry (F. vesca), hardy in zones: 5 to 7, has seed-like fruit on the surface, not embedded, and sepals that point backwards.

Woodland Strawberry has narrower, thicker, darker green, and tougher (waxier) looking leaves than Wild Strawberry. Runners from Woodland Strawberry are up to 1 foot long, while the runners from Wild Strawberry can be 2 feet long.

Get the most out your ground covers

Now that you know about some of the top performing ground covers for shade, let’s explore some tips and tricks to ensure successful planting and maintenance.

First and foremost, it’s important to choose the right location for your ground covers.

Most shade-loving plants prefer moist, well-drained soil, so make sure to select an area with these conditions, unless the plant is listed as one that can take dry shade. Additionally, consider the amount of sunlight the area receives throughout the day to ensure it aligns with the specific needs of your chosen ground cover.

When it comes to planting, prepare the soil by removing any weeds or debris and loosening it with a garden fork or tiller. This will create a favourable environment for the roots to establish.

Next, dig a hole slightly larger than the root ball of your ground cover and gently place it in, making sure the top of the root ball is level with the surrounding soil. Fill in the hole with soil, firming it gently around the plant. Water thoroughly after planting to help settle the soil and provide moisture to the roots.

As for maintenance, regular watering is crucial, especially during dry periods. Keep the soil consistently moist but not waterlogged to prevent root rot. Mulching around the plants can help retain moisture and suppress weed growth. Pruning may be necessary to maintain the desired shape and size of your ground covers.

Trim back any overgrown or damaged foliage, and remove any dead flowers to encourage new growth.

Hopefully, these tips will help to create a beautiful, low-maintenance garden filled with the right ground covers in the right places putting the finishing touches on the woodland floor.

Grow Butterfly Weed for more than just butterflies

Butterfly Milkweedweed (Asclepias tuberosa) is a must in any garden looking to attract a selection of butterflies.

A member of the milkweed family (Asclepiadaceae), this attractive, long-lived, 1-2 foot perennial might be best known for its attractiveness to butterflies, but don’t let that convince you that you need it.

Consider that it is one of the few flowers that can introduce a solid hit of orange to the garden with its large, flat-topped clusters (umbels) of between 10-30 individual bright orange flowers that bloom from spring through to fall, beginning as early as May in some areas and continuing through June, July, August and even into September.

The large orange clusters grow to between 1-3 inches, and sport 5 petals, sepals and hoods with horns, adding to their interest.

Butterfly Weed is a herbaceous perennial native to Eastern North America and individual blooms of the bright orange flowers can last up to two months, with a typical bloom time of June to August.

It’s flower structure is both interesting and unusual with its more or less flat cluster of bright orange flowers that create the perfect landing area for both large and small butterflies, where it is both an attractant and a larval host for the Monarch, Grey Haristreak and Queens. The long-lasting clusters of small, flat-topped flowers are topped with a yellow corona.

But that is not all. Butterfly weed’s nectar also attracts hummingbirds and is extremely valuable to its primary pollinators native bees including our Bumble bees. They also hold special value to Honey Bees.

Butterfly Weed, like all members of the Milkweed family, are particularly attractive to monarch butterflies. Here is a graphic illustrating the life cycle of the Monarch on milkweed.

This is one tough plant. It grows in USDA zones 3-9 and is native from New England south to Florida; west to Texas and north through Colorado to Minnesota. In Canada, it is native from Ontario to Newfoundland.

If you are looking for it in its native habitat, you’ll most likely find it growing in the prairies, in open woods and hillsides.

This outstanding infographic was created by Justin Lewis showing the wildlife that depend on Butterfly Milkweed.

It does best in well-drained sand or loam, but can grow in clay or even in limestone dominated areas. They prefer well-drained sandy soils, but tolerates drought.

Continuing with its tough, hardy approach, it likes lots of sun and can survive in both dry and moist soils, but maintains a high tolerance for dry conditions.

It’s also extremely deer and rabbit resistance, making it an even more important addition for woodland gardeners.

In our garden, Butterfly weed is growing in at least three different areas to provide a reliable source for butterflies and bees.

Although I bought the plants, Butterfly weed plants can be started either from seed or by taking root cuttings. It’s easiest to grow the plants from root cuttings taken in the fall, cut into 2-inch cuttings and planted vertically.

If you are growing this plant, you are more than likely to experience aphids on the plants. Lady bugs and other predator insects should take care of the problem in fast order, but if the aphids get out of control, a regular hits with the hose should keep them under control.

Because the plants are a host plant for butterflies, it should go without saying that no pesticides should ever be used on the plants, including those that advertise as “natural.”

The only natural pesticide is nature itself.

The plants is more or less trouble free, but too much watering could lead to root rot. Other fungal diseases are possible as well but they are nothing to worry about or take any real action against.

There are cultivars available including those with bright yellow flowers (Hello Yellow), reddish flowers (Gay Butterflies) and a golden-orange flowered variety that has been bred for alkaline soils, but stick with the native plants for best results unless you want to experiment with the hybrids.

The three-inch-long, by half-an-inch wide dark green leaves grow in an alternate fashion along the stalk and will often curl upward along the central vein.

Rocky Mountain columbine: Adding a hit of blue to your garden

A Rocky Mountain Columbine in full bloom adds a delightful hit of blue in the garden alongside another hummingbird favourite Cuphea Vermillionaire (right). The image also shows a columbine in bud as well as columbines that have started to go to seed.

A favourite of hummingbirds, bees and butterflies

Rocky Mountain Columbine (Aquilegia caerulea James) is the ideal way to add a spot of colour to a part-sun, dappled shade garden.

This hardy, native perennial that brings the garden to life with its multiple extra-large, 2.5-inch, blue and white flowers sitting above the foliage, makes a welcome addition to any garden.

Common names include: Rocky Mountain Columbine, Colorado blue columbine, Dailey’s columbine, White Colorado columbine. They are part of the Ranunculaceae family and grow in USDA hardiness zones 3 through 7.

I’m always looking to add a little blue to the garden, and since these blue and white flowers are attractive to pollinators including hummingbirds and butterflies, even better.

Grow them in dappled shade in a rich, loamy soil where the roots and the plant can be somewhat sheltered from the heat of the direct sun.

This image shows the beauty of both the flower and its bud.

This year I have added a number of the plants to the hummingbird corner in the hope that our hummers will take to them. If not, they still add a spot of colour and elegance to that corner of the patio where they complement other blue flowers including the petunias and the large agapanthus lillies that add a bold architectural shape with their large blue flowers.

Like the orange and yellow native woodland columbine (acquilegia canadensis), Rocky Mountain Columbine likes a more open, part-sun environment, where it can often be found growing naturally along forest edges in its native habitat.

Rocky Mountain columbine growing alongside Cuphea in the garden.

In the wild, you’ll find them in a range of habitats, but especially in aspen groves, in the upper levels of the Rockies. They are found in rocky slopes or near streams in open woodlands at elevations of 2100 - 3600 metres.

These columbines are native from western North America – Montana to Arizona and New Mexico.

The flowers themselves might not be long-lived, but make up for it by readily self-sowing seeds around the garden. Provide an area of dappled shade and fertile, moist, well-drained soil, and chances are the plants will spread in the garden and provide plenty of new flowers throughout the years.

Rocky Mountain blue columbines blooming along with Cuphea Vermillionaire as part of our hummingbird corner.

This magnificent columbine has extra-large, 2.5-inch scented blooms. In fact, these flowers are the largest of the entire genus.

The plants grow to about 3 feet by 2 feet with sky blue petals and a white corolla.

With proper care, that includes a mid summer cut back, these plants can provide a long bloom period stretching from early spring through to summer with a second flowering late Summer to Fall.

Where I live, these columbines are not native, but we certainly have plenty of our native columbines growing in the woodland garden. For more on our native columbine, be sure to check out my earlier post here.

Cuphea Vermillionaire takes centre stage in hummingbird corner

A hummingbird works the long, tubular orange/red and yellow flowers in our garden.

Firecracker plant adds explosion of colour and hummingbirds love it

Cuphea may be best known for attracting hummingbirds to your garden, but it doesn’t stop there.

Also known as the firecracker plant or cigar plant, Cuphea Vermillionaire is a great plant to add a non-stop riot of explosive colour to your garden, whether it’s grown as a perennial in warmer climates in zones 8 and higher, or an annual in colder zones.

The cigar-shaped red/orange and yellow flowers may not look impressive on their own, but when the plant is covered with hundreds and hundreds of flowers continuously blooming on a single plant, it’s more than impressive.

Different hybrids are available, including one where the flowers are more pink, but if it’s hummingbirds you are after, the regular red and yellow variety is probably the best.

An up-close image of Cuphea showing its dramatic colour and fringed opening.

Cuphea is primary plant in our hummingbird corner

Cuphea is the primary plant making up our hummingbird corner. Three plants in pots surround our patio container pond/waterfalls and form a light airy feel combined with Salvia Black and Blue, petunias and ferns just to name a few.

Three or four commercial feeders are also part of the hummingbird haven that is situated in a corner of our patio where the little birds can be enjoyed to the fullest.

Hummingbird sips on the Vermillionaire flowers in our hummingbird corner.

It’s also set up as an outdoor photo studio to make photographing our visitors as easy as possible. Of course, hummingbirds are not the only ones attracted to the area. Butterflies, small birds, dragonflies and our friendly chipmunks are all at home among the almost tropical feel of the corner with the waterfalls, ferns and colourful flowers.

This early spring photo of the Hummingbird corner shows the cuphea planted at left and right in containers.

Cuphea might be tricky to find at your nursery

Depending on where you are located, finding the underused annual might be a little tricky.

I went to three of the largest nurseries in our area early this spring asking for the plant and all three not only did not have any, most had no idea what I was talking about.

Funny enough, I stumbled upon the plants at Home Depot where they were selling the plants. I was looking for the Proven Winners variety, because their plants always perform well, but the Home Depot plants are performing admirably in just their first month.

The hummingbird corner surrounded by three Cuphea plants (see top left) is not only attractive to hummingbirds. This chickadee family (four in the image) was caught taking turns bathing in the waterfalls.

How to grow Cuphea

Cuphea is a real heat loving plant, so be sure to plant it in a sunny area for best flowering and to avoid the plants from getting leggy.

Cuphea Vermillionaire is one flexible, low maintanance flowering plant that does not need deadheading and can handle almost anything you throw at it.

The deep orange tubular flowers dangle on 18-24 inch stems from spring right through to fall and create a mounding form in the garden.

Cuphea growing in container with petunias and other flowers attractive to hummingbirds.

Although Vermillionaire can withstand dry periods better than most plants, it’s a good idea to keep the plant moist throughout the growing season. Once the plant is established, it does not require a lot of water.

If you are growing it as a perennial, it can take up to a year for it to get settled, so be sure to regularly water it in the first year. Also wait until spring growth begins, if you want to do some pruning on it.

Providing regular fertilizer will help keep the plants healthy and constantly flowering.

If you are located in a marginally hardy area, mulch the plant heavily during winter and then remove it in spring.

These plants are certainly worth overwintering if you can.

Unfortunately, Cuphea is susceptible to some garden pests including aphids, whiteflies and Japanese beetles. The hummingbirds will likely feast on the smaller insects, but keep your eye out for any infestations.

Picking off Japanese beetles is probably a good idea and spraying aphids with the hose should keep them under control.

Commercial feeders combined with Cuphea is irresistible to our hummingbirds.

Why do hummingbirds love Cuphea?

The long trumpet shaped tubular plants are particularly attractive to hummingbirds primarily because they are one of the only ones who can feed on these long tubular flowers.

Most bees and butterflies do not have the ability to reach the nectar in the flowers leaving an abundance for hummingbirds.

A male Ruby Throated Hummingbird feeds at Cuphea.

The combination of their long, slender beaks and their even longer tongues make this a plant designed almost exclusively for the hummingbird. That means there is always plenty of nectar available in the plants for the little birds.

The plant’s mounding habit, also makes the flowers very accessible to the birds and their flight pattern enables them to check out several flowers quickly and efficiently.

If you are in a small garden, consider using the plants in containers as a filler plant and pair it with other sun-loving performers. Consider growing them all by themselves in a large hanging basket or paired up with other plants to create a hummingbird hanging basket.

So, be sure to add a few Cuphea plants to your garden this year, whether it’s to attract and feed hummingbirds, or just to add a splash of hot colour to a sunny area of your garden.

Pentax K5: And Day In the Life of My Garden

This female cardinal spent several minutes gathering nesting materials from the hanging baskets. Pentax K5, 300mm lens F*, f6.3, 3200 ISO.

A 13-year love affair with the Pentax K5

The Pentax K5 was released in 2010 as the venerable camera brand’s answer to to the Canon 7D, Nikon D7000 and Olympus E-5. The launch price of $1,600 for the body only certainly showed the enthusiast camera market that Pentax was serious about playing with the big boys when it came to digital cameras.

The new Pentax camera boasted a 16.3 megapixel CMOS sensor with a higher maximum sensitivity (ISO 51200) than any APS-C camera up to that date, continuous shooting at 7.0 frames per second and a 1080p full HS video mode, not to mention an upgraded SAFOX IX + AF system, and a few new digital filters and custom image modes.

The 13-year-old Pentax K5 still looks good and performs well after all these years. Pentax marketed the camera being able to reach an ISO rating of 51200.

For more images taken on Sunday, June 18th, check out my Pentax K garden images.

What does all this mean in 2023? It means, despite its age, the Pentax K5 remains a very competent camera that is more than capable of capturing garden images, documenting travels or creating lovely images of your children, grandchildren pets and wildlife.

Cornus Kousa dogwood in full bloom in the fern garden. Photographed with 28-105mm Pentax lens, ISO 1600, 28mm, f5.6.

In fact, it is my go to camera when I’m looking for the best quality in my, admittedly aging, arsenal of cameras.

Together with the trusty 300mm F4.5* Pentax lens, it is responsible for most of my favourite images in the garden.

I consider the Pentax K5 my workhorse camera.

The Pentax K5 is not a particularly pretty camera to look at or super fun to use. It just gets out of the way and gets the job done, day in and day out.

Not to be overlooked, a convenient backlit window on top of the camera makes setting and checking exposure extremely simple even if glare from the sun makes the back LCD screen impossible to read. The small window provides all the basic information a photographer needs to know to obtain proper exposure including: Shutter speed, ISO, Aperture, Exposure compensation, battery level, and much more.

Top panel information for the Pentax K5

Hummingbird at feeder with swing in background. Pentax K5, 1/125 sec, 800 ISO, f4.5 on the 300mm f4.5*.

Today, the camera is available for a fraction of its original selling price. A quick look around used prices shows that a good quality body could be easily picked up for between $200 and $250. Some come complete with a kit lens or even better.

If you look hard, you may even find an used body with one of Pentax’s prized limited series lenses for a good price.

Check out the prices here at Adorama, or here at KEH cameras, or here at Canadian owned Henry’s Cameras.

Although prices have come down considerably for the former Pentax flagship model, the K5 can still compete with many of today’s newer cameras. The 11-point autofocus system, ergonomics, and tough weather and dust resistant body has withstood more than just inclement weather.

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Later models of the K5, especially the K5 lls, where Pentax removed the anti-aliasing filter, are especially competitive with newer full-featured bodies. The IIs is almost identical to the K-5 II except that its anti-aliasing filter has been removed. (Removing the built-in filter helped start a trend in DSLR cameras that resulted in sharper images, albeit with the introduction of moire in some rare situations.

The back LCD screen and top viewing screen of the Pentax K5.

The K5 is certainly larger than many of the camera’s in my arsenal – especially the tiny Pentax Q camera system (Links to my earlier posts) and my new Olympus kit – but the K5 is not too large or heavy to carry around on a regular basis.

Thankfully, most of my images these days are created just steps out the back door in my woodland/wildlife garden. The ability to create a range of images right outside your door opens up a lot of opportunities that are difficult if you are having to travel long distances to capture images.

On this day in the middle of June 2023, just as the garden flowers were beginning to emerge, I decided to work on my first “A Day in the Life of my Garden” feature documenting the garden using one camera and a couple of lenses.

Chipmunk captured on an old rotting log. Pentax K5, 1/160sec, ISO 400, F4.5.

The day began around 7am in my favourite chair in the back garden, a huge mug of coffee and, of course, my dog Holly (link to post about Holly – a dog with a heart so big she needs a pacemaker to keep it going.)

Focus on Hummingbirds

My first challenge was to capture the hummingbirds working the feeder at my new Hummingbird Hangout (link to my post). They start early taking turns at the various natural and commercial feeders and offered up a series of images with the 300mm F4.5 mounted on a monopod.

Hummingbird at feeder. Pentax K5, 1/125 sec, 800 ISO, f4.5 on the 300mm f4.5*.

The fact that it was still early morning and the light was low made capturing the fast birds a little tricky, but by cranking up the ISO to 3200 on the K5 and shooting wide open at F4.5 on the 300mm, I was able to score a few reasonably sharp images of the hummingbirds in action without having to resort to using a flash.

The crop factor of the APS-C sensor turns the 300mm lens into the equivalent of an approximately 450mm f4.5 enabling me to get good frame-filling images of the hummers feeding. I particularly like how the slightly out-of-focus swing frames them in the background.

A hummingbird works the Cuphea. Photographed with the Pentax K5 and 300mm. Shot at 1/1000sec,ISO 1600 at f8 with a heavy crop.

On the K5 I use back-button focus almost exclusively. It helps to get fast moving action without the camera constantly searching for focus. It is especially useful when the bird or animal is sitting in one spot for a period of time. (Back button focus takes the focusing duties away from the shutter button on top of the camera and transfers it to a separate button in the back. I find the back button setup on the K5 very ergonomic and easy to get to with my thumb while my index finger works the shutter.)

Photographing hummingbirds can be challenging. Using electronic flash is the best way to stop their wings in flight and bring out the beautiful colours in their feathers, but I enjoy the challenge of shooting them without flash by waiting for them to stop for a brief moment in their flight.

There is no question that the K5 drive was set to high resulting in numerous images to sort later in the day.

A huge crop, (almost 50 per cent) on this tiny wild geranium (Herb Robert), shows that the 16 megabyte files can stand up to heavy crops and still look acceptable. Pentax K5, 50mm macro lens, 1/125 sec, f2.8, ISO 200.

Cardinals, sparrows gather nesting material

At the same time, a female cardinal and chipping sparrow intent on starting families began pulling out parts of our coco mat hanging basket liners to use for nest building material.

A Chipping sparrow joined in with mama cardinal gathering nesting material from our hanging baskets.

Still armed with the 300mm made photographing the female cardinal focused on gathering nesting material relatively easy. Later, a chipping sparrow joined her in the search for nesting material.

Going back and forth between the nest builders and the hummingbirds kept me busy for most of the morning.

(see more images in the photographic gallery)

Capturing the garden up close

After giving the K5 a good workout capturing nest-building and hummingbird action, it was time to do a little macro photography.

The jury is out on whether to use a tripod for macro work these days. The combination of being able to crank up the ISO to high levels and the availability of impressive in-camera stabilization has convinced many photographers to forego the tripod and shoot handheld. Although I have shot using this method in the past, the situation lent itself to using a tripod.

Clematis shot with Pentax K5 and 50mm F2.8 manual focus macro lens. Pentax K5, 1/50th sec, F7.1, ISO 400.

Using a tripod can be a real pain, but it forces you to slow down and think about what you are trying to achieve. At the same time, a tripod allows you to use a lower ISO to create an image with less noise and more apparent sharpness.

The Pentax manual focus 50mm f2.8 macro lens was used to capture this image of fuschia. Pentax K5, 1/125 sec, f3.2, ISO 200.

Few flowers were blooming at the time, but I was able to use the remaining early morning open shade to focus in on a combination of annuals and perennials using the 50mm SMC f2.8 “A” manual focus macro lens on the K5.

Unlike more modern mirrorless cameras, the K5 offers nothing special to assist photographers with manual focus, except the live view mode that shows the image on the large 3-inch, 912K pixel LCD screen on the back of the camera. There are no “marching ants” to help ensure the subject is in focus, but the Live View is a useful feature to help nail manual focus on the camera.

The 50mm macro is a sweet lens that I use both on my Pentax cameras – the K5 and IstD – as well as my Olympus kit. I can also use it with the Pentax Q system with an adapter. On the miniaturized Pentax Q, the 50mm macro becomes a 250mm macro with the crop factor. On the Olympus, with a crop factor of two, the lens becomes a sweet little 100mm macro.

The 50mm macro is perfect for flower photography. If I was shooting insects or butterflies, I would have used a 100mm macro allowing the same magnification from a longer distance.

When using the tripod, it’s a good idea to turn off camera stabilization and either use an electronic shutter release, or the 3-second delayed shutter release built into the camera’s operating system. A button on the back of the camera gives you instant access to the delayed shutter, which is more convenient than having to go into the camera’s menu.

Speaking of the camera’s menu system, anyone familiar with using Pentax will find the menu system is easy to use and laid out in a very intuitive way.

Agapanthus in bloom in the garden.

This image shows clematis flowers just prior to blooming. The 50mm macro together with the K5 was able to pick up details such as the fine hairs on the plant. Pentax K5, 1/100 sec, f2.8, ISO 400.

(see more images in the Pentax K5 gallery)

Taking advantage of a backyard studio and photo blind

Unless you can find some open shade or use a flash to even out the light, mid-day is usually a good time to take a photography break.

Later that afternoon, I decided to test the camera and 300mm lens out in the photographic blind and small outdoor photo studio I created in a corner of the yard. It’s a small reflection pond with a natural backdrop that has helped me capture many good images of birds, squirrels and chipmunks in a natural setting. Here’s a link for more information on creating a natural outdoor photo studio.

The combination of a portable Tragopan photographic blind and the DIY outdoor photo studio creates the ideal opportunity to create professional looking bird and wildlife images at any time.

Although I was unable to get the chipmunk or birds to work their way down to the water where it’s possible to get reflection images, I was able to get a few nice shots of one of the local chipmunks.

I set the blind up about 10-12 feet from the outdoor studio and am able to get frame-filling images with the Pentax K5 and 300mm lens. A small hill filled with wildflowers and shrubs behind the outdoor studio helped create a natural, soft green background.

Here are a few images from an hour or two of shooting in the afternoon.

A chipmunk is photographed in a natural setting in afternoon light with the Pentax K5 and 300mm lens. A Tragopan blind together with a DIY outdoor natural studio helps make these shots possible. Pentax K5, 1/160sec, ISO 400, F4.5.

The Pentax K5 and evening light

As evening settled in, it was a good time to change over to my 28-105mm wide angle lens for some general garden photography.

Even after hundreds of images, the battery remained strong. In addition, the K5’s impressive viewfinder showing 100% coverage and includes diopter adjustment, proved comfortable to use over the course of the day.

Look for interesting compositions in the garden. It does not have to be an extreme close up of a single flower. I used the 300mm lens to capture this image and create a more compressed perspective. Pentax K5, 1/250 sec, f5.6, ISO1600.

Ergonomically, the camera is comfortable in the hand with a large protruding grip in the front that makes handling even larger lenses easy. A wheel in the front and another in the back provides easy access to controls, and the separate exposure compensation button and ISO button on top of the camera provides access to two of the most-used features photographers need.

The camera is well laid out and is easy to use. A separate drive is available but not necessary unless you feel you need the extra grip and battery power.

Pentax K5: A water and dust resistant work horse

There’s a good reason that the Pentax K5 has garnered a reputation as a stalwart work horse. Its 16 megapixel CMOS sensor, together with its easy handling, in-body stabilization and array of modes and filters makes it an ideal camera for photo enthusiasts and advanced amateurs. Add to that it’s water and dust resistant, making it a good choice for outdoor professional photographers, especially if it is teamed up with one of Pentax’s weather resistant lenses.

If specifications are your thing, please click on this link to go to the Dpreview photography website, where you will be greeted by more specs than you could ever hope for in life.

Here is a list of the key features of the Pentax K5.

• 16.3Mp CMOS sensor

• ISO sensitivity span of 80-51,200 (equivalent)

• 1080p HD movie mode

• Limited in-camera movie editing functionality

• Socket for external microphone input

• Triple-axis sensor-based shake reduction (horizontal, vertical and rotational correction)

• New SAFOX IX+ 11-point AF system (improved over the K-7)

• Support for older Pentax lenses with manual aperture rings

• Magnesium alloy body shell

• Improved handheld HDR function (JPEG mode only)

• Continuous shooting up to 7fps

• 100% viewfinder coverage (0.92x magnification)

• Choice of PEF or DNG RAW files

• 3in, 921k pixel LCD screen

Would I buy the Pentax K5 today?

Buying a Pentax K5 today could be an exceptionally good purchase for a photographer looking for a solid camera at a very good price. If you are an advanced amateur looking to dive deeper into nature photography and have no need for the latest and greatest camera, I would highly recommend tracking down a good used body.

The weather and dust resistant qualities of the camera make it exceptional for outdoor use in inclement weather conditions and the availability of high quality Pentax lenses and those from third-party manufacturers, makes it an affordable choice.

If you can get the IIs version without the anti-aliasing filter, always choose that one over the regular K5 or slightly upgraded K5 II.

Happy shooting.

Embracing weeds and native plants is focus of 2023 Chelsea Flower Show

Wildflowers and what many would call “weeds” abound in this image of a garden design created for the Chelsea Flower Show.

Chelsea Flower Show designers make room for wildlife

If we can take anything away from the 2023 Chelsea Flower Show, it’s that wildlife gardening and weeds are the future.

Forget grass. Presenters from the BBC were quick to note that not a single one of the magnificent demonstration gardens included a single blade of traditional grass.

Instead, the landscape designers focused on native plants aimed at providing assistance to wildlife – everything from native bees and caterpillars to birds, mammals, amphibians and reptiles.

In doing so, they fully embraced using what many traditional gardeners would call “weeds” in the designs.

It’s not the first year some of the world’s top designers looked to “weeds” as a primary source of planting for their outstanding show gardens.

Just last year a gold medal went to a garden design celebrating garden rewilding after the reintroduction of beavers to an area in England.

“Gardeners have to remember that it is not about what they want, but about what the land wants.”

— Mary Reynolds

Natural gardens are not new to Chelsea. They have been gaining ground over the years and stealing the spotlight from more traditional garden styles as far back as 2002 when Irish-born landscape designer Mary Reynolds shocked the garden establishment as the youngest designer to win a gold medal at Chelsea with her naturalistic approach to gardening.

Mary, whose story was made into the movie Dare to Be Wild, remains an ambassador for natural gardens writing a comprehensive and inspiring book called The Garden Awakening, and continually speaking out against much of today’s traditional landscaping practises.

For More: check out my review of her book Garden Awakening

“Gardeners have to remember that it is not about what they want, but about what the land wants,” Reynolds once told the BBC.

So, maybe it was no surprise that war has been officially declared against traditional gardening at Chelsea.

“The war against traditional gardens is about to go nuclear,” reported the The Daily Telegraph in response to the latest weed-friendly garden designs at this year’s show.

In an informative article in Phys.org, the author Brigette Duseau explores the increasing acceptance of using weeds in landscape design

Duseau points out that this year, “no less than one third of the 12 main gardens in the competition feature weeds such as nettles, knapweed, dandelions, chickweed or buttercups that generations of gardeners have spent their lives rooting out.”

In fact, the six-time Chelsea Flower Show gold-medal landscape designer Cleve West included as many as 19 weed species in his garden, constructed around the dilapidated remains of a 19th-century house.

Weeds in the garden design – built for a charity that helps young homeless people – proved to be the perfect metaphor for these youth who should not be discarded.

“Weeds play a very significant part in repairing land …. They are pioneer plants that go in and repair the soil," he said.

“They sort of have a microbial activity in the soil that helps make soils healthy, fertile and it provides food for early pollinators—even homes for some invertebrates,” he told Duseau.

"So they play a very important part in biodiversity."

Move away from traditional to more natural gardens

Over the years leading up to this year’s show, there has been a growing move away from traditional non-native plants to more native plants and “weeds.”

And, if you are thinking weeds have no place in your garden, let me say that the results from this year’s gardens were simply stunning. Then again, they always are at the Chelsea Flower Show.

If you are not aware of the annual Chelsea Flower Show every May, you may be surprised by the BBC’s comprehensive coverage of the 5-day flower and design show.

Another example of the use of wildflowers in the Chelsea Flower Show garden designs can be seen in this image. Notice also that the flowers are planted in a loose, naturalistic style, rather than as single specimens.

Go HERE For the complete listing of BBC coverage. Go HERE for the link to BBC’s YouTube coverage.

The British broadcaster provides us YouTube watchers across the pond with hours and hours of coverage from interviews with British celebrities (think Downton Abby) about their impressions of the show and their personal gardening challenges, to detailed analysis of the 12 main large display gardens that are part of a total of 36 total garden design installations. There are features on the incredible flower growers that somehow manage to get all the plants flowering during the show, new plant introductions and examples of how to use more traditional flowers. There are also impressive displays for small balcony and patio container gardens geared to those of us with smaller garden spaces.

The amount of information on plants, garden design and philosophy is second to none, and it’s all there for us to take advantage of on our smart, high definition, large-screen TVs – for free.

What more could we ask for in life.

If you are not taking advantage of your smart TV and internet provider to tune in to the best gardening channels on YouTube, you have no idea what you are missing. Do yourself a favour and take a few minutes to learn how to plug into this wealth of gardening knowledge and entertainment. Just be aware, the rabbit hole is deep. And if you do not have a “smart TV,” it’s well worth purchasing one just to watch the gardening channels alone.

I’m already addicted to YouTube gardening channels, including Linda Vater from Oklahoma City, The Native Plant Gardener from New Jersey and a host of others, but when Monty Don and the Chelsea Flower Show is being streamed via YouTube, it’s always prime watching.

Unlike Home & Garden Television that is nothing but real estate shows, the vast number of gardening programs available on YouTube more than make up for Home & Garden’s severe inadequacies.

But enough of the free promotion for YouTube. It’s time to get back to the Chelsea Flower Show.

For a fun look at images from the show, be sure to catch the Guardian newspaper photo feature here.

The outdoor laboratory in the Royal Entomological Society Garden that embraces the use of weeds and wildflowers to encourage insects.

Best Chelsea Flower Show gardens featuring weeds and wildflowers

• The Royal Entomological Society Garden (silver medal winner) Anyone looking to gain knowledge about attracting insects to their yard will benefit from paying close attention to this garden design by landscape architect Tom Massey.

Here again, weeds have their place, including dandelions and clover.

The design includes an outdoor laboratory for visitors to study the insect life in the garden. Visitors to the garden are taken down into the landscape, offering an ‘insect’s eye view’ and a space in which to study. The lab’s roof structure is inspired by a compound insect eye and the lab is used for real scientific research, monitoring and studying insects visiting the garden.

Diverse topography across the site — rammed earth floors, hoggin pathways, dead wood, piles of rubble, bare sand and gabion walls — provide numerous and varied habitats for insects. Water in still pools and flowing streams provides additional important insect habitats and adds interest to the aesthetic and soundscape of the garden.

A dead tree ‘sculpture’, cut into rings and elevated on steel poles, ‘floats’ over biodiverse planting and a standing dead tree and tree stump provide further sculptural habitat. Planting for pollinators and a wide range of other beneficial insects forms a beautiful and resilient scheme that will provide year-round food, habitats and interest.

Large pieces of concrete and aggregate is interspersed with wildflowers giving the garden a natural, overgrown look.

• Centre for Mental Health’s The Balance Garden (Silver medal) The garden uses crushed site waste as aggregates producing a wealth of wildflowers, grasses and hardy shrubs that thrive in stressful environments, as well as sand piles and habitat layers for wildlife.

Large concrete pieces reclaimed from waste salvage make up a central area overlooking a clear pool. Suspended steel walkways allow movement through the space and access to the wild planting layers. 

At the heart of the garden is a ‘mushroom den’ made from a reclaimed steel-clad shipping container. The planting layers contour from wetland towards a denser, shadier canopy of food forestry and ‘edimentals’ while ‘weeds’ are celebrated as an important part of urban ecology. 

• The Fauna & Flora International Garden Designed by Chelsea award-winning garden designer, Jilayne Rickards, and landscaped by Tecwyn Evans, of Living Landscapes, the Fauna & Flora Garden maps the journey of an ecotourist on a gorilla trek, tracing a rough track through a succession of lush and changing landscapes. 

The design uses thistles, brambles and nettles to illustrate a typical gorilla habitat.

The path eventually leads to a gorilla nest – set among bamboo and other typical gorilla foodplants – and a towering waterfall, surrounded by a variety of weird and wonderful plants commonly found at high altitudes.  

This ‘gorilla garden’ not only tells the story of the endangered species and its precious habitat, but also aims to raise public awareness of the critical importance of protecting nature around the world, and how this can be best achieved by putting people and collaboration at the heart of conservation efforts.

Don’t miss Horatio’s Garden – A gold medal and the Best in Show

The Horatio garden was inspired by a young man who was researching the creation of an accessible garden at the spinal injuries unit of the Salisbury District Hospital where he volunteered, before he was tragically killed at the age of 17 in a polar bear attack during an expedition to Svalbard.

The award-winning design explores how gardens can be viewed differently from a variety of perspectives – with a focus on how spinal patients may be forced to view the garden from different angles dependent on their injuries.

A water feature not only adds sensory experiences but is important for attracting wildlife into the garden which proved to be one of the most important features spinal patients communicated to the garden designers.

For more information on winning garden designs, be sure to check out the work of Country Living here.

Seven sanctuary gardens in 2023 show

This year’s show gardens included seven sanctuary gardens – smaller gardens that focus on the benefits of gardening on our well being. Central to each design was the benefits to wildlife and sustainability the gardens were able to offer both gardeners and those who visit.

One woodland inspired garden designed by Thomas Hoblyn celebrated British crafts – from a treelike medal arbour to embroidered cushions and candlesticks.

The garden’s colour palette was based on three colours that make up a single forget-me-not-flower, including violet, blue and red. Two zones make up the garden including a wetland meadow of sedges and rushes, and a shaded woodland glade.

Centre for Mental Health’s The Balance Garden

Another inspirational garden is The Balance Garden that explores the mental health benefits nature can bring to our lives and ways we can bring more of it into our gardens. The designers are quick to point out that the garden encompasses a myriad of wildflowers – plants many gardeners would consider to be weeds.

“We’ll be educating people about the classic question of ‘what is a weed?’ and realigning people’s perception – if it looks beautiful, why not keep it?” explained garden designer Jonathan Davies to Gardens Illustrated. (link to the full story)

There are too many gardens in the show to attempt to cover them all, but plan on spending several hours – up to ten – watching the BBC’s first-rate coverage. It certainly is more bingeworthy than most Netflix shows.

A rainy day is the perfect opportunity to settle in for tours of the gardens and expert information on plants, shrubs, trees and helping our local wildlife.

Some of the gardens you’ll want to pay special attention to include:

• South Korean environmental artist and designer Jihae Hwang explores a rugged mountain garden design in her garden: A Letter from a Million Years Past. The design explores a primeval forest with massive rocky outcrops inspired by the Jiri Mountains, known as the Mother Mountain of Korea. The garden is the perfect example of how we can incorporate boulders in our landscape and the plants that thrive in these harsh, but natural areas. It’s also an example of how beauty is not dependent on a flush of colourful flowers.

A combination of native plants, including Black Eyed Susans and lobelia create a natural habitat for insects, birds and other garden wildlife.

Learning from Chelsea: Using “weeds” in our own gardens

If we can learn anything from the designers at the 2023 Chelsea Flower Show it is that weeds, or what many of us like to call wildflowers, not only belong in our gardens, but can be a beautiful, natural addition that creates habitat for wildlife big and small.

Of course, one gardener’s weed is another gardener’s flower and that can change dramatically depending on what horticultural zone you are gardening in. Native plants are very dependent on that zone, so it’s important to find out what plants are truly native to your area and do your best to get seed or locally grown wildflowers.

It’s also a good idea to plant the flowers in more of a loose, cottage-style garden rather than single plants trying to survive on their own. Nature does not really work this way, so there is no reason that we should be bound by growing plants in neat little groups.

Designers at the Chelsea show combined both methods to give the gardens a loose, but still organized feel that would be presentable to the majority of visitors, but still provide wildlife with a natural habitat.

Even if a more natural approach to gardening is not your cup of tea, consider setting aside a small part of your garden where you step back and let nature take over.

You might just be surprised with the results and I’m sure you’ll enjoy not having to weed and worry about every little plant that shows up in your naturalized garden.

Create a hummingbird hangout in your garden

This hummingbird works the Cuphea plants in the Hummingbird hangout I created both to attract these little birds and as an outdoor studio to photograph them in their environment.

By adding their favourite annual and perennial flowers, a variety of feeders, bugs and water, how can they resist?

Creating a hangout for hummingbirds is not only relatively simple, it will provide hours of entertainment during the summer as more and more of the winged visitors decide your garden is the place to be this summer.

The main ingredients for your hummingbird haven should focus on natural feeders (their favourite nectar-producing annual and perennial flowers) a couple of store bought feeders with a DIY 4:1 water to-sugar-ratio mixture and, if possible, a gentle source of water for a refreshing bath. The gentle source of water can be as simple as a mister or small solar powered fountain in a bird feeder or even a shallow pool of water.

This spring, I decided to focus on creating a central area in the garden that is particularly attractive to hummingbirds. An area that I knew the hummingbirds couldn’t resist but, also, one that would give me the best vantage point to photograph our little friends.

Hummingbird feeding at Cuphea.

Obviously, hummingbirds were not the only target. I knew that backyard pollinators, like our native bees and butterflies and even other birds, would be regular visitors to the hummingbird hangout, but the focus is definitely on the hummingbirds that have appeared in the backyard every spring for a number of years.

The hummingbird corner aimed at attracting as many of the birds as possible.

Hummingbird hangout makes for the perfect outdoor photo studio

In the past, commercial feeders, native plants and annuals have been situated around our patio attracting them to the general area where I wanted to photograph them. This year, however, my plan was to focus their activity in a smaller corner of the patio and create a natural setting that would make photography much easier, as well create an environment and backdrop for capturing them in the best light.

What I didn’t realize is that it also would create the ideal backdrop for a host of other garden visitors, from bees to butterflies, birds and, of course, our friendly chipmunks.

For more on hummingbirds in the garden, check out the following posts:

• How to help Hummingbirds during migration

• Five tips to attract hummingbirds

• How long do hummingbirds live

• Where do hummingbirds go in winter

A chipmunk takes a moment to smell the flowers on the waterfalls located in the Hummingbird haven.

Creating the hummingbird hangout

My idea for the hummingbird hangout was simple: Provide the hummingbirds with as many of the flowers they love as natural feeding stations, add a couple of different commercial feeders and place both the feeders and containers filled with their favourite flowers around our container pond equipped with a small waterfalls that I’m hoping will bring even more hummingbirds into the area.

I’m hoping the combination of high-quality, natural feeding stations of their favourite flowers, a reliable source of nectar from the traditional hummingbird feeders and the added sound of gentle running water, will be too much for them to ignore.

The pond and flowers will also attract a myriad of smaller insects and spiders which, we cannot forget, is the number one food source for hummingbirds, especially when they are raising young.

The entire hummingbird hangout is backed by a birch tree clump that is particularly attractive to insects – hummingbirds favourite food source.

Hummingbird works Cuphea in the garden.

Adding a waterfalls to the hangout

I was lucky to have an unused, natural-looking waterfalls that fit perfectly into the container pond and enabled me to create an instant multi-tiered waterfalls. Earlier in the spring, I had seen a Youtube video that showed hummingbirds attracted to a small waterfalls, so, I thought, why not add it to their hangout?

By using a small, inexpensive solar panel and water pump, I hoped to create enough flow to add a nice sound to the entire design. I quickly learned, however, that the inexpensive solar pumps from Amazon and other on-line locations were not going to cut it in this instance.

Not only did these small inexpensive solar-powered pumps struggle to move enough water, the slightest cloud would shut the system down, reducing the joy of having the waterfalls running on a consistent basis.

A hummingbird feeds from what turns out to be the favourite hummingbird feeder.

Getting the best solar-powered water pump for the job

Instead, I opted for a more expensive (but still relatively cheap) larger solar panel and pump that included a built-in battery that the solar panel is able to charge over the course of the day.

The performance of this new, larger solar panel and small pump made by NFESOLAR has been nothing short of outstanding. Not only does it push the perfect amount of water over the falls, it does so even if the sun is behind a cloud. That’s when the battery kicks in and provides that additional power needed to keep the waterfalls working throughout the day.

Most small solar panels shut down immediately if they are not in full sun. Even cloudy days will often stop them from working properly.

If working in shaded situations wasn’t enough to sell me on this solar panel and pump combination from NFESOLAR, the fact that it runs late into the evening on its battery power makes this combination perfect for the hummingbird hangout.

Depending on how sunny it was during the day, the pump will continue to work up to about three hours after the sun is no longer shining on the solar panel.

It certainly helps to have the pump run non-stop all day and into the early evening. Having a continuous flow of water provides birds who visit the waterfalls with the assurance that it will be running during the day. Although I have only seen a single chickadee on the waterfalls in the first weeks of its operation, I’m sure more birds will test the waters once they discover it.

By adding a small amount of seeds on the waterfalls, I’ve encouraged our chipmunks to check it out on a daily basis.

On very hot days, I have a mister that attaches to a hose that can be added to the hangout to make it even more desirable for the hummingbirds and other backyard wildlife.

Adding a mister provides a refreshing source of water for the hummingbirds to bathe while in flight.

What plants to use to entice the hummingbirds?

There are a host of plants that can be used to attract hummingbirds, but I opted for a combination of annuals and perennials.

The plants include three Cuphea annual plants (also go by the names firecracker plant or Vermillion), Salvia black and blue annual, columbines, petunias, fuschia and perennial salvia. Very nearby are several cardinal flowers as well as two stands of bee balm.

I have also used plants to create a more natural feel around the pond, including maidenhair and Boston ferns, scouring rush (used in a separate container as well as inside the pond), a hardy dwarf water lilly and pond, a pond bluebell and oxygenators to keep the water fresh.

For a complete list of some of the best hummingbird plants to use in containers or even hanging baskets, check out my earlier post here.

Best hummingbird feeders

When you are choosing the feeders for your hummingbird hangout, consider offering at least a couple of alternatives. I have two feeders hanging from a birch tree directly over the pond and container plants. Another large glass feeder hangs nearby.

One of the two feeders hanging in the birch tree is a large glass feeder, the other is a small tubular feeder that is meant to be hung in a container or hanging basket. Because it is so light, I can hang it out on a small branch for easy access by the hummingbirds. Without any doubt, this is their favourite. In fact, it is so popular I am having to fill up the feeder on a daily basis.

The larger, glass feeder is a great backup in case the smaller tubular feeder is emptied before I can refill it.

I’ve had this larger glass feeder for years and it has performed well, and is easy to clean.

Neither the larger glass feeder or the smaller tubular feeder have perches for the birds to sit on while they feed, but the large feeder nearby has four perches for the birds to feed while resting. The hummingbirds seem to like the perches at times, especially if they are feeding for a prolonged period.

Although the feeders in the hangout don’t have feeding perches for the hummingbirds, I have included a small branch for the birds to land on just above the waterfalls, as well as a larger branch for other birds to stop by a check out the neighbourhood.

However, the birds tend to just hang out in the many small branches provided by the birch tree.

In fact, the hummingbird hangout sits on our patio on the edge of what I like to call our birch grove. The area is made up of three large clump birches overhanging a dry-river bed with a bubbling rock at one end. The shady area is a favourite spot for birds looking for insects and a quick visit to the bubbling rock.

Birch trees attract a lot of insects and caterpillars to the garden and therefore are important trees for hummingbirds and other birds during nesting season when they need an abundance of protein to feed their growing offspring.

A weekend of warblers in the woodland garden

A Cape May warbler stopping by in the garden to feast on insects and my selection of reliable water sources.

How to attract warblers, even for a weekend

It was an unforgettable Mother’s Day weekend of warblers in our woodland garden.

It started with a quick glimpse of what appeared to be a Blackburnian warbler flitting about in the blooms of our yellow magnolia tree capturing insects, and ended with me sitting in my Tragopan photo blind photographing warblers from a few feet away as they came down for a drink in one of our many bird baths. The bird bath that seemed to attract them most happened to be directly under a flowering dogwood in full bloom.

Some non-birders (my wife included) might say “so what, they’re just birds.”

To that I say: “No, warblers aren’t just any birds. They’re special, and these species don’t normally hang out in gardens. At least not where I live in Southern Ontario.”

We had Blackburnians, Cape May and Yellow-Rumped warblers… and that’s just the ones I saw.

In fact, most birders know full well that the annual pilgrimage to Pt. Pelee’s Festival of Birds, on Canada’s southern most tip, is really one of the only ways to catch a glimpse and hopefully a photograph one or two of some of these more rare warblers that are all filtered to the tiny spit of sandy forest on Lake Erie. Most of the birds are so exhausted from flying over the lake that they take refuge at the Point of land and, in many situations, allow a close approach.

Birders come from around the world just to catch a glimpse of some of these rare warblers and other migratory birds.

So, to have a few drop down into our little woodland during their migration to more northern locations, is an honour I don’t take lightly.

In fact, for a brief second or two, I had two Cape May warblers (see image below) drinking from the bird bath at one time.

This Yellow Rumped warbler was one of several warblers that dropped down into our garden for the weekend.

How many warbler species worldwide, in North America?

Warblers are one of the most common types of birds, and, hence, they have a wide distribution, covering Africa, Europe, North and South America, Australia, Asia, the Pacific islands, and the subarctic region.

I read recently that Old World (Europe) warblers are in the family called Sylviidae and comprise close to 350 species. In Europe they are related to the thrushes and the flycatchers.

Although warblers look similar and are often mistaken for finches, wrens, or sparrows, they are not related songbirds.

Here, in what is considered the New World (North America), there are 52 species of warbler. In North America, Warblers are members of the wood-warbler family (Parulidae). Worldwide, there are 13 families called warblers.

That’s a lot of warblers worldwide.

But, I would bet that most people (outside of birders) have either never seen a warbler, or would not be able to identify one even if they did.

Warblers are a group of small birds that are also known as perching birds. Their plumage can range from drab colours like gray and brown to bright colours like vibrant red, blue, and yellow.

They might be best know for their trilling and quavering songs, which is actually how they earned their name. Their songs range from rather dull to loud and piercing mating calls in spring.

The name warbler actually comes from an Old French word “werbler,” which means to sing in trills.

How far do warblers migrate?

Identifying their calls might be the easiest way to know they are in the garden.

Their beautiful, almost tropical-sounding songs, are a reminder of how far they’ve migrated to get to our gardens. Many are travelling from Central and south America to far reaches of northern Canada to breed.

Are warblers common in the garden?

One of the reasons more gardeners are not familiar with these birds is because they are not common backyard birds.

The warblers that do visit backyards are elusive and most often spend their time higher up in the tree canopy where they have access to more insects, caterpillars etc.

So, even the more common warblers like the Yellow warbler, often go unnoticed by most casual gardeners who may mistake the flash of yellow for a Goldfinch or even a female oriole.

The Cornell lab or Ornithology is an excellent place to go for help identifying these birds or to get more information.

Can you attract warblers with typical birdfeeders?

Your typical birdfeeder full of sunflower, millet and other goodies is not going to bring warblers into the yard.

You need insects, caterpillars and other creepy crawlies to attract these primarily insect-eating little beauties.

And, for so many gardeners, that’s the problem.

Two Cape May warblers enjoying one of our bird baths. To capture a single Cape May warbler is thrilling enough, but to get two in one frame was a real thrill.

One only needs to go on any of the garden forums on Facebook to read about the insect carnage.

In fact, I am finding it extremely difficult these days to follow garden groups on Facebook when every second question is about how to kill insects and caterpillars in the garden.

Let me scream it from the tree tops: “It’s natural to have insects, caterpillars and other creepy crawlies in your garden. Let Mother Nature take care of them the way she has for thousands of years. This IS birdfood.”

Okay, sorry for the rant.

And, I’m not saying there are not situations where action needs to be taken to deal with a major infestation, but it should be rare rather than a daily occurrence in the garden.

How can we attract warblers?

But, back to weekend warblers in the woodland garden.

I am convinced – or at least I’m going to try to convince myself – that one of the reasons the warblers chose our garden to spend a few days is the availability of insect life, and reliable sources of water in several areas of the garden.

Without these, the warblers would have had no reason to drop down preferring to continue on their way to better locations.

Black and White warblers are less colourful than most but are beautiful in their own simplicity.

To make the weekend of warblers even more special for me, is the fact that we are surrounded by acres of wild forest that I’m sure would have been an excellent source of food for these warblers.

But, by intensifying the availability of insects through a variety of native plants, shrubs and trees, our gardens can become magnets for migrating birds in need of quick hits of energy via insects and caterpillars. Also, I witnessed a number of the warblers rooting around in the fallen leaves for insects.

Some, like Indigo Buntings and Orioles, (links to my posts) might stick around and call our garden home for the summer. If so, they, along with more common backyard birds who depend on an abundance of insects and caterpillars in spring to feed their offspring, will help to keep any outbreak in check while they bring life, colour and their sweet songs to our gardens.

So, if you hope to attract warblers to your garden, even for just a short period during migration, you need to ensure the following:

• Reliable sources of fresh water preferably in a variety of birdbaths and natural looking ponds including patio container ponds and on-ground baths. A natural pond with easy access to shallow areas is excellent for all wildlife.

• Native plants, shrubs and trees that in turn attract plenty of insects, spiders, caterpillars and other creepy crawlies. Oaks, willows and birch trees are good starters but our warblers seemed to be drawn to our flowering yellow magnolia and dogwoods, which no doubt were attracting insects to the garden.

• Leave your fallen leaves. I noticed that the warblers were often on the ground rooting through the fallen leaves from the previous fall, which never really get “cleaned up” in our gardens. Most of the leaves stay where they fall and are just moved off walkways onto the gardens where the spring flowers force their way up through them.

• Do not use any insecticides in the garden. Learn to live with the odd outbreak and let Mother Nature do her job to keep the garden in a natural, balanced state.

A Cape May warbler at the bird bath.

Interesting facts about warblers

• Warbler migration begins in April from South and Central America making their way down to Canada and the United States. Some, such as the Tennessee warbler and Magnolia warbler, fly farther north to breed in Canada’s boreal forest as well as a few small areas in the United States.

• The more common yellow warbler and yellow throat are seen throughout parts of Canada and the United States.

A beautiful but more common Yellow warbler searches the grasses for insects. Yellow warblers are more common in woodland gardens, especially those that have extensive forests or woodlots nearby and are hosts to native plants, shrubs and trees that attract insects and caterpillars.

• Warblers tend to have thin bills, which enable them to pick up and hold on to insects and caterpillars.

• Because of their colour and active lifestyle, they are often referred to as the butterflies of the bird world.

• Warblers are fast-flyers and can reach impressive speeds of up to 25 mph or (more than 40 kilometers per hour.)

• They can fly long distances: For example the Canada warbler travels more than 3,000 miles during migration

• Warblers songs: Warbler songs are used not only to attract mates, they’re also used to communicate with one another. Warbler mates have even been known to sing duets together.

A more rare Northern Parula warbler photographed at Pt. Pelee National Park. These birds breed in eastern North America from southern Canada to Florida.

• Suet feeders likely play a role in helping these birds survive the worst winters. So, it is a good idea to keep suet out all winter for the birds and to keep an eye out for special visitors. Who knows, you might be lucky enough to be one of the few who can say they saw a warbler in the cold of winter.

• Warblers depend on the boreal forest. In fact, more than half of the warblers breed in the boreal forest which stretches from Alaska into Newfoundland.

• What do warblers eat most? Warblers mainly eat insects, spiders, caterpillars and mosquito larvae.

• Although most warblers are solitary birds, they can be seen at different times of the year in solitary pairs, small groups and in small families.

• Why are they called warblers? Warblers picked up their names from the trills of their songs.

• What is the biggest threat to warblers: Warblers obviously face many threats during migration from hitting high-rise buildings to being caught up in dangerous storms and not being able to find enough food to survive migration. Other threats include parasitism and, of course, the actions of humans through the use of herbicides and pesticides. Climate change also poses risks to these small birds either from sudden extreme weather conditions to changes that affect the availability of sufficient insects at crucial times of the year.

• Warblers build a variety of nests mostly in trees, but also can be found in tall grasses. These nests can range from typical small cup-like structures typical of most nests, to domes in grasses, in bushes, or even hidden inside the ground. Typical construction material ranges from whatever might be available to them including hair (human or animal), long grasses, spider webs, and soft mosses and lichens.

• Warblers generally have an incubation time of about 12 days. The females have an average clutch of 2. The baby birds fledge after about ten days and are independent of their parents after as little as 2-3 weeks.

In conclusion

Normally we don’t attract warblers to our gardens. Instead, they decide to grace us with their presence in our gardens. We can, however, create habitat that is inviting to warblers and hope that they recognize our efforts, even if it’s just for a weekend.

That same habitat will be an invitation, not only to warblers, but to a host of birds, butterflies, mammals and reptiles.

A healthy garden will be attractive to a greater variety of wildlife than we can even imagine. The results are dependent so much on the location and the environment where the garden exists. All we can do is our best to create a welcoming habitat and hope for the best.

Photographing backyard Warblers, Robins and Blue Jays

For those interested in garden and wildlife photography, I thought I would give you a little background. While photographing warblers, I was also able to capture a robin and blue jay so I have included some of those images as well to illustrate the lens and camera capabilities.

My intro to bird photography

I’ll never forget my first introduction to serious bird photography.

It was at Pt. Pelee National Park during the Migratory Bird Festival when birders and bird photographers from around the world gather in great numbers to see and capture images of these tiny birds.

Let’s just say there were days when the photographers and birders outnumbered the birds 20:1. But it was certainly an eye-opening experience.

The bird photographers gear made the photojournalists at sporting events look like they were carrying point-and-shoot cameras and lenses compared to the monster lenses at the national park.

I can safely conclude that, judging from the size and quality of the lenses, many of the beautiful images you see of warblers come at a very hefty price tag.

Serious bird photography can be extremely expensive. Big, fast lenses can cost as much as a small used car. Not to mention the latest cameras, tripods and tripod heads. Add in the cost of overnight stays and travel to birding hot spots and you can imagine how the costs add up.

American Robin taken with Olympus EM-10 and Pentax 300mm F4.5 * lens with converter.

So, that makes stepping out into your backyard and catching a few shots of warblers almost priceless.

I was lucky enough to capture our weekend warblers with two very old cameras and a couple of vintage lenses: including a 20-year-old, 6 megapixel, Pentax istD and an 8-year-old Olympus OM-D E-M10 (link to my post) together with my favourite wildlife lens the 36-year-old Pentax 300mm F* f4.5 (link to my post) and the kit Olympus 40-150mm zoom lens.

Blue jay photographed with the Olympus EM10 and 40-150mm lens.

The crop factor on the 300mm with the Pentax istD gives me the approximate equivalent of a 420mm lens. I also used a converter on the Olympus that allowed me to attach the 300mm lens to the Olympus with a crop factor of two creating the equivalent of a 600mm lens.

The converter does not transmit any information to the camera and turns the lens from autofocus to manual focus. The Olympus, like many micro4/3 cameras have features that make using manual focus lenses much easier to use.

All this being said, capturing images of these tiny birds would not have been easy without my secret weapon.

The secret weapon for me is the Tragopan photographic blind that allowed me to get in very close to the birds. Once I recognized that the birds were regularly frequenting one of our bird baths, it was a simple matter to set up the blind near the birdbath and wait them out.

Blue Jay at bird bath taken with the Olympus EM-10 and 40-150mm at 150mm (equivalent to 300mm).

My goal was to capture an image of a warbler in the flowering dogwood. Unfortunately, I was unable to capture that shot, but I did manage to get them on the bird bath. During the process, I was able to capture a blue jay in the dogwood tree and on the birdbath. (see above).

Nature’s garden art (Five tips and DIY ideas)

This late winter image shows how garden art like this Easter Island head, can add interest to the garden even in late winter when the garden is not at its best.

Mother nature provides its own artistic touch

If you are looking for garden art to enhance your woodland, look no further than Mother Nature – a mossy boulder, an elegant tree branch rising out from a bed of ferns. This is nature’s art at its finest.

If we take the time to really look carefully, nature often provides her art to us for free.

Fallen pine cones that “litter” the ground are works of art in themselves.

The moss-covered tree trunk works perfectly placed along the woodland pathway.

These are the gifts nature gives us if we look for them.

Look for natural materials that get better with age

But relying entirely on natural elements as art may not be enough to satisfy every gardener’s desire to inject a little sophistication and a touch of elegance into their woodland.

If you are looking to purchase artistic elements for your garden, consider investing in natural materials that age gracefully. Almost anything made with copper will improve with age.

That patina copper takes on with age is just too beautiful not to invest in if given the chance.

I think garden art works best when it is not only elegant and sophisticated, but serves a useful purpose.

An elegant birdbath is itself a piece of garden art. But, when a cardinal is added to the scene, nature’s art truly shines.

Copper birdhouses and birdbaths ideal for the woodland

Birdhouses and birdbaths are perfect examples of garden objects that, if chosen well, can not only add sophistication to a corner of the garden, but attract our feathered friends – one of nature’s finest work. How can we resist a cardinal on a birdbath or a goldfinch at a beautiful feeder?

Many of the finest bird feeders are being made by artisans and can be found on places like Etsy. The copper-enhanced Baltimore Oriole and hummingbird feeders found on Etsy are just two examples of how artisans are recognizing the value of garden art and meeting our needs for a more sophisticated approach to garden art.

The ultimate bird feeder made with copper and cedar.

There was a time not too long ago when the only garden art available amounted to plywood cutouts of an elderly husband and wife from ‘behind’ out weeding in the garden. You remember them. Everyone had a good laugh at the couple’s expense.

But those times have changed.

I wrote a post about an architect couple from France who moved to Toronto and started a business combining their architectural skills and love of natural materials to create an exquisite bird feeder made from copper and cedar. (see picture) This feeder, although expensive, will provide a lifetime of joy and can be passed on to your children. It is available in new copper (as illustrated) or copper that has already been chemically aged with a lovely verdigras patina.

There are, of course, other bird feeders that are works of art, but don’t expect to find them at your discount store.

The copper and cedar bird feeder has aged nicely and taken on a lovely patina in only a few short years. And the birds love it too.

Although a finely aged concrete bird bath has been a staple in so many gardens, copper birdbaths not only look beautiful, they have natural microbial benefits that can make them a better choice.

I wrote about an elegant copper bird bath available at a fine garden and home boutique, but similar ones are available at many bird and home stores.

For more on growing your garden on a budget, check out my in-depth article here.

Use the iconic garden bench as art

The garden bench – especially an older, moss and lichen covered bench – can be a beautiful, yet useful addition to the garden.

Many years ago – certainly more than 20 years – I was desperate to get a garden bench. We lived in a typical subdivision and I was working diligently to create a mini woodland garden in the yard. The bench represented a destination along a simple path in this tiny garden. I wrote an earlier post on designing a woodland garden in a small yard and focused on the importance of a pathway in a small garden to help the viewer experience the garden as they walked through it.

Not only did our traditional garden bench provide a destination for the visitor, it offered the gardener a place to rest and enjoy the garden from a different perspective.

It’s another excellent example of how we can turn a utilitarian garden object into a wonderful piece of garden art.

Creating your own garden art is always the best approach.

Five tips and DIY ideas to add art to your backyard landscape

• Look for naturally-aged garden objects such as birdbaths, birdhouses and garden benches that people are selling either at garage sales or at on-line sites such as Kijiji. I have picked up some of my favourite “art” pieces this way.

• Use techniques (like the one described below) to age newer items rapidly so they better fit into your woodland setting

• Most “artistic” elements are best discovered rather than presented for everyone to see. Consider using vegetation to hide your art, especially more whimsical pieces that, when unexpectedly discovered, will bring a smile to your visitor.

• Purchase lasting pieces that incorporate natural materials like copper, cedar and even rusty steel that will add a rustic element to your garden.

• Whenever possible, look to nature for its existing art forms. The beautifully coloured rock, an old cedar tree root, an elegant piece of driftwood. These are often found objects that add a natural element to the garden and be combined with bought items to create a lovely juxtaposition of old and new.

In those days garden art, even a nice garden bench was not easy to find. I did, however, find an inexpensive wooden bench at a discount department store and bought two. More than 20 years later they still form a focal point in our woodland garden. Never, however, do I actually sit on them. These inexpensive garden benches have taken on an incredible aged look, covered in lichen and mosses. After a spring rain, they more or less turn a soft green as the thick moss bursts to life from its more dormant state.

Our two benches now hold large black containers that are planted with colourful, hard-working annuals that create a hit of colour in the garden and draw attention to the beautiful wooden benches.

In another part of the garden, we have a small cement garden bench that is beginning its aging process. Letting it age naturally is a slow process. It might be time to help it along a little using the following method. It’s perfect for quickly aging cement containers, benches and garden statuary.

How to give concrete a mossy, aged patina

A quick search on the internet provides several alternatives to creating an aged look for new concrete. It works on statuary as well as concrete containers. Mother nature and time does most of the work naturally, but some simple steps help to hurry the effect along. What might take mother nature years to create, can be done in a few weeks or months by following these steps.

• Start by mixing a weak solution of water and black acrylic or water-based paint and apply it to the cement statuary. Let dry and apply a second or third coat. The effect is simply to give the statuary a ‘dirty’ look rather than the stark white one it often has when it is new.

• Mix yogurt or buttermilk in a bucket with equal amounts of water, compost or soil and even some manure. You can add in some crushed moss at this stage as well. The result should be a thick spreadable paste.

• Paint on the mixture to the cement statuary or container ensuring you cover all areas especially creases where moss would naturally take hold.

• Take a handful of moss and rub the surface of the concrete to spread the moss spores into the concrete.

• Finally, store the concrete statuary or container in a moist and shady spot to encourage the aging process and keep it moist for a number of weeks until you see the moss get established.

Our gardens need to be inspirational places and what better way to achieve that than to add a few pieces of garden art, whether they are nature’s art like the boulder or store-bought statuary.

Statuary is great addition for the woodland garden

Garden statuary has always been a part of the garden and works well as it ages, often taking on a mossy patina.

In my Japanese-inspired woodland garden, we have incorporated traditional Japanese statues praying together surrounded in a patch of moss. With a little encouragement, I am hoping they will take on a mossy appearance for a truly aged look.

In another area of the garden, a statue of Saint Francis, the patron saint of animals, would be a perfect addition.

We have a number of aging cement statues of small animals tucked away throughout the garden. For much of the growing season they are mostly hidden from view, tucked away in the vegetation. It would be easy to miss them on a walk through the garden.

This rustic bird house and feeder fits the woodland theme and provides the ideal home for this Carolina wren.

In most woodland gardens, however, garden art should be more subtle. Consider a trip to your local nursery or rockery in the spring and scour their new moss-covered boulders to find the one that works perfectly in your woodland setting.

In another area, a gnarly branch that fell from a tree can serve as art. Place it somewhere in the garden where it’s natural beauty can age gracefully and work its way back into the soil while it provides homes for insects, small reptiles like red-backed salamanders and toads.

The moss-covered rock or twisted branch may also form the perfect natural landing spot to catch some great photographs of birds in your garden. Encourage moss and lichens to grow in the cracks but leave enough room to tuck in a few sunflower seeds to attract the birds to the exact spot you want to photograph them.

Rusty Buck standing guard in the ferns ties in to the rustic theme of the garden art in this section of the garden.

The rusty buck as garden art

Probably our favourite piece of garden art my wife and I purchased was from a boutique garden store we noticed on a day-outing. The store was tucked away in a small Mennonite community about an hour and a half drive from our home. We both noticed it as we drove by and immediately turned around to check it out. It’s another example of a piece that gets better with age. Now every time we see our rusty buck tucked in the ferns, it brings a smile to our face. Not sure what the native male deer think when they see our rusty buck, but it’s been knocked over on the ground in the morning more than once. Could be the wind, could be a jealous buck. We may never know.

Gardening on a budget links

DIY moss garden

Proven Winners Idea Book

Ten money-saving tips for the weekend gardener

Window boxes on a budget

DIY Bark Butter feeder for Woodpeckers

DIY reflection pond for photography

Click & Grow is ideal for Native Plants from seed

Nature’s DIY garden art

DIY solar drip for bird bath

Remove your turf and save money

DIY succulent planter

Hiring students to get your garden in shape

Simple solar fountain adds sparkle to your birdbath

This Robin was attracted to the moving water of the DIY solar fountain that was originally a dripper. (See image below.)

Moving water attracts birds and creates sound in the garden

Solar fountains not only look and sound great, they can become a big factor in attracting a greater variety of birds to our bird baths.

We have several solar fountains in the garden operating in our water features, including one in a new project that incorporates a solar fountain driving a mini waterfalls in our container pond. There is also a larger solar panel powering our on-ground bubbling rock where birds, chipmunks and squirrels regularly visit to either bathe or get a drink from the bubbling rock or the small pond where the water pools.

In another area, a floating fountain bubbles over in our DIY naturalistic bird bath. This is a favourite of chickadees, cardinals, nuthatches and a host of woodpeckers as well as squirrels and chipmunks that can easily access the bird bath from a nearby dogwood or a small concrete bench.

And finally, a lovely copper and slate dripper turned DIY solar fountain, provides a source of moving water in our most prized copper bird bath. (Click on the link, for the full story on converting the dripper to a DIY fountain)

Together, these water features combine to help create a backyard wildlife garden that is attractive to an assortment of wildlife from birds, to mammals, amphibians and reptiles. What many of us probably don’t realize is that a water source is vital to all types of wildlife. In fact, our garden wildlife are more dependent on water than most of us realize.

It’s important also to provide garden wildlife with water they can easily access. A birdbath doesn’t always accomplish that for small animals.

For more on adding water to your garden, check out my earlier posts

• Tips for using water to Attract Birds

• Garden Pond vs Patio pond.

This dripper was hooked up to a solar-powered pump to convert it to a small solar fountain. The solar panel can be seen in the background on the evergreen.

What birds art attracted to moving water?

Many birds are particularly attracted to moving water. Visually, the sparkle of moving water catch the attention of birds either flying over the garden or simply moving about. During migration in spring and fall, the moving water might be a factor on bringing unusual birds into your garden for a brief visit.

In addition, the movement of the water is a signal that the water is not stagnant and may send a message that the water is fresh and a more healthy choice.

Hummingbirds, Orioles, Jays, Robins and Goldfinches are just a few of the birds that are attracted to moving water. Add to that list Bluebirds, Chickadees, Nuthatches and even Woodpeckers.

Our large solar panel (8X13 inches), complete with its separate solar battery controller, is used to drive our small bubbling rock. The battery allows the pump to be used on shady days and into the evening when there is no sunlight available.

Why use solar rather than regular electrical outlets?

The solar panels I am speaking about are ridiculously inexpensive.

I usually order mine from Amazon, (link to solar fountains) but recently purchased two for a great price from Walmart’s on line outlet. The solar panels and pumps were less than $25 each and arrived to my home in less than two weeks. These pumps are so efficient that they likely pay for themselves in the first year.

But, more importantly, unlike traditional electrical outlets that limit where you can use the power, these small solar panels and pumps can be moved around the yard to your liking.

The small solar panel come with a long electrical cord to allow the panel to be moved a distance to catch the sun.

Want that bird bath in a different corner of the yard? Just move it along with the tiny 4.5-inch X 4.5-inch solar panel and tiny pump.

In addition, the safety aspect of using these small solar panels makes them indispensable in the garden.

With solar, there are no more worries about having children or pets around potentially dangerous electrical outlets combined with water.

Sure, the power output of these little pumps is nowhere near the potential power of traditional electrical outlets, but in most cases that amount of power is not needed unless you need a heavy flow of water over a waterfalls or a bubbling rock. Solar can still deliver that kind of power but it involves purchasing a much larger and more expensive solar-powered system.

A floating solar powered fountain can be an ideal addition to a larger birdbath that spends enough time in the sun to keep the floating fountain on for significant parts of the day. I use stones to keep the fountain in the centre of the birdbath.

Solar falls short in the shade

Of course, these solar pumps are far from perfect.

If you are looking for power to drive a lot of water, you won’t be satisfied with these mini pumps. And, if you set up your fountain in a shady part of the garden, you may not get enough sun to power the pump through the small solar panel.

Even if you do get sun at the location you have set up your fountain, you’ll have to move the solar panel throughout the day to follow the sun. Thankfully, the panel comes with a long chord to help you find a sunny area near the pump.

The solution is to step up to a solar panel that includes batteries that store the power so that it is always available, including in the evening when there is no hope of tapping into the suns energy.

Similar to solar lights that store the sun’s energy during the day and then operate at night, these solar panels include a replaceable battery or batteries that enables the user to flip a switch in the evening to run the water pump.

The solar pump we use to drive our bubbling rock incorporates a solar battery that allows us to drive the water and a small LED light during the evening. The problem is that the solar panel is much larger and harder to hide in the garden. If you are okay with garden visitors being able to see your larger solar panel (8X13 inches) than these higher end solar pumps solve that problem nicely.

Low and lovely: Five great low growing ornamental grasses

Early summer dwarf fountain grass combine with Japanese Forest Grass in this front garden.

Five ornamental grasses you need to know about

If you’re in love with ornamental grass, but either have a small garden, or are not interested in large clumps of taller grasses, you need to look into the smaller, low-growing ornamental grasses available.

We have a number of them growing in our front and back gardens, some that appreciate full sun and others that prefer a location with more shade.

Defining a low-growing grass is not always easy. Little Bluestem, for example, grows to about 18 inches and may not be considered by some to be “low growing” but it’s certainly a terrific native plant that actually was awarded perennial of the year in 2022. For more on Little Bluestem be sure to check out my full story here.

Japanese Forest Grass, especially the all-gold variety, is another outstanding performer that you may want to consider in your garden. I would not consider it a tall-growing ornamental grass, but neither is it a low-growing grass. Check out my earlier post on ornamental grasses, for more on the Japanese Forest Grass (Hakonechloa aurelia).

New varieties of grasses are introduced every year, so it’s a good idea to either go online to check out the latest varieties or visit your local nurseries to get a good idea of what grows best in your growing zone.

The grasses mentioned below are all deer resistant.

Ornamental grasses add movement and texture to the garden that is sometimes hard to attain with other plants. Here we have a combination of Japanese Forest Grass (top right), Blue Fescue, Fountain Grass and a Sedge (bottom right).

Fountain grasses add a touch of elegance to the garden

Fountain grass: (Pennisetum Alopecuroides) Without a doubt the Pennisetums are a beautiful variety of grasses that really make a statement in late summer into fall when their (flowers also called inflorescences) begin to bloom. But, even before they start to bloom, the grasses add an elegant look in the garden helping to create movement when the breezes pick up.

There are many perennial fountain grasses – including the large and very popular annual purple fountain grass often used in containers as the thriller. Karley Rose, for example, is a larger perennial fountain grass that makes an excellent addition to any garden with its pinkish inflorescences. I have Karley Rose growing in both our front and back gardens, but it might be considered too large to be considered a low-growing grass.

If you are looking for low-growing varieties, consider Hamlen Dwarf Fountain Grass that grows to about 35 inches (90cm) or the miniscule Little Bunny Fountain Grass with a height of only about 12 inches (30cm.) Both are hardy to zone 5, like to be grown in full sun and prefer a dry to moist soil.

These dwarf fountain grass are just beginning to flower in our back garden. The inflouresences (flowers) turn a wheat colour and usually bloom well into fall.

Ideas on using fountain grass in the garden

Use these small fountain grasses in the front of a border or as small specimen plantings on their own. We use them in our front garden as accent plants in a sunny area along a dry river bed as well as in the area of our Japanese-inspired garden.

Japanese Blood Grass adds colour to the garden

Japanese blood grass (Imperata Cylindrica) another perennial garden winner for those who want to add a little pop of colour to their garden beds. (See photo in graphic above) Growing to a height of about 17 inches (45 cm) with a spread of 11-12 inches (30 cm), Blood grass is best grown for its blood-red tips that appear in mid- to late-summer and add a touch of bold colour to the garden.

Blood grass grows well in average to moist soil, in full to partial sun and is hardy to zone 5.

Ideas on using blood grass in the garden

I use Blood grass as a natural ground cover growing among the low-growing sedum (stonecrop) under our clump birch trees. The grass not only adds a little colour, but it seems to be at home in the dappled shade under the birch trees where it stays completely under control.

I also use it as a background for a “school” of ceramic fish (see post on Fish in the Garden) that swim through the grasses and around our birch clumps.

This colourful golden sedge adds a nice chartreuse touch to the garden.

Sedges are perfect for wet areas of the garden

Bowles Golden Sedge (Carex) There are a variety of sedges available that look and act much like ornamental grasses. The biggest difference between sedges and grasses, however, is that the sedges perform best in moist soils. They are the perfect plants for wet or very moist areas in the garden.

Take it from me, if you are planting them in a sandy soil in a sunny spot, you will need to water them almost daily to get them looking and performing their best.

Bowles Golden Sedge has become a nice addition to our garden with its variegated chartreuse leaves. With a height and spread of about 24 inches (60 cm), they are not the most low-growing of the sedges – that would be Blue Zinger Sedge (Carex Glauca Blue Zinger) at a mere 12 inches (30cm), Ice Ballet Sedge (Carex Morrowii Ice Ballet) with a similar height , Ice Dance Japanese Sedge (Carex Morrowii Ice Dance), and Evergold Variegated Japanese Sedge (Carex Oshimensis Evergold) at a mere 8 inches (20cm) with a similar spread.

Where to use Sedges in the garden

It’s important to remember that the sedges like moisture in the soil – even wet soil. Obviously, an area of the garden that enjoys lots of moisture is the ideal spot to plant sedges, but you can create good growing conditions with a little effort. Last year, I moved three sedges from a sunny dry area where they were not doing well, and planted them in cluster near our patio where I can easily water them regularly. They quickly bounced back and performed nicely throughout the summer into fall.

Almost immediately after the move, the three sedges began to look much better, with a faster growth habit and better colour.

A good example of black mondo grass growing in our dry river bed.

Black Mondo Grass for a bold statement in the garden

Black Mondo grass (Ophiopogon Planiscapus Nigresce) Black plants of any kind are always in high demand and, when that plant is actually described as a “grass,” you know it’s something special.

While not actually a grass, this hardy to zone 5 perennial grows to a height of between 5-6 inches (15cm) in average to moist soil in full to part sun. It spreads nicely into a clump of up to 17-18 inches (45cm), and can be used in the landscape as a nice tidy edging or as an accent to bring focus to an area with it’s dark foliage.

Black mondo grass can take on a greenish colouring if it’s in too much sun. In addition, it has small purplish flowers that can almost go unnoticed. They can be left on the plant or cut off if you want to maintain that grassy look.

Keep the plant well watered as well.

How I use Black Mondo Grass

I use a lovely clump of black mondo grass almost like an island growing in a dry-river bed. The strapping black grass-like foliage always brings a smile to my face when I see it growing up among the grey pea gravel and river rock. Under the right conditions, it can be striking.

Our clump has grown to the point that I need to divide it, so I am hoping to use it as an edge near our patio where I can appreciate it up close on a daily basis.

Blue Fescue adds a touch of colour to dry, sunny areas

Blue Fescue The adaptibility of Blue Fescue (see photo in graphic above) makes this grass a favourite among gardeners. Not only is this a tough little grass that can take hot, sunny, dry areas, it brings a blue-grey element to your landscape.

The fescues are actually considered a perennial evergreen grass that likes dry to average soil in full to partial sun. It grows to about 10 inches in height (25cm) with a similar spread. It grows in very distinctive clumps, so if you’re looking for a smooth grass to act as a replacement for a traiditional lawn, these are probably not ideal.

Looking for more information on ground covers? Please check out my other posts on ground covers I use in the woodland garden.

• Bunchberry ideal ground cover

• What is the easiest ground cover to grow?

• Creeping thyme as a ground cover

• Moss and moss-like ground covers

• Virginia Creeper as a vine or ground cover

How to use Blue Fescue in the landscape

This grass is ideal for a hot, dry area where it can be used as an edge or planted in drifts. In the right location, its clumps of blue foliage can be stunning. Inflouresences add more elegance to the plants later in the summer through fall.

I use it both in our front and back gardens near dry river beds where its grey foliage complements the stone while it stays short and compact never intruding or competing too much with the simplicity of the dry river beds.

Coleus: A colourful addition to the shade garden

Three Coleus you need to consider for your containers

If you are looking for more colour in your shade-based containers or landscapes, it might be time to focus on Coleus with its variety of colours, shapes and sizes.

Coleus has got to be one of the most underrated and underused annual plants of its time.

A combination of Proven Winners Coleus in containers.

If you have hesitated to embrace these incredibly colourful and easy-to-grow annuals in your garden, it’s time to give them some love.

Anywhere you have planted ferns and hostas is a good place to plant Coleus for a little or a lot of colour.

Coleus, by the way, is not only for shade gardens. New varieties of Coleus are available that can take both sun and shade.

These plants have come a long way in the past couple of years thanks to the work of the people at Proven Winners and other plant propagators who have created new hybrids that can take both sun and shade, and look extremely good doing it.

Proven Winners alone lists 17 different Coleus in its arsenal. Everything from plants with colourful foliage patterns to those with solid colours such as the deep reds in Rediculous, the burnt orange colours and ruffled edge of Wicked Hot, or the incredible lime greens of Lime Time.

Golden Dreams Coleus by Proven Winnder combines nicely with grasses in this container planting.

If you want to see Coleus in action both as singular plants in a container, or in combinations with a host of other plants, check out Proven Winners top ten Coleus suggestions.

I have used Coleus in our front containers to add colour in areas that usually get deep shade and was thought to be good for only ferns, hostas and the like.

This year, after so much success in the past few years, a variety of Coleus will take prominent spots in both our front and back containers and maybe find a spot or two in our landscape.

The results have been impressive.

Proven Winners Golden Dreams Coleus creates a soft, restful background that does not fight for dominance in the landscape.

In fact, last year I planted a Proven Winners Colorblaze Golden Dreams Coleus in a large container to hide some utilities, and not only did it grow so large that it hid the utilities, it turned out to be the star of the Japanese-inspired garden.

This Golden Showers Coleus was used in the Japanese-inspired garden to hide utilities and blend in the natural colours of the garden with its soft, golden tones.

One of the reasons it worked so well in the Japanese garden is that Golden Dreams Coleus, though colourful with its chartreuse leaves and red veining, tends to be a calm, restful background plant that brought together the greens of the surrounding foliage, and reds of the Bloodgood Japanese Maple that provided the plant with afternoon shade.

This is the beauty of Coleus plants that come in such a range of colour combinations that they can work as both a bold statement in the garden or a calming, quiet addition depending on how you choose to use them.

The chartreuse and red of this Coleus is an outstanding addition to any garden.

A Golden performance in the garden

The award-winning Golden Dreams Coleus, like many Coleus plants, performs well in both sun and shade. All it asks for is a reasonable amount of humidity which it certainly got in our humid climate where moss grows naturally between the flagstones.

In very low humidity environments, you would be best to grow it in an area where it gets plenty of afternoon shade.

This Golden Showers Coleus brings in the colours of the garden and helps to create a cohesive feel and look to the Japanese-inspired garden.

Deadheading not needed

There is no deadheading necessary for these plants. In fact all I ever did was plant it, water it regularly and watch it grow. You can pinch it back to thicken up the plant, but it’s not really necessary.

Deer resistant foliage plant

Even the deer wanted nothing to do with this foliage plant, which makes Coleus ideal for woodland gardeners that share their space with a hungry herd of deer.

Coleus is seen here in a small container adding colour to a primary green fern garden but also picking up the yellow of the adirondack chairs.

How to grow Coleus in containers and in the landscape

These plants can grow quite tall. In fact mine was so happy it probably reached three-feet tall and close to that same distance in width by the end of the summer.

If you are planting several specimens out in the garden, plant them about 18-24 inches apart to form an impressive clump of foliage.

In a container, one is probably all you need. They certainly grow large enough to use as a thriller in the container pulling together colours from your other plants.

Of course, the wide variety of Coleus demands that the gardener do a little research on the habits of each plant to get the most out of them.

The smaller Chocolate Drop Coleus combines nicely in this container as a filler.

Many varieties of Coleus to meet all your needs

There are too many varieties to describe each of them, but here are a few you might be interested in planting.

In the Proven Winners Color Blaze family, consider Chocolate Drop (Coleus scutellarioides) for a sun or shade location.

This is a smaller Coleus that grows between 18 inches to about 2 feet with smaller rounded green leaves boasting a deep crimson centre that spreads out toward the edges of the plants.

Proven Winners describes the colors as black and green but the overall effect is not quite that extreme.

Like Golden Dreams, there is no need for deadheading and the plants are pretty much maintenance free.

Where I live, they are treated as annuals, but if you are in a very warm climate, they are considered hardy in zones 10-11.

Their trailing habit makes them great for flower beds and containers, but they do better as a spiller rather than a thriller.

Mini Me Watermelon is new this year

If you are looking for an even more compact coleus to add to your container, or one with some serious colour punch, the Proven Winners Mini Me Watermelon is the one.

It might be tricky to find because it’s new this year, but this little red and chartreuse coleus growth ranges from 12 inches to 20 inches with a spread restricted to between 10 and 18 inches.

It’s a new type of ColorBlaze that is substantially smaller than the rest of the ColorBlaze coleus. Proven Winners says the plant is still being developed and may have variable leaves or branches that can be easily taken out if necessary.

Again, this Coleus, with its watermelon-coloured foliage rimmed with golden chartreuse accents can take both sun and shade.

Like most coleus, this one is designed to bloom well into fall until it is hit with the first heavy frost of the year. It’s deer resistant and can be used as a thriller with its upright growth.

Proven Winners says the plant can be used in borders, containers as well as mass planting in the landscaping.

Going Black & White in a world of colour

Pentax K-3 Monochrome makes it easier and more affordable

Our gardens can often be a riot of colour. Taming that colour may involve moving in close to isolate a single flower or using complimentary colours to bring harmony to the scene.

But have you ever thought of just eliminating the colour altogether to create that simplicity we all strive for in our images?

Pentax has just released a B&W-only version of its highly capable K-3 camera resulting in an affordable B&W only camera.

Nothing inspires simplicity quite like the magic of Black and White photographs. And, although B&W photography took a back seat with the introduction of digital photography, it never went away.

In fact, creating B&W images has never been easier.

Almost all modern digital cameras have the capabilities of shooting excellent B&W images.

In addition to shooting B&W in the camera, most imaging software programs (ie. Lightroom and Photoshop) can easily convert colour images into high quality B&W photographs.

Cameras like my Fujifilm X10 make getting to the B&W settings very simple and even include basic filters to control the tones and contrast in the images. Other modern cameras, however, hide the B&W settings deep in the menus making them a little tricky to find.

The back LCD screen of the Pentax K-3 Monochrome includes a lovely monogram distinguishing that this camera shoots only Black and White.

Pentax/Ricoh brings B&W photography to the masses

And some cameras, like the recently announced Pentax K-3 Mark lll Monochrome, are designed only to shoot in B&W.

Pentax has just recently joined Leica as the only manufacturers to offer photographers cameras that focus on B&W only.

And, at a suggested retail price of about $2,199.95 for a feature-packed and proven high-quality camera, exquisite B&W photography has just become very affordable in comparison to Leica’s $9,000 price tag for the M11 Monochrome.

The Pentax Monochrome offers an affordable alternative to the expensive Leica Monochrome.

Let’s face it, for many of us B&W photography is an after thought.

For the younger generations, B&W photography is another way to get a vintage look in their images much in the same way as the emerging trend of using older digicams or print film to create that look.

But Pentax has just made getting that vintage look fun and affordable.

Add a couple of Pentax’s venerable vintage K, M or A lenses and combine those with a couple of Pentax’s exquisite limited lenses and it’s not hard to understand why the release of this camera is a dream-come-true for B&W enthusiasts.

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Pentax notes on its website that “Monochrome (or black-and-white) photography is the origin of photographic expression. Without color data, monochrome can more clearly depict the form and texture of a subject using light, shadow and the in-between gradations…”
“For users who want to master monochrome photography, the PENTAX K-3 Mark III Monochrome features an image sensor specifically designed to capture monochrome images only. By designing the camera solely for the purpose of monochrome photography, each pixel detects brightness data of the light coming through the lens. The obtained data is then directly converted to compose an image.”

What makes B&W-only cameras special?

The sensors in the cameras are designed specifically for getting the best black and white images possible complete with a higher dynamic range, a sharper image, more pleasing tones and better low-light results.

By taking one of Pentax/Ricoh’s most successful DSLR’s and incorporating an APS-C-format CMOS image sensor specifically designed to capture monochrome images, Pentax is able to offer an already proven, high-quality camera that just happens to be designed for B&W photography to the masses.

And, although I’ll admit a bias toward Pentax cameras after shooting with them all my life, the result in an exquisite example of form and function.

Pentax notes that: “By designing the camera solely for the purpose of monochrome photography…“The photographer can create extra-fine monochromatic expression in an image high in resolution and rich in gradation.”

The Pentax Monochrome also offers photographers three custom image modes for even further creative control. These exclusively designed modes for the monochrome-specific image sensor include: Standard, hard and soft.

“Each mode provides minute adjustment of parameters such as tone, key, contrast, and sharpness” Pentax notes in its website. “This allows the photographer to personalize images for the desired finishing touch.”

Pentax cameras have always been a favourite of mine when it comes to design in both form and function.

Add to the beauty and elegance of the camera, its ability to use all of the beautifully constructed vintage lenses on the Pentax cameras, and you have yourself a winning combination right out of the box.

Pentax didn’t miss a thing in the design of the Monochrome.

The K-3 Mark lll Monochrome camera body has a distinct stealth look to it, from the greyed-out Pentax writing on the front of the camera to the white backlight illumination on the LCD data panel on the top of the camera, and the Monochrome lettering printed in the upper-left area of the back panel above the LCD window.

Even the camera’s User interface menu features a black-and-white colour scheme as default, while the icons printed on buttons and switche across the camera’s exterior are finished in three shades of gray.

So, if you are serious about B&W photography, or are looking for some inspiration to take your photography to a higher level, this new Pentax offers the ability to dive into the simplicity offered through B&W.

But, if you are not sure about jumping into B&W photography at that level just yet, you can experiment by using the B&W settings on your existing digital cameras.

Here are a few tips on how to explore B&W photography with your existing cameras.

If you think you may want to explore B&W photography further, consider enrolling in the course link below.

KelbyOne Course: Unlocking the Secrets of Creating Black and White Images by Serge Ramelli

This B&W image in the garden is made more dramatic with the single salvia flower in colour. The simplicity of the image is what makes it stand out from a full colour image or a full B&W.

3 ways to shoot in B&W

1. Dig into your camera settings and find the B&W filter. Almost every modern camera includes the ability to set the camera to capture images in B&W and sepia or “old fashioned” look.

2. In post production with software. Whether you use Lightroom, Photoshop or some other photo software, there is always a simple way to turn a colour image into a B&W. There is also software designed specifically to get the most out of your B&W images using tonal controls etc.

3. For dedicated B&W photographers, consider purchasing the Pentax K-3 Monochrome or the Leica Monochrome. These cameras only shoot B&W, but the results can be stunning.

A dusting of early morning frost brings this B&W image to life. Note the contrast in the image with the white frost jumping out from the dark shadows. The simplicity of the image is really in its unperfect pattern.

Spend some time digging in the the special effects filters in the camera settings and you will likely come across them. Both my Lumix cameras and traditional Pentax DSLRs have the B&W settings buried in the menu settings. Most modern cameras also offer Sepia and/or “old fashioned” settings which are monochrome images with a hint of amber.

A simple click of the mouse is all it takes in Lightroom to transform a favourite colour image into black and white. There are even separate image software programs aimed at serious B&W photographers. (Among the best is Nik Silver Efex described as a means to “Master the art of black and white photography with the most comprehensive range of darkroom-inspired controls to help you create stunning monochrome images. )

It’s important to note that, while converting a colour image into B&W can be as easy as a simple click in most photo editing software programs, the conversion is usually just the beginning of the process. Once the B&W conversion has been completed, there are a number of adjustments that need to be made to complete the process and get the desired image.

Most photographers who shoot for B&W develop their own procedures in the conversion process to create the best result. (For a complete article on converting colour images to B&W using Photoshop, check out this in-depth article in photoshopessentials.com

The steps used in Adobe Lightroom often include:

• Increasing the contrast of the image (create deep blacks and solid whites)

• Using sliders to control highlight and shadow areas

• Sharpen areas of the image that you want to stand out

• Crop distracting areas that might not have been as noticeable in the colour version

How popular is B&W garden photography?

Consider that Britain’s Guardian newspaper even includes a B&W category in their annual garden photography contest. These stunning images from the photo contest in B&W should be plenty of inspiration to convince you to try B&W garden photography.

If you need more inspiration for B&W flower photography, try browsing these images from Fine Art America.

While it has never been easier to create B&W images, don’t be fooled by how simple modern cameras have made the process. Creating images with great depth in the blacks and impressive tonal qualities throughout the images, is certainly an art form.

I’ll be the first to admit that my expertise in this area is limited, but I do enjoy experimenting with images and believe strongly that a photograph is often just the beginning of the creative process, whether that involves creating a B&W from a colour image or turning a colour photograph into a digital painting.

Creating an effective B&W image is really all about simplicity.

Whether you create B&W images through software manipulation, take the image with a camera set to B&W program mode, or use one of the monochrome-only cameras, the results can be very effective.

Here are five of the best cameras to create Black & White images according to Artnews

1. Fujifilm X-Pro3 Mirrorless Digital Camera. ...

2. Sony a7R III Full-Frame Mirrorless Camera. ...

3. Leica Q2 Monochrom Full Frame Compact Digital Camera. ...

4. Sigma DP3 Quattro Compact Digital Camera. ...

5. Sony Alpha a6000 Mirrorless Digital Camera.

   For a detailed description of each camera go to the Artnews website

B&W conversions via external software

The following are a few images from my garden created from colour images. I have included some of the original colour images to help readers see what can be done with a little imagination.

Woodland Wildflower in B&W

The simplicity of this image in colour makes it a perfect candidate to convert into a B&W image. The Jack in the Pulpit is set against a dark background making tweaking of the main subject much easier by darkening the shadows to some extent and lightening the highlights in Lightroom. Maintaining some detail in the background helps to give the image a natural look. In a studio, a solid black background would be effective but give the image a more contemporary look.

Monarch on thistle

Capturing successful wildlife in B&W can be more difficult. The simplicity of the background and the high contrast of the black veining in the monarch helps make this image work in B&W. In my mind, the out-of-focus flower in the bottom right is less noticeable in the B&W image compared to the same colour photograph.

Contemporary tulip

A macro shot of a tulip works in both colour and B&W because of the inherent simplicity of the image. The negative space in the B&W image creates a different feel than the same space in colour. There is no doubt that in the colour image more tulips make up the background, but the B&W leaves that up to your imagination.

Even wildlife can look good in B&W. This young buck was almost lost in the colour image, but with some manipulation I was able to make it more prominent.

This fern is lit by a ray of sunshine allowing it to stand out among background ferns in shadows.

This B&W image combines textures in the concrete bunny bench with the lovely Black-eyed-Susans that have been lightened in Lightroom to make them stand out even more.

Similar to the main image in this article, frost rimming elements on the forest floor adds plenty of drama. By maintaining the whites of the frost, but deepening the blacks in the shadows, the image is simplified.

An early snowstorm helped to simplify this red squirrel looking for food beneath the Northern Sea Oat ornamental grass. Once again, it is the simplicity of the image that helps it to work as a B&W image. Without the snow simplifying the bottom and areas in the background, the image would likely have been too busy to work as a B&W.

Shooting B&W in camera

Most high-quality digital cameras made today have B&W capability built right into them. Some even only photograph in B&W offering the highest quality monochrome images. These highly specialized cameras are designed for the most discriminating B&W photographers and are probably not necessary for most of us who just want to photograph our gardens and possibly hang a few artistic garden images on our wall.

Fujifilm cameras are known for replicating their original 35mm films in a digital format. My Fujifilm X10, for example, includes digital versions of former Fuji films including Provia, Astia and Velvia settings that allow photographers to replicate the same colours and feelings we remember in the film and slide eras.

Included is a B&W digital film that includes the ability to add traditional digital colour filters to enhance scenes, especially the ability to enhance skies. These same filters, a green filter for example, can create subtle differences in the leaves of trees, flowers etc.

Focusing on B&W images only in your garden

Going out into the garden with the sole aim of shooting B&W involves taking a different approach to your garden photography. It is an exercise worth tackling on a regular basis to help develop an “eye” for B&W images.

It can be fun, too, but be ready for plenty of images that just don’t work in B&W. As your B&W vision develops, your success ratio will certainly increase to the point that you will be wanting to frame them up and hang them on your wall.

A black and white garden image just has more artistic merit to hang on a wall than most colour photography.

Another feature on the Fujifilm X10 and most other digicams is the ability of the camera to take a black and white image that picks up just a single colour – green, yellow and red. I noticed a similar feature is available in the Lumix ZS50 travel camera and my Pentax Q cameras. Used sparingly, this can be very effective. The following are two images using this filter that I think work to some degree.

This image used the red and purple filter in the camera to add colour to the primarily B&W image.

Using the red filter creates a B&W image that picks up any element in the photograph that is red. In the image above, I also used the purple filter to bring out some of the flowers’ colour. The effect is interesting and requires a little thought to make it work. Below, the green filter was used to pull out the foliage of the wild geranium just to add a pop of colour. A true B&W or colour image would not have worked well in this situation, but works to some degree with these filters to give the image a unique look.

In conclusion

At a time when your garden lacks inspiration, taking advantage of the B&W capabilities in your camera can provide inspiration to take up a new challenge. Late Fall is an ideal time to begin develop your eye for simplicity. When winter finally hits, and snow buries parts of our garden, you will be ready to capture the beauty and simplicity of the winter woodland garden.

This is the time Black and White photography comes into its own.

If you are looking for more information on B&W photography in the field or in the garden, take minute to check out the YouTube video Walks on The Wild Side where photographer Scott Walker provides excellent tips on taking B&W nature photography.

External viewfinders compared: TTArtisan vs Lichifit

You get what you pay for with tiny Lichifit external viewfinders

When it comes to the tiny Lichifit external optical viewfinders, you definitely get what you pay for.

For the cost of a couple of fancy coffees from your favourite barista, you can have the tiny, all-plastic optical viewfinder on your favourite digicam setup.

The tiny Lichifit external optical viewfinder looks at home on the compact Lumix LX7.

Some photographers will definitely prefer to save their money to buy the fancy coffees rather than fork out the money for this viewfinder, but there will be plenty of photographers who are satisfied with this inexpensive accessory that fits into the hotshoe of their favourite camera.

Judging from the number of street photographers using these inexpensive finders on YouTube, the viewfinders’ quality levels are not a limiting factor to their usage.

The Olympus Pen E-PL2 with the TT Artisan viewfinder.

For more on using external viewfinders, check out my post on the Olympus PEN series of cameras. Go to the Olympus camera website for more information.

Their popularity may be the result of street photographers not needing the highest resolution in a viewfinder. Let’s face it, many of the images they create are shot from the hip and are not even seen until the photographers review their images at the end of the day.

It’s all about speed and getting the shot rather than taking the time to examine the details in the image.

These viewfinders are perfect, stealth accessories that work well if you are just grabbing a shot and need a quick framing of the scene.

Click on the link for my comprehensive post on the high-quality, TTArtisan 28mm viewfinder pictured below on the left.

The external optional viewfinders on these Pentax Q cameras show the significant difference between the TTArtisan 28mm viewfinder and the tiny Lichifit 28mm viewfinder.

How small are they?

These things are extremely small and super light.

The good news is that they are so small that you can easily slip a digicam with one of these viewfinders attached into a camera bag or the pocket of a jacket. The viewfinder itself (or several viewfinders for other prime lenses) could also be tucked into a pocket of your camera bag or pocket and pulled out when you need one.

The tiny Lichifit 28mm external viewfinder fits nicely on the miniature Pentax Q line of cameras.

It’s hard to imagine how small these viewfinders actually are.

In fact, I ordered the 28mm TTArtisan finder at the same time as I ordered the 28mm Lichifit finder. When the package came, I didn’t even know that the lightweight Lichifit finder was even included in a separate padded bag.

It wasn’t until I went to throw out the packaging that I noticed the tiny viewfinder tucked away in an envelope in bubble wrap.

Small and lightweight is an understatement.

A rear view looking through the viewfinder of the tiny Lichifit 28mm external viewfinder fitted atop the Pentax Q.

Are they good for landscape and garden photography?

I’m not sure these viewfinders work as well with landscape or garden photographers as they do for street photographers. Landscape photographers need to see a higher level of detail through the viewfinder than, say, a street photographer.

The slightly blurry image and distortion that these finders deliver would be, I believe, frustrating for some landscape, garden and travel photographers.

If given the choice, I would rather save my money and purchase the TTArtisan viewfinder even if it is probably triple the cost of these cheap, mini, plastic viewfinders.

For these photographers, investing in a higher quality viewfinder like the TTArtisan is something you may want to consider.

The good news is that the Lichifit finders are so inexpensive to purchase, that it might be worth it to try one out and decide for yourself if you can live with the slight blur and distortion caused by the plastic in the viewfinders.

This image shows the Olympus Pen system with the viewfinder attached.

Why you might want a Lichifit viewfinder

• If having an inexpensive, quick look is more important than seeing a crystal clear image through the finder, then one of these may work for you.

• If you are looking for a tiny, extremely lightweight viewfinder, then you might like this accessory.

• Or, if you need a large selection of viewfinders to match up with your many prime lenses, a set of these inexpensive finders may just work well for you.

• They are available in a range of funky colours that might work with your camera, especially if you are the owner of one of the Pentax Q custom coloured cameras.

It’s important to note that, like the TTArtisan viewfinders, no information is transmitted from the camera to the viewfinder. There is no f-stop, shutter speed or focus confirmation in these viewfinders. They are used to get a view of the image at times where you either don’t want to use the camera’s LCD or are unable to use it because of excessive glare on it from the sun.

Two Pentax Qs show the size and style differences of the optional external viewfinders.

If the TTArtisan line of optical viewfinders are exquisitely made, stylish accessories with high-quality optical glass, these Lichifit finders can almost be described as the exact opposite.

In other words, the Lichifit finders are tiny, cheap and not very sharp.

They also lack the highly-desirable vintage look that the TTArtisan finders exude with confidence.

Add to that, there is much less of a coolness factor using one of these whether you are out in the field or at the coffee shop reviewing your images.

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I do like the tiny footprint, especially when I use it on my miniature Pentax Qs and the equally small Lumix LX7. They look good on these cameras and I can live with any parallax problems that might occur.

The company says the viewfinders are “small transparent and bright, and are very coordinated to install on various side axis cameras.”

They advertise the finders, which come in 28mm, 35mm and 40mm options, are good to “replace an old, broken or non-working optical side axis viewfinder, easy to use and stable performance.”

The company does not recommend they be used with high SLR cameras because of the potential for parallax problems.

Unfortunately, where these quick-and-dirty viewfinders fall far too short are the optical qualities. Looking through the viewfinder’s results in a slightly blurry image that is probably just a little too soft for my liking, even considering the price.

Does that mean I can’t or won’t use the little 28mm? No, not by a long shot. It’s usable, but it won’t be anywhere near as enjoyable to use as the TTArtisan viewfinders.

If given the choice, I would rather save my money and purchase the TTArtisan viewfinder even if it is probably triple the cost of these cheap, mini, plastic viewfinders.

Pachysandra: Native and non-native ground cover for woodland gardens

A chipmunk hanging out in the pachysandra which provides good cover for prey in the woodland garden.

Low maintenance evergreen ground cover is popular choice for shade garden

Pachysandra has long been a favourite ground cover for gardeners looking for an easy-to-grow, low maintenance plant for the shade garden.

If you can grow the native variety (see below) definitely make the effort to get it established in the garden.

I have used it in our front woodland garden as one of the main ground covers to form the basic structure of the landscape. It’s important to note that pachysandra is just one of several ground covers that I have put in the front garden to compete with one another and form an interesting tapestry with various ground covers fighting for dominance in the garden.

Pachysandra forms a solid enough ground cover that is manageable but still allows me to grow more interesting plants up through it.

The pachysandra (Pachysandra terminalis) or Japanese spurge competes with sweet woodruff, ferns, epimediums and others to form the dominant ground cover. It weaves through the main front garden that is heavily planted with black-eyed Susans, columbines and other spring ephemerals like trillium, solomons seal and bloodroot helping to bring the garden together in a naturalized look.

Like most ground covers it can be aggressive and, if allowed to take over, can form a dense foliage that will choke out other plants. Keeping it from overpowering other plants is not difficult but you need to keep your eye on it each year.

The more naturalized look involving competing ground covers with perennials growing up through it may not be for everyone. I prefer that look to a single ground cover simply replacing a sea of grass.

A single ground cover is simple and makes the landscape look neat and tidy, but it lacks the variety that is important to attract wildlife from birds to insects, reptiles and the like.

I have seen everything from toads, to small snakes, birds chipmunks and red squirrels rooting around in our front garden ground covers.

As an added bonus, the deer that visit almost daily leave the pachysandra alone.

Looking for more information on ground covers? Please check out my other posts on ground covers I use in the woodland garden.

• Bunchberry ideal ground cover

• What is the easiest ground cover to grow?

• Creeping thyme as a ground cover

• Moss and moss-like ground covers

• Virginia Creeper as a vine or ground cover

• Best ground covers for the woodland garden

These pachysandra leaves are poking up through a blanket of Japanese Maple Leaves.

How high does Pachysandra grow?

The popular evergreen ground cover, native to Japan and China, works well in cooler regions in hardiness zones 5a to 8b). It grows to about 6 inches in height, and spreads aggressively to create a mat of leaves and stems.

Native pachysandra is an excellent choice for woodland

Allegheny spurge (Pachysandra procumbens), is a native semi-evergreen species that is at home in fertile, well-drained, moist wooded areas in USDA zones 5b to 9a that includes Indiana, Kentucky, Tennessee, North Carolina, south to Florida, and west to Louisiana.

Both the non-native and native species will grow well in partial to full shade in well-drained, fertile soil.

You can use it in shady areas that have had trouble supporting grass.

Clemson College of Agriculture, Forestry and Life Sciences, on their website, is quick to recommend the native species for a woodland garden.

“Allegheny spurge is a perfect fit for naturalized, woodland gardens where it can be planted en masse,” Clemson writes on its informative website. “The less aggressive nature and open growth habit of Allegheny spurge makes it a suitable companion with other shade-loving groundcovers and low-growing plants.”

Pachysandra: Keep it contained

Not unlike other ground covers, it’s a good idea to keep pachysandra contained in some way. Ours is more or less contained by massive boulders on one side and a cement path on another side. Any other control is done by simply pulling out any lateral growth that looks like it is getting too comfortable growing in a particular direction.

If you want to use it in another area of the garden, you can just take cuttings from your existing patch. In fact, our front garden patch of pachysandra was created by using a handful of pachysandra cuttings purchased at the local garden club annual sale for a very small price.

Patience is key here. I’d estimate that it took 3-5 years for the cuttings to cover a fairly large area (15 feet by 15 feet) in our front garden.

But, if you are looking to save some money, pachysandra can be a good choice to begin adding to an area of the garden that needs a ground cover that performs better is a shady location than a boring, thinning patch of turf grass.

Why you need the TTArtisan optical viewfinder(s)

Exquisitely made, exceptionally beautiful: And they work great

The TTArtisan optical viewfinder makes the perfect addition to any digital or film camera that lacks an optical viewfinder. The viewfinders, available in both 21mm and 28mm are exquisitely made, elegant to look at and an ideal companion to anything from a Leica to a Pentax Q.

If a viewfinder on your camera is important to you, but you are stuck with one of the many modern non-viewfinder digicams, you owe it to yourself to check out one of the TTArtisan optical viewfinders.

And, if looking sophisticated while you’re out photographing in the field or checking out your images at the local coffee shop ranks right up there with your photographic results, then you need to run out immediately and pick up one of these little gems as fast as physically possible.

For more on the TT Artisan, check out my story on the Olympus PEN camera system.

Are there parallax correction problems? Of course. Without the highlight lines in the finder, it’s difficult to get exact framing. And, if you look into and to the right or left in the viewfinder you are able to see much more of the view. My response: by using the viewfinder regularly, you’ll get a good feel of how the it performs and, unless you are a real stickler for details, you’ll be happy with its performance.

“Like the sound of a Leica shutter in action, there is something simply elegant about a beautiful camera with an exquisitely designed viewfinder that makes you want to bring it up to your eye and use it at every opportunity possible. ”

The TTArtisan optical viewfinders are an elegant photography accessory to any camera but especially those that lack their own viewfinders forcing the photographer to use the LCD screen on the back of the camera.

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Whether it’s the 28 or the larger 21mm optical viewfinder, these exquisitely made glass and black anodized aluminum viewfinders made in China are an absolutely gorgeous addition to even the most expensive digital or 35mm film cameras. Leica comes to mind, but I’ll be pairing my 28mm TTArtisan viewfinder with my Pentax Q and Lumix LX7 cameras. Panasonic does sell it’s own very similar optical viewfinder for a considerably higher price.

It’s important to note that none – not a bit – of the information like F-stop, shutter speed or focus indicator is passed through to the finder. There are no electrical contacts on these viewfinders.

(Click here for my review of the Pentax Q)

The TTArtisan optical viewfinder pairs beautifully with the Pentax Q system of miniature cameras.

The company’s information points out that: “The TTArtisan viewfinder can be used on cameras with cold shoe mounts, such as the Ricoh GR, the Leica rangefinder cameras, old-fashioned film cameras, etc. For cameras with the original viewfinder, the TTArtisan viewfinder can be used as a great decoration.”

My recommendation is: Just get one. You won’t be disappointed. Heck, pick up both the 28mm and 21mm while they are still reasonably priced.

I got mine on sale from AliExpress for a good price, but you can also purchase them from Amazon and some of the better photographic outlets.

The TTArtisan 28mm optical viewfinder pairs beautifully with my Lumix LX7. While lacking all of the communication available with the Panasonic electronic viewfinder, the TTArtisan is still useful at the wide end and adds a touch of class to the camera.

This image from the TTArtisan website shows the viewfinder being used on the very popular Ricoh GR digital camera.

Trust me, you’ll love using it and, as a bonus, look incredibly cool in the process.

I have to admit that, while I need a viewfinder for those bright sunny days when trying to read the back of the LCD screen on my cameras is next to impossible, it was actually the cool factor that really got me to pull out the credit card.

Not that I need to look cool. Thankfully, I’m well past that time in my life. What’s cool, however, is the camera – any camera – with one of these mounted on the flash hotshoe.

Image shows both the 28 and 21mm TTArtisan viewfinders. The 21mm is significantly larger than the 28mm.

Why does adding a viewfinder even matter?

It matters for two reasons.

First is that using a viewfinder rather than the LCD on the back of the camera will almost always give you a sharper image. The viewfinder acts as a point of contact with your face and can be an important factor in getting a sharper image.

The second reason a viewfinder matters is because a camera that you fall in love with is a camera that’s going to get a lot more use. Holding the camera, bringing the viewfinder up to your eye, and looking through the optical glass can be truly inspirational if not a little nostalgic.

There is no denying the joy I get from using the finder. It just makes you want to take the camera out on the streets and into the garden to put it to use.

The 28mm TTArtisan veiwfinder is an elegant addition to everything from a Leica film camera to a modern digital camera that lacks a viewfinder.

Like the sound of a Leica shutter in action, there is something simply elegant about a beautiful camera with an exquisitely designed viewfinder that makes you want to bring it up to your eye and use it at every opportunity possible.

And, let’s face it, photography for most of us is about enjoying the process, being inspired and making works of art that satisfy our creative needs.

We all know, however, that looks aren’t everything. In the end, the product needs to provide some semblance of utility to make it worth purchasing, carrying around in your camera bag and taking the trouble to attach it to the hotshoe.

How do the TTArtisan viewfinders perform?

Do the TTArtisan viewfinders perform as expected. Absolutely.

Are they perfect? Absolutely not.

To be a little critical, the viewfinder’s biggest problem is the lack of lines on the glass that allow the user to compose the image accurately. Higher-end viewfinders will include engraved lines that show the user what they can expect to capture with say a 21mm, 28mm or even 35mm … lens.

The 28mm TTArtisan viewfinder adds a sophistication to the Lumix LX7 digicam.

My 28mm viewfinder, for example, should have lines showing a 28mm point-of-view and maybe even a 35mm view. That would make it the perfect optical finder, and allow me to use it with greater confidence that I would capture the exact image I was trying to capture at both the 28 and 35mm focal lengths.

As one reviewer wrote: “Good looking, excellent optics and build. BUT... Guys, why no bright frames inside !?!?
You can’t make accurate framing and composing – can’t tell the actual frame border without help of bright frame inside viewfinder!..”

A fair comment. Most of us, however, don’t use a viewfinder like the TTArtisan for precision framing of our images. On the street, we’re using it to get a very quick, general idea of the image we are taking without having to look at the camera’s LCD. In the garden, we just need a general idea of the image and any cropping needed can be done in post processing.

Even the packaging that comes with the TTArtisan viewfinders hints at the quality of the item.

If the sun is bright and the reflective glare off the LCD makes it difficult to view, we just need to get a good idea of what we are photographing. This viewfinder delivers under those circumstances.

I think that a high precision optical viewfinder complete with focal length lines was much more important when photographers were shooting only film. With the evolution of digital photography, where images can be cropped easily in Lightroom, Photoshop or another post processing tool, the ability to see precisely what we are photographing is less critical. And, if we have a situation where it is critical, we can always use the LCD on the back of the camera.

So, unless you can’t live without critical information showing the exact image you are photographing, the TTartisan 21mm and/or 28mm optical viewfinders are a perfect addition to your viewfinderless digital or film cameras at a very reasonable price.

Two external optional viewfinders compared. The TTArtisan viewfinder on the left compared to the tiny, inexpensive Lichifit 28mm finder on the right. For the complete comparison post, go to external viewfinders comparison.

A rubberized surround makes it easy for photographers to use the viewfinder with glasses and a convenient carrying pouch helps protect the viewfinder when it’s tucked away in your camera bag. I have not experienced it but apparently the rubber surround can be easily knocked off the viewfinder. If this becomes a problem, a little supper glue will probably solve the problem.

The company also notes, in its on-line literature, that the “optical glass has good light transmittance and multiple high-quality coatings, which provides a good experience for framing.

• Rubber Eyepiece: The side of the eyepiece is wrapped with a circle of odorless rubber, which protects the eyes well.

• Compact and Portable: The viewfinder weighs only 51/33 grams

• Anodized Aluminum: Elegant design complete with aviation aluminum material

The optical glass in the TTArtisan viewfinders provides excellent clarity.

Lens and optical viewfinder - the perfect combo

I am planning to use my viewfinder with zoom lenses that include the 28mm focal length, but the veiwfinders are ideally meant to be paired with prime 28mm and 21mm lenses including, of course, the very affordable TTartisan lenses sold for various camera manufacturers from Leica to Sony, Fuji and the like.

Pairing the optical viewfinders with their lens counterparts make for exquisite combinations that create the ideal photographic experience while increasing the “cool factor” off the charts.

Proven Winners’ Idea book hits another home run

Inspirational ideas and tips booklet is a Proven Winner

The 2023 Proven Winners’ Gardener’s Idea Book just arrived in the mail and, once again, the company known for its top performing annuals, perennials and shrubs has hit a home run.

I’m not sure if I’m more excited about the opening of the baseball season in two days or the arrival of this year’s booklet packed with pictures, ideas and tips on how to maximize the plants and shrubs offered in 2023.

Idea Book turns the focus on birds

It’s good to see Proven Winners’ recognizing the importance of birds in the garden. This year they included a spread on creating a bird friendly garden, along with pages featuring everyone’s favourite, Supertunias, and images showing how to get the most out of them in the garden and in containers. There are even planting plans on creating the three images of mature containers on page 2 of the 42-page full glossy booklet.

I signed up for the booklet several years ago and it now gets delivered every year right on time for the gardening season. You can get information on the booklet by clicking on the link here to the Proven Winners website. From that link you can order the free booklet and check out the Proven winners’ new plants and guides and photographs.

• For my previous articles about the Proven Winners’ Gardener’s Idea Books from past years check out these links: 2022 Idea Book and the 2021 Idea Book.

This image from Proven Winner’s website shows suggested shrubs for nesting birds.

This year’s booklet also includes pages on creating “sophisticated” shady areas on your porch or patio using primarily shade loving plants in containers. Of course, there are planting schemes included for some of the containers to get your creative juices going, and a host of images for inspiration.

Booklet features colourful containers

There are features on making the most out of your front yard using colourful combinations – the colours are a little too hot for my liking – but still some interesting ideas to tap into.

Pages 12-13 is more to my liking focusing on how to combine perennials in containers for more subdued but still colourful containers including hostas and some of the newer colourful Heuchera or coral bells along with other plants like Silver Falls Dichondra.

Pages 14-15 tackle some of the new and long-time favourite shrubs, including Rose of the Year, Hydrangea of the Year and Shrub of the year.

There are several pages donated to the growing popularity of indoor plants as well as a section on greenhouse gardening, just to name a few.

Some of Proven Winner’s suggestions for plants to feed the birds.

Proven Winners’ has traditionally been known as the company that offers long flowering and highly colourful plants, at least in my opinion, so I was surprised to see a move toward more casual and nature-inspired gardens. The booklet focuses on a once under utilized area of a garden that was turned into a Japanese-inspired space combining simple materials and a toned-down palette of black and white, and chartreuse.

“A special place devoted to regaining balance can be as close as your own backyard,” the authors write in describing the out-of-the-way garden room.

There are examples of sprucing up a small patio or balcony, and several pages on creating a view from a home office space – a growing reality for so many of us following the pandemic.

Some of Proven Winner’s suggestions for best shrubs for nectar eating birds.

At the back of the booklet is the real treasure. Proven Winners’ has created two excellent charts showing the bloom times of their top performing perennials and another showing the bloom times of their shrubs including hydrangeas to help gardeners plan for the longest bloom times.

It’s important to note that Proven Winners’ plants are hybridized and are therefore not true natives to our gardens.

I use mostly their annual plants and must admit that, although hybridized, I have had incredible success with their plants attracting native bees, hummingbirds, hummingbird moths (clearwings) and other insects. Last year the Rockin’ the Blues salvia was the busiest plants in our garden for our native bumble bees and hummingbirds, especially later in the season. This year I’m looking to add more salvias from their Rockin’ series.

It’s hard to argue that the Proven Winners’ Gardener’s Idea Book is not simply a marketing device to encourage gardeners to purchase their plants, but that would mean missing out on the incredible wealth of knowledge and creative ideas that the booklet offers.

And, for the price – free for the asking – it’s a freebie you will want to have in your hand this spring. Get on the mailing list and add The Gardener’s Idea Book to your spring, summer and for sure winter, inspirational guides.

Wildscape: Learning to embrace our gardens

Author urges gardeners to stay in touch with nature, our gardens and wildlife

Touch may seem a little strange in a gardening sense. We can all relate to scent, sound and visual senses in the garden and the wildlife that call it home, but touch, well, that’s not something we focus on in quite the same way.

The other senses in the garden come to us – whether we choose to or not, we smell the flowers, hear the birds, and admire our little friends from near and far.

The sense of touch, however, requires us to reach out and experience it. Many times that ability to touch something in our gardens is out of reach – the bird in the tree, the doe with her fawn.

What we may overlook, however, is the way our gardens reach out to us for an embrace.

For Nancy Lawson, the author of Wildscape: Trilling Chipmunks, Beckoning Blooms, Salty Butterflies, and other Sensory Wonders of Nature  (PA Press, Princeton Architectural Press, New York) touch is rooted in memories of her late father and the special relationship between them.

She tackles the sense of touch in the fourth chapter of her five-chapter exploration of garden senses in her newest book following the highly successful book The Humane Gardener.

For more on Nancy’s newest book, check out the four other posts beginning with How senses play a key role in our gardens.

The sense of touch in the garden begins by allowing it to embrace the spirit in you.

If The Humane Gardener, was a plea for respect and compassion toward all species and a call for gardeners to welcome all wildlife to our backyards, Wildscape is a call to action for gardeners to recognize the problems humans are creating and how our actions are, in many cases, forcing garden wildlife to change natural behaviours to survive.

How our gardens helped us survive the Covid lockdown

In the second chapter of Wildscape, Nancy brings us back to the summer of 2020 when the world was in the throes of the COVID lockdown.

It was a time when touch, at least between humans, was difficult at best. A time of seclusion, of feeling lonely and out of sync with the world around us as most of us remained locked in our very small worlds restricted to our apartments, homes and, for the lucky ones among us, our gardens.

For the author, it was the sighting of a secretive bird in her garden and the long awaited summer rains that opened a floodgate of memories and emotions.

“I’m transported to a distant forest of long ago, where I zigzag on toddler legs with my father across a trail, seeking refuge under the dense canopy when drizzle turns to deluge,” Lawson writes.

“We dash beneath the tallest tree to plot our next move. The sky booms. My dad squeezes my hand, and I look up to see if he shares my sense of foreboding. But he is smiling at me, his eyes twinkling. He says something funny, and we start laughing. I feel happy. Hand in hand, we make a break for it, dodging the downpour with the help of our tree friends, even though we are already dripping wet,” Lawson writes.

This Dark eyed Junco clings to a grass left standing through the winter. Embracing nature and our gardens is an important step to creating a positive environment for wildlife.

“This is my first memory of being alive, in late July 1972, two months shy of my third birthday and exactly forty-eight years before I would meet the yellow-billed cuckoo,” writes the author upon seeing the rather rare and secretive bird fly into the tulip tree.

“Decades later, that rain soaked hike remains foundational to my worldview. The trees took care of me on that day, and so did my dad. It only makes sense that I’ve spent the rest of my life loving them back. Even on the worst of days, as the trees begin to outlive my human family, I take comfort and joy in their embrace.”

And it’s that embrace from the garden – in the heart of the Covid shutdown – that helped so many of us get through the challenging time.

How Covid impacted fauna in our gardens

I remember hours out in the garden watching the birds, the chipmunks and the deer going on about their business completely unaware that a deadly virus was wiping out millions of people around the world.

In our gardens, life went on as usual except for the new-found serenity that enveloped neighbourhoods. To our feathered and furry friends in the garden, the earth was finally taking a break. The constant drone of cars, trucks and airplanes quieted. The normal hustle, bustle and inherent dangers that kept the neighbourhood fox from venturing out during daylight hours were nowhere to be seen.

Embracing nature in the garden begins with planting more native plants.

Animals not normally seen were out walking the streets in some areas. Birds could hear their mates calling out and chipmunks’ danger warnings were heard loud and clear.

The birds filled the air with songs. Bees buzzed, frogs croaked, coyotes howled and fawns cried out for their mothers.

And, our gardens embraced us at a time we needed it most.

Of course, Nancy goes well beyond the garden embrace in her entire chapter on the sense of touch in the garden.

Do trees and plants need a sense of community?

She writes of how so many gardeners and landscapers are overlooking the importance of touch among plants, trees and shrubs in the garden.

Peter Wohlleben has written an entire book The Hidden Life of Trees on how important it is for the roots of trees to feel part of a community as they do in a forest or woodland setting.

If you want to know more about Peter’s book, check out my comprehensive post on The Hidden Life of Trees here.

We need to embrace the wildlife like this red squirrel who choose to make our gardens their homes.

Our garden plants, trees and shrubs also need to embrace in our garden community.

Nancy writes about how gardeners “plant specimens” in order to prevent disease from spreading. But these specimens are left orphaned, not just for a couple of weeks or years, but for a lifetime.

“Our culture inflicts this kind of social distancing on other living organisms even in the outdoors – to the point of allowing plants to grow near each other and animals to touch them has become a radical act. Landscapers and gardeners talk of “specimen” trees and “ornamental” shrubs and flowers as if they were inanimate objects made only for our own needs and pleasures, and in treating them this way we deprive the whole community, human and nonhuman alike,” she writes.

It’s considered normal to force trees to stand lonely in mowed lawns or in thick layers of the shredded carcasses of their friends. Shrubs trying to reach out to others don’t get very far before their arms are cut off with pruning shears.”

Lawson’s message is clear: If we learned anything during the multi-year Covid shutdown, it was that sense of community is important to our health. That same sense of community is important to the health of our gardens and the creatures big and small that live there.

It’s time for us to embrace that sense of community in our gardens, but we can only accomplish that by stepping back from our controlling ways and giving our gardens the opportunity to create that community naturally. A community we all benefit from nurturing.

Wildscape: Acquiring a taste for our gardens

A battle of epic proportions rages on in our gardens

When it comes to gardens, taste is not really about style, at least not in the world of Wildscape author Nancy Lawson.

Her definition of garden taste is more about a constant struggle between life and death. And, whether you know it or not, it plays out every day, every hour, probably every minute on your property.

The deer are looking for some tasty hostas to munch on, while the bees are craving pollen, the ants are looking to harvest the sugars provided by the aphids, and the snake would be happy to get a taste of that little frog tucked under the old stump. Meanwhile, those who are on the menu are combining a smorgasbord of senses to fool and create foul – even poison – signals to those who want to eat them.

It’s a battle even our garden plants have joined in on with their own defences.

In her latest book, Wildscape: Trilling Chipmunks, Beckoning Blooms, Salty Butterflies, and other Sensory Wonders of Nature  (PA Press, Princeton Architectural Press, New York) Lawson explores – in five chapters – the sensory wonders of nature and the incredible adaptations insects, mammals, birds, reptiles and amphibians are sometimes forced to make to survive and prosper in our gardens.

For more on Nancy Lawson’s latest book Wildscape: check out my post on How senses play a role in our garden.

A little sweat is better than you may think

In chapter two, Lawson explores Tastescape in our gardens with the introduction of the relationship between salts from her own sweat and the diminutive blue azure butterfly.

“To this diminutive blue butterfly, the flowers bursting forth all over the gardens hold little allure right now,” Lawson writes. “The birdbath is where it’s at: prime beachfront property with a salty private sea lapping at its ceramic orange shoreline. He’s taking in not just water but whatever invisible bits of myself I’ve shed while rinsing out the dish. As far as I’m aware, I’ve left only fingerprints, but to the butterfly, the residues of my sweat might be a lifeline. And soon enough word travels fast among the azure’s cousins, because that evening as I settle into a chair on the patio with my books and a glass of water, an Eastern-tailed blue butterfly … lands on my big toe.”

It’s a dog-eat-dog world in our gardens where insects, caterpillars and other herbivores look for sustenance in our prized plants while predators big and small look to herbivores for many of their meals.

If The Humane Gardener, Nancy Lawson’s first book, was a plea for respect and compassion toward all species and a call for gardeners to welcome all wildlife to our backyards, Wildscape is a call to action for gardeners to recognize the problems humans are creating and how our actions are, in many cases, forcing garden wildlife to change natural behaviours to survive.

When it comes to taste, we gardeners may not realize our influences in the garden. Lawson’s small lesson in the importance of her own sweat did not go unnoticed.

This image shows the battles that go on every day in our gardens between prey and predators.

“Animals rely on sodium for a number of physiological processes, including neuromuscular function, fluid regulation, digestion and excretion,” she writes. “From butterflies and bees to moose and squirrels, they seek natural salt licks to supplement their diets.”

Of course, the struggle to obtain sufficient amounts of salt in their diets is only a small part of the chapter on taste. Lawson’s exploration of how butterflies and a host of insects use other senses, including smell and sight to escape becoming a tasty treat is a fascinating study in itself.

“It’s hard to tell where other senses end and taste begins. Touch, smell, sound, and sight all play a role in locating food and avoiding becoming food yourself,” she writes. “The tastescape is a sensory feast filled with moments of sweetness: a tired papa cardinal teaches his fledglings to forage among flowerpots while taking frequent breaks to feed them; a mother deer and her fawn reunite in the evening for a nursing session. But it is also treacherous place, with the need to feed starting more wars among the plants and animals in one backyard than among people around the world throughout human history. From the gangs of tufted titmice mobbing a black rat snake trying to grab a stealthy meal to the frogs diving under the water lily refuges….

“In the battle of the appetites, plants can not only use their own senses to “taste” who’s eating them and shore up their defenses as necessary, but also offer sweet rewards to a mercenary army of anthropods,” explains Lawson.

A simple log planter can be an outstanding addition to any garden attracting both prey and predators.

How the tiniest of ants help shape our gardens

You may ask the very valid question: Why should we as gardeners care about the daily battles for food that go on in our gardens?

Lawson tackles these questions as well as offering advice on how we can create a more natural balance in our gardens where nature can take over from chemicals to keep everything in check.

“Even in the altered suburban landscape,” Lawson writes, “It’s not hard to observe the positive effects of leaving stumps, lining paths with logs, and creating brush piles. When neighbors cut trees, we place pieces of the trunk around our garden, making lemons from lemonade and even attracting ants who emit a lemony scent from glands near their mandibles when disturbed. The compound, called citronellal, acts as an alarm call to ants, who rush to defend the colony.”

Lawson explains the importance of ants – those same ants many gardeners look to exterminate – in our gardens.

“Watch ants in your garden, and it won’t take long to understand how profoundly they shape their surroundings and are shaped by them in turn. In our habitat they haul seeds, bits of wood, butterfly wings, and any other organic objects they can lift or drag….

From the smallest to the largest of living things our gardens are shaped and reshaped.

As Lawson concludes: “We are their allies, ensuring they have what they need to regenerate: the starter logs and starter leaves of a new, ant-filled, bee-buzzing, hummingbird-lit forest.”